Emma Enderby

Emma Enderby is a curator, writer, and lecturer on modern and con- temporary art. She is currently the Chief Curator at The Shed, New York, where she curated the retrospective exhibition Agnes Denes: Absolutes and Intermediates (2019–20) and has worked with such artists as Ian Cheng, Tony Cokes, Trisha Donnelly, Lynn Hershman Leeson, Oscar Murillo, Toma´s Saraceno, and Carrie Mae Weems, and on the institution’s emerging art program, Open Call. As a curator at Public Art Fund, Enderby curated numerous solo projects such as Tauba Auerbach: Flow Separation (2018– 19), as well as group exhi- bitions Commercial Break (2017) and The Language of Things (2016). Previously, as exhibitions curator at the Serpentine Galleries, London, she organized exhibitions including Hilma af Klint: Painting the Unseen (2016), Trisha Donnelly (2014), Leon Golub: Bite Your Tongue (2015), and Haim Steinbach: once again the world is flat (2014).