A man sets out on an ordinary business trip to Valparaiso, Indiana. It turns out to be a mock-heroic journey toward identity and transcendence. This is Don DeLillo's second play, and it is funny, sharp, and deep-reaching. Its characters tend to have needs and desires shaped by the forces of broadcast technology. This is the way we talk to each other today. This is the way we tell each other things, in public, before listening millions, that we don't dare to say privately. Nothing is allowed to be unseen. Nothing remains unsaid. And everything melts repeatedly into something else, as if driven by the finger on the TV remote. This is also a play that makes obsessive poetry out of the language of routine airline announcements and the flow of endless information. Valparaiso has been performed by the American Repertory Theatre in Cambridge, Massachusetts, and by the Steppenwolf Theatre Company in Chicago.
Don DeLillo is the author of fifteen novels, including Zero K, Underworld, Falling Man, White Noise, and Libra. He has won the National Book Award, the PEN/Faulkner Award for Fiction, the Jerusalem Prize for his complete body of work, and the William Dean Howells Medal from the American Academy of Arts and Letters. In 2010, he was awarded the PEN/Saul Bellow Prize. His story collection The Angel Esmeralda was a finalist for the 2011 Story Prize and the PEN/Faulkner Award for Fiction.