A NEW YORK TIMES 100 NOTABLE BOOKS OF 2019 SELECTION
From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It.
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”
In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.
The Institute 1 Half an hour after Tim Jamieson’s Delta flight was scheduled to leave Tampa for the bright lights and tall buildings of New York, it was still parked at the gate. When a Delta agent and a blond woman with a security badge hanging around her neck entered the cabin, there were unhappy, premonitory murmurings from the packed residents of economy class.
“May I have your attention, please!” the Delta guy called.
“The delay should be short, and the captain wants to assure you all that your flight will arrive approximately on time. We have a federal officer who needs to board, however, so we’ll need someone to give up his or her seat.”
A collective groan went up, and Tim saw several people unlimber their cell phones in case of trouble. There had been trouble in these situations before.
“Delta Air Lines is authorized to offer a free ticket to New York on the next outbound flight, which will be tomorrow morning at 6:45 AM—”
Another groan went up. Someone said, “Just shoot me.”
The functionary continued, undeterred. “You’ll be given a hotel voucher for tonight, plus four hundred dollars. It’s a good deal, folks. Who wants it?”
He had no takers. The security blond said nothing, only surveyed the crowded economy-class cabin with all-seeing but somehow lifeless eyes.
“Eight hundred,” the Delta guy said. “Plus the hotel voucher and the complimentary ticket.”
“Guy sounds like a quiz show host,” grunted a man in the row ahead of Tim’s.
There were still no takers.
And still none. Tim found this interesting but not entirely surprising. It wasn’t just because a six forty-five flight meant getting up before God, either. Most of his fellow economy-class passengers were family groups headed home after visiting various Florida attractions, couples sporting beachy-keen sunburns, and beefy, red-faced, pissed-off-looking guys who probably had business in the Big Apple worth considerably more than fourteen hundred bucks.
Someone far in the back called, “Throw in a Mustang convertible and a trip to Aruba for two, and you can have both our seats!” This sally provoked laughter. It didn’t sound terribly friendly.
The gate agent looked at the blond with the badge, but if he hoped for help there, he got none. She just continued her survey, nothing moving but her eyes. He sighed and said, “Sixteen hundred.”
Tim Jamieson suddenly decided he wanted to get the fuck off this plane and hitchhike north. Although such an idea had never so much as crossed his mind before this moment, he found he could imagine himself doing it, and with absolute clarity. There he was, standing on Highway 301 somewhere in the middle of Hernando County with his thumb out. It was hot, the lovebugs were swarming, there was a billboard advertising some slip-and-fall attorney, “Take It on the Run” was blaring from a boombox sitting on the concrete-block step of a nearby trailer where a shirtless man was washing his car, and eventually some Farmer John would come along and give him a ride in a pickup truck with stake sides, melons in the back, and a magnetic Jesus on the dashboard. The best part wouldn’t even be the cash money in his pocket. The best part would be standing out there by himself, miles from this sardine can with its warring smells of perfume, sweat, and hair spray.
The second-best part, however, would be squeezing the government tit for a few dollars more.
He stood up to his perfectly normal height (five-ten and a fraction), pushed his glasses up on his nose, and raised his hand. “Make it two thousand, sir, plus a cash refund of my ticket, and the seat is yours.”
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, and Doctor Sleep are the basis for major motion pictures, with It now the highest grossing horror film of all time. He is the recipient of the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
“A big shank of a book that reminded me instantly of many of the reasons I loved (love?) [King]. His characters are the kind of people who hear the trains in the night. The music is always good. He swings low to the ground. He gets closer to the realities and attitudes of working-class life in America than any living writer I can think of.” —Dwight Garner, The New York Times
"Throughout his long career, King has been committed to the bedrock notion that stories matter, that they help us understand both ourselves and the world we inhabit. The Institute, filled as it is with anger, sorrow, empathy and, yes, hope, reiterates that commitment with undiminished power. It is a first-rate entertainment that has something important to say. We all need to listen.” —William Sheehan, The Washington Post
“As consummately honed and enthralling as the very best of [King’s] work...How do you maintain your dignity and humanity in an environment designed to strip you of both? That theme, such an urgent one in literature from the 20th century onward, falls well within King’s usual purview...Of all the cosmic menaces that King’s heroes have battled, [the] slow creep into inhumanity may be the most terrifying yet, because it is all too real.” —Laura Miller, The New York Times Book Review
“The Institute is another winner: creepy and touching and horrifyingly believable, all at once.” —The Boston Globe
“This is King at his best.” —The St. Louis Post-Dispatch
“Gripping… This is a thriller — and a good one, at that. There’s little in the way of King’s usual emphasis on the occult beyond the topic of psychic powers, which, according to surveys, as many as 40% of Americans believe are real. But there’s no shortage of monsters, that’s for sure. They just come in the coldblooded, end-justifies-the-means, laws-don’t-apply-to-us human variety. We have no trouble believing that those types of people are real. And they are plenty scary.” —The Minneapolis Star Tribune
“Fans will draw parallels between Luke’s tight band of friends and the kids at the center of It, in which the Losers Club faces off against a murderous clown, but this is an entirely original story that can only come from the mind of a master teller like King.” —The Florida Times Union
“King wows with the most gut-wrenching tale of kids triumphing over evil since It….Tapping into the minds of the young characters, King creates a sense of menace and intimacy that will have readers spellbound…Not a word is wasted in this meticulously crafted novel, which once again proves why King is the king of horror.” —Publishers Weekly, STARRED review
"You don’t need to be a horror fan to read The Institute — or to have The Institute take over your life, since this is generally what happens with King’s novels...His storytelling transcends genre." —Marion Winnick, Newsday
“Shocking suspense and hallmark thrills…The Institute offers a thrilling reading experience and rousing tribute to the resilience of children and the unending fight against evil.” —G. Robert Frazier, BookPage