Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. This collection, The Short Stories, originally published in 1938, is definitive. Among these forty-nine short stories are Hemingway's earliest efforts, written when he was a young foreign correspondent in Paris, and such masterpieces as "Hills Like White Elephants," "The Killers," "The Short, Happy Life of Francis Macomber," and "The Snows of Kilimanjaro." Set in the varied landscapes of Spain, Africa, and the American Midwest, this collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style -- from the plain, bald language of his first story, "Up in Michigan," to the seamless prose and spare, eloquent pathos of "A Clean, Well-Lighted Place" to the expansive solitude of the Big Two-Hearted River stories. These stories showcase the singular talent of a master, the most important American writer of the twentieth century.
Reading Group Guide for The Short Stories Introduction In 1923 Ernest Hemingway published his first three short stories, "Up in Michigan" (p. 81), "Out of Season" (p. 171), and "My Old Man" (p. 189), in a slim volume entitled Three Stories and Ten Poems. Fifteen years later he published a collection of forty-nine stories, and by then he was the undisputed master of the short story form. Of The Short Stories of Ernest Hemingway Clifton Fadiman said in The New Yorker, "I don't see how you can go through this book without being convinced that Hemingway is the best short story writer...using English." "The Short Happy Life of Francis Macomber" What are the causes of Francis Macomber's sudden conversion from fear to "the wild unreasonable happiness that he had never known before" (p. 32), what are the implications of his conversion for his and Margot's future, and what are the unanticipated consequences of Margot's killing Francis (p.36-37)? "The Snows of Kilimanjaro" How is neglect, the reason for Harry's gangrenous infection, also the cause of a second death for which Harry, the artist, expresses even greater regret (pp 59-60)? What does Harry mean when he says he has "traded" on his talent, and what were the specific temptations to which he admits succumbing at the cost of his artistic integrity? "Big Two-Hearted River" Is "Big Two-Hearted River" a story about Nick's testing and controlling his fragile emotions as well as about his setting up camp and catching trout? Why are the "known" and "unknown" so important to Nick, and why does he believe "the fishing would be tragic" in the swamp (p. 231)? "A Clean Well-Lighted Place" What does the old waiter reveal when he says he does not like to close up each night "because there may be someone who needs the café" or "a light for the night" (p. 382)? What is the "nothing" or "nada" that he, like the old man, "knew too well" (p. 383), and how could a clean, well-lighted café sometimes lessen "nada's" effect? "The Killers" Is "The Killers" "an initiation story"? If so, to what is Nick Adams introduced? After Nick asks killer Max, "What's it all about" (p. 286), "it" appears very often (pp. 286-289), developing meaning incrementally in Nick's growing awareness. What does "it" mean by the time we read George's final line, "Well...you better not think about it" (p. 289)? What is implied by the "wall" to which Ole turns after Nick's warning?
After Reading the Stories Your group might wish to read other stories from the Hemingway collection which focus upon similar concerns or themes found in the stories listed above. Marital tension and incompatibility are highlighted in "Cat in the Rain," "Out of Season," and with subtle irony in "A Canary for One." Because Nick in "Big Two-Hearted River" is often assumed to be a returning war veteran, "Soldier's Home" serves as an excellent companion piece. "Indian Camp" (p. 89), "The Battler" (p. 127), and "Ten Indians" are Nick Adams "initiation" stories and will complement "The Killers." The importance of the artist's getting the work done, the subject of "The Snows of Kilimanjaro," is a dominant concern throughout Hemingway's fiction and more strongly emphasized in his posthumous novel The Garden of Eden than in any of the other short stories. The very brief story, "The Sea Change" however, (p. 397), should be read first as a stepping stone to that novel.
Ernest Hemingway did more to influence the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established him as one of the greatest literary lights of the 20th century. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. He died in 1961.