The Dog Walker

A Novel

About The Book

Part voyeur, part dreamer, Nina Shepard, a Manhattan dog walker, has been around the block, so to speak, a few times and yearns to find that something -- or someone -- she can be passionate about. She may not have a boyfriend or a real purpose in life, but she does have a job that offers her one great opportunity: the keys to her clients' apartments. And with these keys, Nina has the freedom to cross several foyers -- and a moral boundary -- and gain access to their lives...where she just might find the things that are missing in her own.
Enter Daniel, a man she thinks she knows from snooping far past his doorway when she comes to pick up Sid, his Weimaraner. Except for owning a designer dog (rather than a stray from the pound), he seems perfect in every way. Now if only she could meet him.
For anyone else that might seem simple, but for Nina life is complicated. Claire, her best friend, is an actress who loses every audition due to nervous sweats. Bono, a sullen and sarcastic eight-year-old, is neglected by his U2 groupie mom, one of Nina's clients. Mrs. Chandler, her eccentric neighbor, would rather discuss Barry Bonds than why the IRS is hounding her. And Isaiah, Nina's ex-con dog-walking colleague, champions the rights of pit bulls. And, of course, there are the dogs themselves: Wallis and Edward, the spoiled dachsunds; Che, the stone-deaf beagle; Safire, the bulldog who stares at walls; and Nina's own beloved mutt Sam.
But it is Daniel who holds the key to Nina's heart. One moonlit night on a pier overlooking the Hudson River they are pulled into the treacherous waters of love. What she doesn't know is that Daniel is an imposter, pretending to be what he is not. And by the time she learns who he really is, after mishaps and mistaken identities, deception and lost dogs, it's too late. She's fallen for someone she never would have expected.
The Dog Walker is the hilarious and heartwarming story about one woman's quest for fulfillment. It is about city life -- any city, all cities -- and the struggle to make real connections. It is about allowing oneself to love fully while being fully oneself. And finally, it is about life itself: unpredictable, joyful, and not to be missed.

Reading Group Guide

Questions and Topics for Discussion
1) After the first chapter, what have you learned about Nina? What does she care about? What are her weaknesses? After you'd read a few pages did you feel like you knew her, or that she was someone you'd get along with? Did the end of the chapter surprise you? After you found out she was trespassing, did your opinion of her change?
1) Both Nina and Billy like to snoop. The author describes the urge by saying, "It was like eating one of those See's candies. You know it's bad for you, but the force to do it, to reach, to eat, is so much stronger than the force to stop and think and consider the fat and cholesterol content, or, in this case, weighing the moral issues" (133). Nina and Billy devote a lot of thought to weighing the moral issues after the fact (and sometimes even mid-snoop). What conclusions do they come to? Do their ideas differ significantly? How do their experiences with each other change their snooping habits?
2) Do Billy and Nina learn anything valuable about each other while snooping that they might not have learned by talking to each other? Think about Nina's discovery of Billy's trombone, and Billy's discovery of Nina's sculpture and her obsession with old musicals. Do you think either of them would have revealed these secrets on their own? How does snooping circumvent their natural tendencies to protect themselves? Does it help them develop intimacy?
3) Nina thinks she's in love with Billy because she was in love with what she knew of "his" apartment. Billy is aware of Nina's preconceived notions, and he's afraid that Nina really is in love with his brother. How much does Nina really know about the inhabitant of Daniel's apartment? Is there a difference between her infatuation with Daniel and her love for Billy? Is it reasonable for Billy to be afraid that Nina is really in love with his brother?
4) Claire, Billy and Bono all respond to Nina's sculptures. "And," as Nina says, "every one of them was a critic" (232). Compare Claire's response to Nina's sculptures with Billy's. What does she think Nina ought to do with them (see page 218), and how does her opinion reflect her wishes for Nina in general? How does Daniel respond to the sculpture (see page 211)? How does his relationship with it reflect his desired relationship with Nina?
5) Nina's relationship with her mom seems strained and unsatisfying. What does Nina want from her that's she's not getting? When Nina is in the hospital, do you think anything changes for them during their phone conversation? Later, when Nina tells her mom that she's in love, and her mom tells her not to screw it up, Nina asks herself, "When would she stop asking for it and learn the limits of this relationship? Not all mothers could bear the disappointments of their daughters" (261). By recognizing this, will Nina improve her relationship with her mother? How else might she build on their relationship?
6) Why do both Nina's mom and Claire make it a point to push Nina towards finding another profession? Nina finds this annoying and avoids admitting to either of them that she agrees. Do you think their prodding is useful, or does it encourage Nina to resist change? Is their advice a form of caring, or is it just meddlesome? What is it that finally allows Nina to develop her career?
7) On page 159, Nina says to Claire, "I'm not and have never been a manufacturer of my own destiny." But by the end of the book, Nina is not only mistress of her own fate, she's helping others as well. What changes in her make it possible for her to be so proactive? How does her newfound confidence contribute to her happiness and the happiness of others?
8) Along the same lines, Nina's relationship with Billy almost becomes "the first love affair with no people" (188) because neither wants to be the one to pursue the other and risk being vulnerable. Both have their reasons for being reticent. Are Nina's reasons more valid than Billy's, or vice versa? After Nina's brief entanglement with Daniel, she pursues Billy and tries to heal their rift. What enabled her to be able to do that? Do you think Billy would have gone looking for her if she hadn't beaten him to it? Had he changed as well?
9) Did Billy handle his work with Mrs. Chandler ethically? Professionally? Why was he so upset when she refused to tell him how she made her money (see page 171), and why didn't he turn her in? To some, Billy's deal with Mrs. Chandler might seem like a reasonable compromise; to others, it might seem like a shake down. How did Billy's arrangement with Mrs. Chandler allow him to reconcile his professional responsibilities with his ethics?
10) What did you make of Daniel's behavior regarding Nina and his brother? Billy described his relationship with his brother by saying, "Since the dawn of mankind, brothers were competitive, jealous, and resentful. Billy and Daniel, walking proudly in the shoes of Cain and Abel" (263). Nina, on the other hand, doesn't regard Daniel's behavior so philosophically: she demands retribution in the form of Daniel's dog, Sid. Were their responses commensurate with his behavior?
11) After her successful matchmaking, Nina decides to start her own business linking up dogs and owners. As Claire says, "[People] choose each other for all the wrong reasons. Why would they do any better when it comes to a dog?" (301) How does that observation describe the complications in the relationship between Nina and Billy? Think about Nina's conversation with Mrs. Chandler about sofas. How does it help her to understand why she wants to be with Billy?

About The Author

Photo Credit:

Leslie Schnur was previously the editor-in-chief of Delacorte
Press/Dell Publishing. Raised in the San Francisco Bay Area and a
graduate of the University of California at Berkeley, she currently
lives in New York City with her husband, two children, and two dogs.

Product Details

  • Publisher: Atria Books (July 27, 2004)
  • Length: 320 pages
  • ISBN13: 9781416503637

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Raves and Reviews

"Delivers workplace dish, social skewering, name-brand knowingness, and sexy sex...with attitudinal smarts, deft writing, and perfect comic timing."
--Daily News

"A warmhearted, big-city fairy tale about the things that matter most: dogs, friends, music, and falling in love."
--Jennifer Weiner, author of In Her Shoes and Little Earthquakes

"It's 309 pages of pure glee, made all the more fabulous by the presence of extremely excellent dogs."
--The Dallas Morning News

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