Lincoln and the Power of the Press

The War for Public Opinion


About The Book

Winner of the Gilder Lehrman Lincoln Prize

“Lincoln believed that ‘with public sentiment nothing can fail; without it, nothing can succeed.’ Harold Holzer makes a significant contribution to our understanding of Lincoln’s leadership by showing us how deftly he managed his relations with the press of his day to move public opinion forward to preserve the Union and abolish slavery.” —Doris Kearns Goodwin

From his earliest days, Lincoln devoured newspapers. As he started out in politics he wrote editorials and letters to argue his case. He spoke to the public directly through the press. He even bought a German-language newspaper to appeal to that growing electorate in his state. Lincoln alternately pampered, battled, and manipulated the three most powerful publishers of the day: Horace Greeley of the New York Tribune, James Gordon Bennett of the New York Herald, and Henry Raymond of the New York Times.

When war broke out and the nation was tearing itself apart, Lincoln authorized the most widespread censorship in the nation’s history, closing down papers that were “disloyal” and even jailing or exiling editors who opposed enlistment or sympathized with secession. The telegraph, the new invention that made instant reporting possible, was moved to the office of Secretary of War Stanton to deny it to unfriendly newsmen.

Holzer shows us an activist Lincoln through journalists who covered him from his start through to the night of his assassination—when one reporter ran to the box where Lincoln was shot and emerged to write the story covered with blood. In a wholly original way, Holzer shows us politicized newspaper editors battling for power, and a masterly president using the press to speak directly to the people and shape the nation.


Lincoln and the Power of the Press INTRODUCTION A More Efficient Service

“He who moulds public sentiment, goes deeper than he who enacts statutes or pronounces decisions.”

—Abraham Lincoln, August 21, 1858

To many of his thriving neighbors, Abraham Lincoln’s hometown of Springfield, Illinois, seemed by the 1850s nothing less than a “paradise in miniature.” Abundant with “stores, taverns, and shops,” and illuminated by modern, gas-fed lights, even the unpaved, mud-mired streets could not inhibit what Lincoln called “a great deal of flourishing about in carriages.”1

Behind its serenely bustling facade, however, the frontier capital also ranked as one of the most contentiously riven political hotbeds in the country—a seething two-party battleground where election campaigns took on the militant urgency of outright war, and combatants deployed newspapers as their most powerful weapons. Such was never more the case than in 1859—the eve of the most potentially divisive presidential election in American history.

As a state capital boasting some nine thousand permanent residents—and far greater than that number whenever politicians and lobbyists jammed into town for annual legislative sessions—Springfield served as a year-round stage for partisan speeches, rallies, parades, picnics, barbecues, illuminations, conventions, and outright street brawls over both issues and candidates. Even with its population in perpetual flux owing to the almost daily arrival and departure of new residents, its voting-age men stood equally (some said hopelessly) divided between Democrats and Republicans. Whether the legislature was in or out of session, Springfield’s citizens remained passionate about their politics year-round, ever ready to argue the issues of the day, both in person and in print.2

Fueling this combustible mix were Springfield’s two major newspapers. Both covered neighborhood news with anodyne charm, but when it came to local, state, and national politics, both stoked the ferment with an overtly partisan style that combined advocacy with almost libelous criticism. One paper was dependably pro-Democratic, the other unfailingly pro-Republican, and each was steadfastly, often maliciously, opposed to the other. Rather than merely reprint what one editor termed the city’s constant “flood of eloquence”3 from politicians on both sides, these irreconcilable journals could be depended on to laud allies and eviscerate opponents. When they were not dishing out equal doses of praise and rage in their regular editions, they engaged their presses to print party pamphlets and political orations. If they were fortunate and well connected, they received rewards for their loyalty in the form of government printing jobs. The mutual interdependence that grew up between the press and politics made for a toxic brew. No politician was above it, no editor beyond it, and no reader immune to it.

Now, with the next national election only a year away, with the contest already being widely touted as the most crucial of the century, and with the issue of slavery roiling the country, local interest in national issues and personalities approached a fever pitch in Springfield, in part for a reason unique to this otherwise typically divided Western city. For by 1859, its residents could boast that their town had incubated two immensely gifted potential aspirants for the White House: United States senator Stephen A. Douglas, and former congressman Abraham Lincoln.

Douglas, the “Little Giant,” led the pack among his fellow Democrats. And while “Long Abraham” was perhaps not yet widely known enough nationally to rank as a top-tier contender for the Republicans, he remained an intriguing dark-horse possibility for their ticket—perhaps, as some ardent supporters began whispering, for vice president. No one knows precisely when Lincoln began aiming still higher, but to bring the presidency within his sights he certainly knew where he needed first to burnish his political profile: in the Republican Party press, and not just among the usual loyalists who read the newspapers in his hometown. Lincoln had been assiduously courting editors in nearby villages and cities for years. Describing his ambition as “a little engine that knew no rest,” his law partner and political confidant, William H. Herndon, testified that Lincoln “never overlooked a newspaper man who had it in his power to say a good or bad thing of him.”4 For now, however, Lincoln still lacked both real political power and routine attention in the press beyond Springfield. And he still thirsted for both.

That May, Lincoln made a remarkable move to recalibrate this frustrating political equilibrium. The lifelong and voracious newspaper reader decided to become a newspaper owner as well—by acquiring a weekly journal complete with its own printing press and a politically compatible editor ready to churn out enthusiastic editorials lauding him. It did not seem to matter that he would never be able to read the product himself. For the paper would be printed in German, a language he had only briefly studied but never mastered. Moreover, it would be composed in Gothic-style Fraktur typeface, an elaborate black-letter script no more decipherable to him than Sanskrit.5

To comprehend what motivated this indelibly American politician to purchase a foreign language newspaper he could never hope to comprehend requires a quantum leap of historical imagination—back to an era when the press and politics were profoundly interconnected, and newspapers themselves became more overtly partisan, more narrowly targeted, yet more deeply influential than at any time before or since.

Abraham Lincoln’s emergence as a newspaper publisher constituted but one example of the pervasive and sometimes incestuous relationships that grew up between politicians and journalists in the fierce battles for public opinion and government power in the decades leading up to the Civil War—and beyond. That such affiliations, however common at the time, were still considered vaguely unsavory by some, seems evident in how assiduously Lincoln kept his own newspaper investment quiet. Except for his private banker, his law partner, and but one fellow Illinois Republican politician, he seems to have told no one about the purchase at the time, or, indeed, for the rest of his life. For four score years, his involvement remained largely unknown even to biographers.6 Yet the truth is, the arrangement would likely have surprised, much less scandalized, few of his contemporaries.

Lincoln was neither the first nor the last politician of his era to dabble in the newspaper business—ethnic or otherwise, covertly or not. Countless prominent officials of the mid-nineteenth century did so with confident abandon, making partisan journalism an integral cog in their political machines. This vanished tradition informs the neglected story explored in this book: how in the age of Lincoln the press and politics often functioned in tandem as a single, tightly organized entity in the furious competition to win power and to promote—or, alternatively, resist—political and social change. The financial and popular success that many newspapers enjoyed in pursuit of political goals enabled them to influence both leaders and events, and emboldened them to report on politics with a biased fury unimaginable in previous or subsequent generations. Not until the Civil War would precedent-shattering conflicts arise between government and the press, forcing these traditions into dramatic (and perhaps overdue) change.

To explore these complex relationships, and calculate their profound impact on history, this book proposes to reexamine Lincoln’s political life through prominent period newspapers and their editors—focusing not just on how newspapers reported on and influenced his ascent, but how his own struggle for power, and that of most of his political contemporaries, unfolded within a concurrent competition for preeminence among newspapermen to influence politics and politicians. Newspapers of the day occasionally manufactured politicians, just as politicians often manufactured newspapers—but in the end they were of, by, and for the same environment. They became mutually dependent and totally inseparable—weapons in the same arsenal. In some cases, they synchronized their efforts so closely that it was impossible to determine where one organization ended its work and the other began it. Lincoln embraced and thrived in this milieu, yet the story has escaped full scrutiny since.

• • •

The emergence of a party press had begun in earnest the century before. In the mid-1790s, the explosive growth of political enthusiasm and the slow but sure development of improved printing technologies coincided to make newspapers more widely available as well as more openly partisan, and served to connect politicians to both editors and their subscribers. In time, readers came to align themselves with party newspapers as routinely as they began aligning themselves with political organizations: both loyalties helped define their identities. In this atmosphere, political parties commenced openly funding and promoting sympathetic newspapers, while newspapers began overtly shilling for party organizations. Newspapers not only brought people together, Alexis de Tocqueville observed, but remained “necessary to keep them together”—and, as it often turned out in a vast and increasingly sectionalized nation, to keep them apart.7

George Washington’s second administration was the first to endure this seismic shift in the relationship between politics and publishing. An increasingly robust anti-Washington press surprised and dismayed the father of his country, who was accustomed to universal approbation, and its growth may have helped dissuade him from seeking a third term. The long, subsequent conflict between John Adams’s Federalists and Thomas Jefferson’s Democratic-Republicans further hardened newspaper loyalties, inspiring press attacks on political leaders that occasionally bordered on the scurrilous. Benjamin Franklin’s grandson, Benjamin Bache, founded the American Aurora specifically to advance the Jeffersonian worldview and eviscerate Adams’s affection for the British.8 Adams infamously reacted by signing a sedition law that imposed fines and imprisonment on editors who dared to “print, utter or publish . . . scandalous and malicious writing or writings against the government of the United States.” No less convinced that newspapers presented “only the caricatures of disaffected minds,” Jefferson variously courted and suppressed the press, too. Late in life, he claimed that he read only the Richmond Enquirer, “and in that chiefly the advertisements,” as he caustically remarked, “for they contain the only truths to be relied on in a newspaper.”9

Yet there was no ignoring the press’s growing ubiquity and influence. New York state alone boasted thirty-one hand-printed newspapers by the beginning of the new century.10 Within ten years, the country at large could count 376 papers selling more than 22 million copies annually—even though fully half the American population was then sixteen years old or younger, a fifth were slaves barred from reading altogether, and most literate subscribers commonly shared their papers with as many as twenty friends and relatives each. As Noah Webster marveled: “In no other country on earth, not even in Great Britain, are Newspapers so generally circulated among the body of the people, as in America.”11

To speed government news to this scattered population, leading politicians and journalists hatched the transformational idea in around 1800 of designating one particular Washington-based newspaper as an official political “organ.” For generations thereafter, whenever one party or another took over the White House, an anointed journal assumed the privilege of breaking administration news in the capital, and introducing debate points that papers in outlying cities could readily adopt for their own readers.

By this time, only the absence of faster printing presses and more reliable transportation systems stood in the way of spreading political information more rapidly throughout the news-hungry young nation. Even editors privy to exclusive stories could not yet rush them to readers dwelling in isolated rural outposts. Communications remained so sluggish that press reports of the European peace treaty ending the War of 1812 failed to reach either General Andrew Jackson or his British foes at New Orleans in time to prevent them from fighting a fierce battle there. Jackson proceeded to lead his troops to a victory that won him glory—and perhaps the presidency—but in retrospect proved unnecessary. As an occupier, he promptly limited freedom of the press in the city, in one case arresting a citizen for publishing a critical letter to the editor (a case Lincoln would later cite in defending his own wartime restrictions on freedom of the press). Jackson firmly held that newspapers often villainously misled the public “through ignorance but more frequently from dishonest design.”12

“Old Hickory” apparently learned from such experiences. For one thing, he named Amos Kendall, editor of the pro-Democratic Argus of Western America, as postmaster general.13 Expanding on the tradition of rewarding loyal newspapers once he became president, he saw to the creation of an entirely new, official administration organ called the United States Telegraph. Its editor, a Missouri-born former Indian fighter named Duff Green, who remained professionally active into the Civil War era, composed his editorial “batteries” with “such vigor and clamor” that he quickly earned the nickname “Rough Green.”14 Green innovatively used his position as the president’s official journalist to establish a large personal following and a wide network of pro-Jackson publications nationwide—essentially the first newspaper “chain,” one in this case linked by shared political beliefs.

To broaden circulation of the Telegraph, Green initiated a more dubious tradition by seeing to it that Democratic congressmen assumed the cost of distributing his paper in their home districts, a practice that not surprisingly invited abuse. One representative was soon discovered to be using his free postal privileges to send more than sixteen hundred papers to constituents in Kentucky.15 Unthinkable today, such crossover relationships became commonplace in the early nineteenth century, when newspapers were expected to remain faithful to their political patrons, and vice versa. In this linked political culture, there was no room for dissent. When the hot-tempered Jackson later lost patience with the increasingly independent Duff Green, the president scuttled their relationship and helped establish the Washington Globe as the party’s replacement mouthpiece.16 Jackson’s enemies even whispered that he edited the new paper himself. Although untrue, Old Hickory’s rumored personal involvement seemed fully credible at the time. For his part, Duff Green joined the opposition Whigs.

It is little wonder that one nineteenth-century author soon came to regard the term “party organ” as a “misnomer” for the nation’s newspapers, “or rather, only a half name.” As L. D. Ingersoll argued: “They should have been called ‘hand-organs,’ for the palpable reason that hand-organs can only grind out those particular tunes which the machines are manufactured to play.”17 But Jackson was hardly the sole organ grinder. Criticizing the Telegraph as “scurrilous and abusive,” his Whig political enemy John Quincy Adams saw to the establishment of the Washington Daily Intelligencer in time to advance his run for president against Old Hickory in 1824. The Intelligencer soon boasted its own web of well-financed satellite papers across the country, and eventually counted leading politicians like Daniel Webster among its contributors.18

By the late 1830s, with printing processes now modernizing rapidly, many cities and towns across the country boasted successful newspapers of their own. The growing hunger for information—coupled with a rising literacy rate along with a soaring passion for politics—increasingly spawned not one but two rival publications in even the smallest villages. Soon, if a municipality bred one particular journal targeted to local Democrats, it invariably hosted another dedicated to (or run by) the Whig opposition. These papers alternatively endorsed or assailed the official White House line, and applied rigid partisan judgments to regional, along with national, issues and candidates. Within this increasingly connected partisan world, publishers began entering electoral politics themselves, just as politicians—like Jackson and, later, Lincoln—occasionally backed newspapers to expand their influence and reach.

By the time both Lincoln and his future rival, Douglas, came of age politically in the American West in the 1840s, newspaper publishers were routinely and overtly participating in grassroots politics and vice versa. Elected officials and aspiring candidates labored in tandem to plan campaign strategy, draft speeches, circulate propaganda, and attend conventions not only as correspondents but as official delegates. Working together, they drafted party resolutions and platforms, printed circulars and special “extra” editions during election campaigns, offered printing services and copyediting for orators, and openly advised candidates and officeholders. American newspapers, as historian Mark E. Neely acutely observed, became a virtual “branch of politics,” and in parallel fashion, politicians became full partners in newspaper publishing.19 In the words of early nineteenth-century New York congressman Jabez Delno Hammond, newspapers became “to political parties in this country what working tools are to the operative mechanic.”20

Such alliances were often inspired by motives other than a shared philosophy of government. To maintain loyalty among friendly journalists, those holding political office routinely doled out such incentives as paid advertising, lucrative printing orders, and publicly financed subscriptions, not to mention well-paid nourishment from the patronage trough and choice seats at the tables of power. Publishers in turn provided the officials whom they favored with unlimited news space and unbridled political support. The inviolable line that today separates politics from the print press—at least as an ideal—had yet to be drawn. Rather, the worlds of politics and the press functioned in tandem, within a system of widely accepted mutual interdependence in which each fueled the success of the other, sought the destruction of the opposition, and often encouraged practitioners to occupy both professional spheres at once.

Functioning as more than merchants of information, journalists became part of well-lubricated political operations that disseminated opinion-laced government and campaign news and organized the party apparatus to pull voters to the polls on Election Day. In the process, the newspaper business, once a mere trade, blossomed into a major American industry, although, importantly, never a truly national one.21 As one early historian of the press put it, the notion of a “[news]paper despotism”—the rule of a “[London] Times Jupiter in America”—remained inconceivable in a nation of disparate state and regional interests and locally managed political organizations.22

It comes as no surprise that on one of his visits to America, British writer Anthony Trollope found himself appalled by what he read in this country’s newspapers. They were not only “ill-written, ill-printed, ill-arranged, and in fact . . . unreadable,” he lamented, but also unreliable. “Justice and right judgment, are out of the question with them. A political party end is always in view, and political party warfare in America admits of any weapons.”23 A German visitor named Ludwig Gall experienced a similar shock when he sought an understanding of the raging debate over Governor DeWitt Clinton’s proposed Erie Canal. One evening, he overheard New Yorkers arguing about the project, and left the debate hoping that the next day’s press would provide clarity. At a “municipal bourse” the following morning, Gall eagerly “paged the New York newspapers,” but to no avail. “To my amazement,” he confessed, “I found for Clinton in the New-York Columbian and against Clinton in the National Advocate,” and in “the same language my dinner companions had used.” Gall remained perplexed until he ran into a French acquaintance who cautioned him: “Believe nothing a newspaper . . . says that in any way might support a party or a person.”24

These English, German, and French visitors were on to something important: American politicians and publishers had by then settled on a journalistic dynamic that stressed opinion over news, and party over public interest. The antique values of political independence and journalistic impartiality, if they ever really existed, vanished with the rise of political parties and the development of steam-driven Napier printing presses fast enough to produce some five thousand printed pages every hour. Nothing comparable to this rapid, rancid brand of journalism would ever be seen again—until the era of undisguised television advocacy as exemplified in the twenty-first century by Fox News and MSNBC (which despite their own blaring partisanship inspire no more than 50 percent turnouts in presidential elections and an ever-decreasing number of voters willing to align with the Democrats or Republicans—the opposite of the stimulating effect the press exerted on voters and voting a century and a half ago).

By the 1850s, the era that welcomed so-called Lightning Presses capable of four times the hourly production of the Napier machines, almost no independent voters were left in America, only Democrats and Whigs (most of whom later became Republicans), and nearly all of them avid readers of newspapers. Kept in a perpetual state of political arousal by journalism, and further stimulated by election cycles that drew voters to the polls several times each year, not just on the first Tuesdays of November, the overwhelming majority regarded politics with a fervor that approached religious awakening, evoking interest characteristic of modern sports or entertainment. With only a few notable exceptions, few unaligned newspapers prospered.

Nor were their readers’ increasingly rigid political affiliations hard to decipher. There was no such thing as a true secret ballot during this period of our history. Until 1849, for example, voters in Lincoln’s Illinois chose their candidates by voice votes fully audible to their neighbors. Later, adult white men—by and large the only citizens eligible to participate in elections (women remained disenfranchised and black voting rights, rare and impermanent)—made their Election Day choices by openly depositing preprinted, often gaudily colored, paper ballots, clearly labeled for one party or another, into transparent glass bowls. Another important mark of political belief was visibly conveyed by the newspaper one took by mail, or toted through the streets. If, say, a New York reader of the 1860s carried the Tribune around town, he was clearly a progressive Republican. If he bundled the Daily News in his arms, he was a conservative Democrat. In Chicago, a subscription to that city’s Tribune similarly identified one as a Republican; taking the Times meant you favored the Democrats. Voters embraced their newspapers to tout their convictions in much the same way they wore campaign ferrotypes and medals on their coats—or today affix bumper stickers to their vehicles. As historian Elizabeth R. Varon has put it: “The function of antebellum newspapers, which were organs of political parties, was to make partisanship seem essential” to men’s lives and identities.25

• • •

To the modern reader, the notion of Abraham Lincoln as publisher of a foreign language weekly that he was unable to read fluently has a slightly absurd ring to it, more in line with his legendary sense of humor than with his seldom acknowledged aspiration to control the press. In fact, much as he yearned to communicate with crucially important foreign-born voters, Lincoln was no linguist. In one hapless effort to boost his appeal to the most important voting bloc in his region, he actually enrolled briefly in a German course in Springfield. But according to a dentist who attended class with him, “Lincoln told so many stories that we laughed at them instead of studying the lessons.”26

German instruction may have been a laughing matter to Lincoln, but German voting power, and the ability of the German language press to reach this crucial and expanding electorate, was deadly serious business. By 1860, Lincoln’s new publishing partner, Theodore Canisius, estimated that sixty-seven daily and weekly German language newspapers already existed in the Northwest.27 Their cultivation was but one aspect of the broader goal of befriending politically compatible publishers in outposts across the nation, wherever voters could be converted and coaxed to the polls by an editorial call to arms or, conversely, inspired to angry retribution by a scathing attack on the opposition. In this atmosphere, traditional salesmanship and manipulation—what today we call public relations or marketing—was but one weapon in a smart politician’s arsenal.

As noted, the business deal that turned politician Lincoln into publisher Lincoln was far from unique, however assiduously he shielded it from public view. Some of his contemporaries boasted equally strong, and far more visible, connections to individual newspapers. Some, like former congressman Caleb Blood Smith of Indiana and Senator Simon Cameron of Pennsylvania, both of whom later became members of Lincoln’s presidential cabinet, had served as influential editors years before they held public office. (Cameron actually won his U.S. Senate seat by defeating another newspaperman destined to work closely with President Lincoln: John Wein Forney.) Maryland leader Montgomery Blair, Lincoln’s future postmaster general, could trace his political roots to a journalist father who operated the pro-Jackson Washington Globe. Wartime minister to Russia Cassius Marcellus Clay served early in his career as both a Kentucky state legislator and as publisher of a local antislavery newspaper called the True American—more than once enduring mob attacks for daring to advocate freedom in a slave state. And Lincoln’s first vice president, Hannibal Hamlin, commenced his professional life as a compositor for a newspaper in Maine.28 While Lincoln became known as “The Rail Splitter” for his early labors with an ax, Hamlin earned a title of his own that proudly reflected his youthful origins in publishing: “The Type Sticker.”

Unlike Smith, Cameron, and Hamlin, all of whom quit journalism for politics, as well as Lincoln, who concealed his own late involvement in publishing, a number of publishers who craved elective or appointed office never entirely abandoned their newspaper careers merely because they held down government jobs. Instead, they played the roles of publisher and politician concurrently, to little surprise, much less outrage, from a public that largely perceived no conflict in such arrangements. The powerful New York Republican chairman Thurlow Weed, for one, controlled Empire State politics for years while—or as some said, by—running an influential Albany daily. Horace Greeley sought or served in elective office several times while publishing his New York Tribune—even though he later unctuously termed it “impossible for a journalist to reconcile independence in his profession with office-holding.”29 Greeley’s journalistic competitor, Henry J. Raymond of the New York Times, functioned as both an elected and a party leader without ever relinquishing editorial duties at his newspaper. Then there was the tangled case of Fernando Wood, the Democratic mayor of New York at the outbreak of the Civil War, who responded to the secession crisis by proposing that his city quit the Union, too, the better to preserve its profitable trade with the South. Wood owned no newspaper of his own to ballyhoo his treacherous proposals—at least not technically. Formal title to the daily that most vigorously cheered his call for municipal independence, the anti-Lincoln New York Daily News,I resided officially with Benjamin Wood—the mayor’s brother, who later sought and won election as a congressman (as did Fernando as well, after losing his bid for another term in the mayoralty). However corrupt such combinations may seem by modern standards, the system seldom aroused questions, much less challenges, in the Lincoln era—except, of course, from the opposition press.

As these crossover relationships demonstrate, politicians of the nineteenth century did far more than court the press, and the press in turn did more than merely report on politics and politicians. The development of America’s two-party system brought with it the birth of the one-party newspaper. Their intertwined, mutually enriching, potentially conflicted relationships dominated, indeed defined, both politics and the press for more than a century. That the system also encouraged crucial debate on freedom and slavery, nationalism and state rights, and ultimately spawned breathtaking reforms in American life, remains one of the marvels of nineteenth-century history. For in many ways, the absence of an independent, national American press—or even a monolithic regional press—also increased sectionalism and hastened disunion, war, and ultimately, a new nationalism predicated on a new definition of freedom.

By the time of the secession crisis, the institutions of politics and the press had become almost indistinguishable—having joined forces in open and impassioned collaboration. It took no less existential an event than the Civil War itself to unravel this incestuous partnership. Secession and rebellion upended tradition, but not before unleashing convulsive repercussions—including a widespread appetite for censorship and repression—that threatened the future of the free press itself. In one perhaps inevitable result of this longtime collusion, once the war of words exploded into a war of bullets, newspapers, once employed as weapons, instead became targets.

• • •

What this book proposes to explore is how the leading characters of the most divisive era in American history, political and journalistic alike, used (and in turn were used by) the increasingly popular and influential press to define and occasionally distort political debate, to make and break political careers, and ultimately to revolutionize American society. It aims to show how the leading figures in the intractably linked worlds of politics and the press waged a vigorous, often vicious, competition to determine which political belief system would emerge with more popular support and thus shape the national future.

In a sense, the saga is too big to be told in a single volume, for at its most robust the industry involved thousands of editors and politicians nationwide, hundreds of thousands of readers, and millions of pages of newsprint. This is decidedly not another book about the so-called Bohemian Brigade—the band of battlefield correspondents who fanned out to cover the battles and leaders of the Civil War, a worthy subject amply covered by other authors.30 Nor is it a book only about how newspapers treated Abraham Lincoln. Instead, this work seeks to explore the broader story of nineteenth-century political journalism through a much more focused lens: by tracking the chief political and journalistic personalities of the day to weave together two specific, ongoing, and historically vital competitions. The first percolated for more than a generation between a pair of rival politicians of the era, and the second raged for decades among three extraordinary journalists who covered them—and of course attempted variously to cheer, vilify, and influence them (and each other) as well.

The political focus will fall on the twenty-year-long political battle between fellow Illinoisans Abraham Lincoln and Stephen Douglas. The Whig-turned-Republican Lincoln and the lifelong Democrat Douglas emerged as the two most prominent leaders in the most contentious era in American history, opposed each other at crucial moments for major offices, filled the press with their oratory, and earned both praise and criticism in newspaper accounts published not only in their home state, but from New York all the way to the national capital.

A concentration on Lincoln and Douglas is justifiable not only historically—they ended up running against each other for the U.S. Senate in 1858 and for the presidency in 1860—but also statistically. A research survey conducted for this book in the comprehensive newspaper holdings of the American Antiquarian Society more than vindicates this emphasis. Year after year, beginning in the 1850s, Lincoln and Douglas ranked among the most widely covered leaders of their age. From the time they first attracted notice, through their battles for the Senate and presidency, and on through Douglas’s sudden death in 1861, the names of these longtime opponents appeared in print more often than any of their political contemporaries: 6,500 stories for Lincoln, and an equally impressive six thousand for Douglas. And these statistics come from an archive that is representative, but in no way complete.31

While placing Lincoln and Douglas at the core of the political story from the 1830s through the 1860s, the book will construct the parallel press story around three of the most successful and influential newspaper publishers of the Lincoln-Douglas era: the aforementioned Horace Greeley and Henry Raymond, fellow Whigs who eventually turned Republican, but starkly different around the edges of their basic principles, personalities, loyalties, and methods of operation; and alongside them, their flamboyant and ruthless competitor James Gordon Bennett, owner of the sensationalistic, deeply conservative New York Herald, which nearly always tilted Democratic. Unlike the Tribune and the Times, indeed most of the leading politically aligned papers of the day, the Herald made a virtue of its supposed political independence—although Bennett never disguised his deep suspicion of the antislavery movement or his rancid hatred of black people, Jews, and Catholics—even as he revolutionized journalistic taste, news-gathering techniques, printing technologies, and advertising, in the process attracting the largest readership of any American newspaper. The unpredictable Bennett flirted with but ultimately opposed the Whigs and, later, the Republicans (including Lincoln) often enough to make political comparisons with Greeley and Raymond endlessly fascinating. One thing is certain: the three became and remained the most widely read and most famous journalists of their age, national celebrities in their own right who invented their newspapers and made them bold reflections of their own oversized personalities.32

To be sure, many of the colorful contemporaries of these three newspaper titans, and the politically motivated exploits of their publications, will also make appearances on these pages. In addition to acknowledging other leading editors in New York, the book will explore parallel journalistic rivalries in Springfield, Chicago, and, of course, Washington, in all of which Lincoln and Douglas competed for newspaper space as their own political aspirations expanded beyond Illinois. The thriving weekly press will be addressed along with the daily, as will the abolitionist and black press (and the overtly white supremacist papers as well). The editors of pro-secession and Confederate journals will appear, as will the creators of the new pictorial weeklies. As Lincoln’s years as a “German publisher” demonstrate, the foreign press played an important part in this history as well. But the focus will remain fixed on the trio of extraordinary New Yorkers and their profound influence on the American press and politics.

The rationale is simple: perhaps New York was never representative of the entire country, either culturally or politically, but no editors anywhere amassed or deployed more truly national editorial power from the 1840s through the 1860s than Greeley, Raymond, and Bennett. None maintained their influence longer—cast it wider—or proved more essential to the crusades to preserve the Union and destroy slavery, either in support or in significant opposition, and sometimes a bit of both—than did these three flawed giants. From a purely dramatic point of view, no competitors spent so much time conducting warfare of the most personal kind, in the words of one contemporary, “constantly hammering away at each other,” as if their own rivalry supplanted those of the leaders whom they covered.33

The three were also remarkable individuals. They loved their profession as passionately as they loathed each other, and each believed, in his own way, that he was all but ordained to chart the course for the future of civilization. As surely as did the principal political advocates of the day, the Times, Tribune, and Herald vigorously defined and debated public issues. As overtly as candidates, they sought and corralled votes. As aggressively as armies in the field, they fought battles. Although they differed enormously in personality—Bennett was an audacious showman, sly and given to the grandiose; Greeley a self-righteous reformer, passionate but easily dismayed, diverted, and bruised; and Raymond a civic-minded moderate, progressive but sometimes maddeningly practical—each believed without question that he best understood the pulse of the country, and offered the only worthwhile advice to keep it beating.

No one in their own time doubted the preeminence of the New York editors—not even their counterparts in other cities. One contemporary, editor John Russell Young, put it simply: “When the war came, journalism in the East was governed by Horace Greeley, James Gordon Bennett, and Henry J. Raymond.”34 And journalism in the East in turn seeded, influenced, and dominated journalism throughout the nation. When improved rail service began linking cities more closely, the Philadelphia Inquirer admitted that trains carried “New York over every railway, sets it down at every station, and extends it everywhere.”35 Describing New York’s dailies as the nation’s only “true newspapers,” a onetime Herald correspondent agreed that its widely circulated papers “penetrate everywhere.” But it was “very rare that a daily paper, published East, South, or West, is sold in New York. . . . A curious law is observed . . . all papers go from east to west, with the sun, and scarcely ever in the opposite direction.”36

According to another period observer, the New York papers reached “the controlling minds of the country . . . in all reading-rooms, exchanges, bank parlors, insurance offices, counting-rooms, hotels, and wherever else the ruling men of the country congregate.” But above all, the “grand reason why the New York papers” enjoyed unparalleled “national importance” came through “the scissors”: for out-of-town journalists routinely clipped and reprinted what the New York editors originated. Bennett, Greeley, and Raymond effectively created “daily copies for all editors to follow.”37 Of at least equal importance, the Tribune, Times, and Herald also circulated nationally in their own extraordinarily popular weekly editions—the equivalent of Time and Newsweek magazines a century later.

For all these reasons, no three editors became more famous, feared, controversial, or assiduously courted than “The Old Philosopher” Greeley, “The Little Villain” Raymond, and “His Satanic Majesty” Bennett—derogatory sobriquets that haunted them for much of their careers. None better represented the confluence of press and politics. None aspired to more power. None more exhaustively covered the battles, leaders, and politics of the antebellum and Civil War periods, or sought more audaciously to direct the war’s outcome and either guide or impede its leaders, Lincoln included. And none was surpassed as source material for the political and military events of that bloody struggle. Greeley, Raymond, and Bennett became national celebrities by inventing different styles of partisan journalism—templates that endure to this day—and despite their endless squabbling, they brought newspapers to the summit of their power over American life. Among them, for better or for worse, they invented modern journalism.

Along the way, the Times, Tribune, and Herald did nothing less than produce what is often, and justifiably, called the first draft of nineteenth-century American history. Certainly, historians still scour their pages for reliable contemporary information about slavery, secession, and the rebellion. This data their archives undoubtedly contain—though a reader examining each of the three for accounts of specific wartime events may still come away with entirely different impressions and opinions. As this book hopes to demonstrate, the products of nineteenth-century journalism—and their leading producers—cry out for a reappraisal that takes into account the filter through which their landmark work was originally accomplished: that of unbridled political partisanship, and a desire to influence, and in some cases, participate in government. Hopefully, this study will provide a fresh way to reexamine that first draft of history in light of the undisguised philosophies and raw politics that inspired so much of what not only informed, but also divided, those who read and lived through it.

“Public sentiment is everything,” Abraham Lincoln declared during his 1858 senatorial debates with Stephen Douglas. “With public sentiment, nothing can fail; without it, nothing can succeed. Consequently,” he added in a remarkably frank admission, “he who moulds public sentiment, goes deeper than he who enacts statutes or pronounces decisions.”38 It is time we took Lincoln at his word and examined his extraordinary focus on—and mastery of—political journalism as a means to earn and sustain voter support.

For the most part, history has always focused on “statutes” and “decisions.” Yet in their own time and for several generations, Lincoln and his political contemporaries devoted a remarkable portion of their energies to mould public sentiment through the press: not just by appealing to journalists but in influencing the press directly and in some cases managing the press themselves. A fresh exploration of these alloyed historical currents, with the press not merely reporting the momentous events, but functioning as an integral part of the forces that shaped them, may hopefully shift, or at least balance, the historical emphasis. It will shed new light on a crucial but neglected aspect of Lincoln’s leadership.

What follows is the story of an epic partnership involving politicians who rose and fell on the currents of American journalism and newspapermen who labored to abet, or impede, their political aspirations. It is a story of both unexpected alliances and brutal wars—uncivil wars.

I. Not to be confused with the modern-day tabloid newspaper of the same name.

About The Author

Photo © Don Pollard, Sculpture by Frank Porcu

Harold Holzer, a leading authority on Lincoln and the Civil War, is Chairman of the Abraham Lincoln Bicentennial Foundation and a Roger Hertog Fellow at the New York Historical Society. Widely honored for his work, Holzer earned a second-place Lincoln Prize for Lincoln at Cooper Union in 2005 and in 2008 was awarded the National Humanities Medal. Holzer is Senior Vice President of The Metropolitan Museum of Art, and lives in Rye, New York.

Product Details

  • Publisher: Simon & Schuster (October 14, 2014)
  • Length: 768 pages
  • ISBN13: 9781439192719

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Raves and Reviews



“Lincoln believed that ‘with public sentiment nothing can fail; without it, nothing can succeed.’ Harold Holzer makes a significant contribution to our understanding of Lincoln’s leadership by showing us how deftly he managed his relations with the press of his day to move public opinion forward to preserve the Union and abolish slavery.”

– Doris Kearns Goodwin

“. . . a monumental, richly detailed portrait of the world of 19th-century journalism and Lincoln’s relation to it. . . . Full of fresh information and superb analysis, Holzer’s engaging, deeply researched book is destined to be recognized as a classic account of Civil War-era journalism and the president who both swayed it and came under its sway.”

– The New York Times Book Review

“Harold Holzer has written a fascinating study about Abraham Lincoln’s extraordinary legacy to American journalism. Eye-opening, scholarly, and provocative, Lincoln and the Power of the Press adds greatly to our understanding of the presidency and its relationship to the 4th Estate.”

– Amanda Foreman

“At no time in our history did newspapers wield more political influence than during the Civil War era, and no political figure was more aware of this influence than Abraham Lincoln. Harold Holzer’s compelling narrative of the intertwined world of politics and journalism demonstrates Lincoln’s canny skill in using the press to advance his own career as well as the cause of Union and freedom. A tour de force.”

– James M. McPherson

“A fascinating story that captures the brawling spirit of the American press in its bare-knuckled infancy and reveals a Lincoln that few of us have seen before.”

– Wall Street Journal

“Beautifully written and choked with insights.”

– Boston Globe

“Fascinating . . . The result is three books in one: a political biography of Lincoln written by a scholar who is among the most prolific chroniclers of the 16th president, a superb and engaging portrayal of the American press during a crucial moment in its history and that of the nation, and a riveting account of the intersection between a man redefining the presidency and a press establishing its modern role.”

– Washington Post

“Only by showing us what Lincoln was up against can Holzer measure the man’s achievement in using, controlling, or defying the one news medium of the time, the newspaper.”

– New York Review of Books

“Holzer richly captures an era when journalism was practiced in ways that we can now scarcely recognize.”

– Columbia Journalism Review

“[Holzer] has drawn on a lifetime of experience and study to produce the definitive work on the subject… Holzer offers an important perspective on the war and has unearthed fresh material… Lincoln and the Power of the Press deserves a wide audience and a place on the list of essential Civil War books.”

– America's Civil War

“Harold Holzer mines a worthy vein in the study of Lincoln's link to modernity. The book colorfully details how Honest Abe was also something of a Great Manipulator, skillfully managing the press of 19th-century America in his efforts to end slavery and save the Union. . . . Holzer reminds us that, from its earliest days, the American press was more of a partisan rabble than a bastion of objective reporting. . . . At the core of Holzer's history is Lincoln's parrying with the era's three most powerful publishers . . . this is the story of those famous men as much as it is another angled view of Lincoln.”


“Holzer, the acclaimed Lincoln scholar, illustrates that the often symbiotic relationship between the press and various politicians and parties had reached an unprecedented level during the era of the Civil War…a well-written reminder that the independence of the press, then as now, has its limits.”

– Booklist

“In this engaging history of one of the most divisive periods in American politics, the buildup to the Civil War, Lincoln historian Holzer (The Civil War in 50 Objects, 2013, etc.) tracks how the great political clashes played out in the lively press of the day, creating not-so-delicate marriages between politicians and the journalists writing the 'news' (which was more opinion than actual news) . . . An exhaustive feat of research with a focused structure and robust prose.”

– Kirkus Reviews

“With his usual sparkling prose and exhaustive research, one of America’s foremost scholars on the 16th president has given us a robust portrait of the nexus between American politics and the press. As much as it is a telling slice of Lincolniana — the kind of detail-rich tapestry we have come to expect from Holzer — it is also a lively history of mid-19th century journalism. . . . Holzer reveals an encyclopedic knowledge of the players.”

– John Bicknell, Roll Call

“Lincoln authority Harold Holzer’s latest book is . . . about the power of the new national press and a president’s herculean effort to use it to mold public opinion during the most politically divided period in our history.”

– The Buffalo News

“An exhaustive examination of the president’s multi-level dealings with the Bohemian Brigade—as Civil War reporters called themselves—and their idiosyncratic bosses.”

– Pittsburgh Post-Gazette

“Holzer has produced three books in one: apolitical biography of Lincoln, a portrayal of the American press during acrucial moment in history and an account of how Lincoln and the press eachhelped redefine the other.”

– James McGrath Morris, Washington Post "50 Notable Works of Nonfiction" (2014)

“Harold Holzer . . . may know more about Abraham Lincoln than any other living person, and it shows in his fascinating study of Lincoln’s relations with the press barons of his time. . . . A particularly valuable study for the light it shines on the openly partisan character of the American press in the mid-nineteenth century. . . . an important study—and among the best that we now have—of the partisan press during the sectional crisis and the Civil War era. . . . A richly rewarding [book] for the mass of detail it contains and the conclusions the author draws from it regarding the overlapping worlds of politics and journalism.”

– The New Criterion

“In this magisterially written and meticulously researched book, the overall portrait is one of a president who understood that he had to manipulate the press to manage the public.”

– The Dallas Morning News

“[Holzer] impressively examines the layers of Lincoln’s deft handling of reporters. He tells the story of Lincoln’s own foray into journalism, an area of Lincoln’s prewar years often overlooked or ignored. . . . highly recommended.”

– Civil War News

"Remarkably readable and entertaining . . . "

– Foreign Affairs

“Deeply researched . . . vivid . . . beautifully rendered.”

– Civil War History

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