Now a major motion picture from Paramount Pictures starring John Lithgow, Jason Clarke, and Amy Seimetz!
Stephen King’s #1 New York Times bestseller Pet Sematary, a “wild, powerful, disturbing” (The Washington Post Book World) classic about evil that exists far beyond the grave—among King’s most iconic and beloved novels.
When Dr. Louis Creed takes a new job and moves his family to the idyllic rural town of Ludlow, Maine, this new beginning seems too good to be true. Despite Ludlow’s tranquility, an undercurrent of danger exists here. Those trucks on the road outside the Creed’s beautiful old home travel by just a little too quickly, for one thing…as is evidenced by the makeshift graveyard in the nearby woods where generations of children have buried their beloved pets. Then there are the warnings to Louis both real and from the depths of his nightmares that he should not venture beyond the borders of this little graveyard where another burial ground lures with seductive promises and ungodly temptations. A blood-chilling truth is hidden there—one more terrifying than death itself, and hideously more powerful. As Louis is about to discover for himself sometimes, dead is better…
Pet Sematary 1 Louis Creed, who had lost his father at three and who had never known a grandfather, never expected to find a father as he entered his middle age, but that was exactly what happened . . . although he called this man a friend, as a grown man must do when he finds the man who should have been his father relatively late in life. He met this man on the evening he and his wife and his two children moved into the big white frame house in Ludlow. Winston Churchill moved in with them. Church was his daughter Eileen’s cat.
The search committee at the university had moved slowly, the hunt for a house within commuting distance of the university had been hair-raising, and by the time they neared the place where he believed the house to be—all the landmarks are right . . . like the astrological signs the night before Caesar was assassinated, Louis thought morbidly—they were all tired and tense and on edge. Gage was cutting teeth and fussed almost ceaselessly. He would not sleep, no matter how much Rachel sang to him. She offered him the breast even though it was off his schedule. Gage knew his dining schedule as well as she—better, maybe—and he promptly bit her with his new teeth. Rachel, still not entirely sure about this move to Maine from Chicago, where she had lived her whole life, burst into tears. Eileen promptly joined her. In the back of the station wagon, Church continued to pace restlessly as he had done for the last three days it had taken them to drive here from Chicago. His yowling from the cat kennel had been bad, but his restless pacing after they finally gave up and set him free in the car had been almost as unnerving.
Louis himself felt a little like crying. A wild but not unattractive idea suddenly came to him: He would suggest that they go back to Bangor for something to eat while they waited for the moving van, and when his three hostages to fortune got out, he would floor the accelerator and drive away without so much as a look back, foot to the mat, the wagon’s huge four-barrel carburetor gobbling expensive gasoline. He would drive south, all the way to Orlando, Florida, where he would get a job at Disney World as a medic, under a new name. But before he hit the turnpike—big old 95 southbound—he would stop by the side of the road and put the fucking cat out too.
Then they rounded a final curve, and there was the house that only he had seen up until now. He had flown out and looked at each of the seven possibles they had picked from photos once the position at the University of Maine was solidly his, and this was the one he had chosen: a big old New England colonial (but newly sided and insulated; the heating costs, while horrible enough, were not out of line in terms of consumption), three big rooms downstairs, four more up, a long shed that might be converted to more rooms later on—all of it surrounded by a luxuriant sprawl of lawn, lushly green even in this August heat.
Beyond the house was a large field for the children to play in, and beyond the field were woods that went on damn near forever. The property abutted state lands, the realtor had explained, and there would be no development in the foreseeable future. The remains of the Micmac Indian tribe had laid claim to nearly eight thousand acres in Ludlow and in the towns east of Ludlow, and the complicated litigation, involving the federal government as well as that of the state, might stretch into the next century.
Rachel stopped crying abruptly. She sat up. “Is that—”
“That’s it,” Louis said. He felt apprehensive—no, he felt scared. In fact he felt terrified. He had mortgaged twelve years of their lives for this; it wouldn’t be paid off until Eileen was seventeen.
“What do you think?”
“I think it’s beautiful,” Rachel said, and that was a huge weight off his chest—and off his mind. She wasn’t kidding, he saw; it was in the way she was looking at it as they turned in the asphalted driveway that curved around to the shed in back, her eyes sweeping the blank windows, her mind already ticking away at such matters as curtains and oilcloth for the cupboards, and God knew what else.
“Daddy?” Ellie said from the back seat. She had stopped crying as well. Even Gage had stopped fussing. Louis savored the silence.
Her eyes, brown under the darkish blond hair in the rearview mirror, also surveyed the house, the lawn, the roof of another house off to the left in the distance, and the big field stretching up to the woods.
“Is this home?”
“It’s going to be, honey,” he said.
“Hooray!” she shouted, almost taking his ear off. And Louis, who could sometimes become very irritated with Ellie, decided he didn’t care if he ever clapped an eye on Disney World in Orlando.
He parked in front of the shed and turned off the wagon’s motor.
The engine ticked. In the silence, which seemed very big after Chicago and the bustle of State Street and the Loop, a bird sang sweetly in the late afternoon.
“Home,” Rachel said softly, still looking at the house.
“Home,” Gage said complacently on her lap.
Louis and Rachel stared at each other. In the rearview mirror, Eileen’s eyes widened.
They all spoke together, then all laughed together. Gage took no notice; he only continued to suck his thumb. He had been saying “Ma” for almost a month now and had taken a stab or two at something that might have been “Daaa” or only wishful thinking on Louis’s part.
But this, either by accident or imitation, had been a real word. Home.
Louis plucked Gage from his wife’s lap and hugged him.
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes The Institute, Elevation,The Outsider, Sleeping Beauties (cowritten with his son Owen King) and the Bill Hodges trilogy, End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower and It are the basis for major motion pictures, with It now the highest grossing horror film of all time. He is the recipient of the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.