The Butcher

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About The Book

From the acclaimed author of Creep and Freak whom #1 bestselling author Jeffery Deaver praised as a “top-of-the-line thriller writer,” a high-octane novel about lethal secrets that refuse to die—until they kill again.

A rash of grisly serial murders plagued Seattle until the infamous “Beacon Hill Butcher” was finally hunted down and killed by police chief Edward Shank in 1985. Now, some thirty years later, Shank, retired and widowed, is giving up his large rambling Victorian house to his grandson Matt, whom he helped raise.

Settling back into his childhood home and doing some renovations in the backyard to make the house feel like his own, Matt, a young up-and-coming chef and restaurateur, stumbles upon a locked crate he’s never seen before. Curious, he picks the padlock and makes a discovery so gruesome it will forever haunt him… Faced with this deep, dark family secret, Matt must decide whether to keep what he knows buried in the past, go to the police, or take matters into his own hands.

Meanwhile Matt’s girlfriend, Sam, has always suspected that her mother was murdered by the Beacon Hill Butcher—two years after the supposed Butcher was gunned down. As she pursues leads that will prove her right, Sam heads right into the path of Matt’s terrible secret.

“A tense, suspenseful, thoroughly creepy thriller” (Booklist), The Butcher will keep you guessing until the bitter, bloody end. Don’t miss this “thrill ride that will have your attention from start to finish” (Suspense Magazine).

Excerpt

The Butcher 1
PRESENT DAY

The ornately carved 1890 Mathushek upright piano was the only thing left in Edward’s house, and here it would stay. There was no way to bring it with him to the old folks’ home, because the goddamned piano had to weigh at least five hundred pounds.

He would miss it.

Once upon a time, the Mathushek lived in a saloon somewhere in Texas. It was originally a player piano that could belt out seventeen different tunes without anyone’s help, which must have seemed like magic back then. The saloon closed after a Mexican gang shot the place up, and the piano was brought to the owner’s house, where it stayed until he died of a heart attack while fucking his mistress, a former singer in the saloon. The mistress then inherited the piano, and it stayed in her family until her adult grandchildren decided to sell it at auction. By then, the Mathushek was in terrible shape, dented and scratched and out of tune, and it had taken almost a year to restore it to its original beauty.

Or so the story went, according to the man who’d refurbished it and sold it to Edward Shank thirty years ago for twice what it was probably worth. The guy could have been lying, as most salesmen did. Anyway, who gave a rat’s ass? It didn’t matter now.

The bay window in the living room where the piano sat had a clear view of Poppy Lane, and Edward stood in front of it, smoking a cherry-flavored cigar, watching, waiting. He didn’t have much time left in this house, and after fifty years as its sole owner, the thought wasn’t pleasant. He didn’t want to move out, but at eighty years old, the house was becoming harder to keep up. He was still in good shape, but the fall that had bruised his hip badly a month ago hadn’t helped anything. All good things had to come to an end, and while this was something he understood well, it was also something he dreaded. He could see a faint reflection of himself in the clean window. Some days he simply didn’t recognize the thinning mop of white hair and leathery lined face staring back at him.

His hand, still strong but dotted with sun spots, stroked the burl walnut wood of the antique piano lovingly. He traced the rose carvings with a finger that ached from arthritis, his bad hip throbbing slightly, though he refused to sit down. Edward would miss this house. He would miss this piano. Memories of his late wife and daughter were everywhere, and he could still recall the fresh smell of their apple-scented shampoo when he kissed the backs of their heads as they played “Heart and Soul” on the beautiful Mathushek. A lifetime ago. In just a few hours, he would be an official resident of the Sweetbay Village Retirement Residence, and from then on the most exciting thing in his life would be bingo tournaments on Saturday afternoons, and Mac ’n’ Cheese Wednesdays.

He didn’t know whether to kill himself, or someone else.

He sighed. Maybe he’d go for a drive later this week, and go hunting. Hunting used to always cheer him up. He still had his old cabin down in Raymond, though he hadn’t been there in years and had no idea what shape it was in. One day those two hundred acres of densely wooded forest in Raymond would be Matthew’s, too.

But not yet.

Moving away from the window, Edward glanced at the wall above the piano. It was bare now, save for the little scuffs left behind from the various framed photos that used to hang there. He’d already brought all of his pictures over to the old folks’ home—sorry, retirement community for active seniors—but he knew the exact spot where his favorite photo used to hang. It was taken the day the mayor of Seattle awarded him a medal for taking down the notorious Beacon Hill Butcher back in April of ’85. The day Captain Edward Shank had become a hero and Seattle legend. The case, nationally known, had almost single-handedly made his career. You didn’t become chief of police for writing speeding tickets and catching petty thieves. The Butcher had been the case of a lifetime, and he still got requests for interviews about it every now and again.

Though he was alone, Edward grinned, running his tongue over the smooth white dentures that made up his smile.

There was a sizable dent in the corner of the piano, and his sore finger traced the rough edges where the wood had chipped and cracked. The dent hadn’t been there long, and it was a damned shame it existed at all, because otherwise the instrument was in wonderful condition. Marisol, his late wife, had seen to that. She’d been diligent about keeping the Mathushek in tip-top shape, moisturizing it regularly with wood polish and hiring a professional piano tuner once a year.

The ivory keys were slightly worn in places, but still soft to the touch. Edward could play the piano a little, though the arthritis was making it harder. Taking a seat at the leather bench, he rested his cigar on the ceramic ashtray on top of the piano and flexed his fingers. He made it halfway through Beethoven’s Moonlight Sonata before his aching fingers forced him to stop.

Disappointing, but not a big deal. Marisol had been the musician in the family, a graduate of Juilliard and a pianist in the Seattle symphony for a few years. She’d also taught piano right up until the day she died, and Edward had always been content to be her captive audience. Their daughter Lucy had been talented too, only she hadn’t lived long enough to develop her mother’s skill.

His hip burned and he rubbed it gingerly. He stood carefully by the window once more, watching, waiting, six-foot-four frame erect and ready. If anyone strolling down the sidewalk looked up, he or she would see a sprightly eighty-year-old man standing ramrod straight in the window, dressed in a plaid button-down shirt and pressed trousers, cigar smoke swirling around neatly combed silver hair. One must always present himself well. First impressions mattered.

But Poppy Lane was quiet on this rainy Sunday afternoon, at least until his grandson Matthew arrived with the U-Haul and his friends. Matthew was moving in today, and Edward knew his job would be to stay out of his grandson’s way until the young men had unloaded everything. Then he would take the boys out for burgers before heading over to the old folks’ home for good.

Watching. Waiting. Edward had been a police detective for close to forty years, and patience was indeed his virtue.

The white U-Haul truck finally rounded the bend, bouncing down the street, another car following behind it. The boys were here. Soon it would be time to go.

At best, it was bittersweet.

Taking one final look around, Edward’s gaze once again lingered on the antique piano. His eyes misted as memories of Marisol came rushing back. God, how he missed his wife. The house hadn’t been the same without her these past few months. Reaching out, he once again touched the dent on the side of the Mathushek, left there from when he’d smashed her head into it four months ago.

At least he’d managed to get all the blood out of the carved roses before calling 9-1-1, despite his arthritic hands.

One must always be careful cleaning up after a kill.

About The Author

Photo by Darren Blohowiak

Jennifer Hillier is the author of Wonderland, Creep, Freak, and The Butcher. Born and raised in Toronto, Canada, she lives in the Seattle area with her husband and son. Visit her on the web at JenniferHillier.ca.

Product Details

  • Publisher: Pocket Books (February 2015)
  • Length: 416 pages
  • ISBN13: 9781476734231

Raves and Reviews

“Hillier's third thriller fairly shudders with tension. [She] sends her reader into a labyrinth of creepy twists and grotesque turns…The secrets of the past refuse to keep quiet in this disquieting, taut thriller.”

– Kirkus

 “As she ably proved in her debut (Creep, 2011), [Hillier] has a fine knack for creating hideous killers. This time she turns the formula whodunit on its head… A tense, suspenseful, thoroughly creepy thriller.”

– Booklist

"Once I got started I couldn’t stop reading, and I confess to having sweaty palms a few times. A thrill ride that will have your attention from start to finish! This one is 4.5 stars."

– Suspense Magazine

“Replete with plot twists and surprises, The Butcher is an engrossing tale that piques the reader’s interest immediately and then holds on to it like an angry pitbull.”

– NJ Journal of Books

"The Butcher is a clever, twisted thriller about genetics, faith, and death . . . The greatest thing about The Butcher is its uncanny ability to trump the narrative conventions of the conventional serial killer novel over and over again . .  Jennifer Hillier's prose remains fast paced and immensely readable as her content becomes quirkier and more cerebral with every novel."

– Dead End Follies

"Hillier writes beautifully horrific stories… Readers will be immersed until the final page, thanks to the velocity at which this unique thriller is told.”

– RT Reviews (Top Pick)

"[A] rapid-fire thriller of dark, unsettling proportions with some very surprising twists. With the turn of each new page, the suspenseful plot is tense and gripping...a skillfully penned tale of murder and cover-up that will keep readers enthralled until the powerful finish. Thriller fans should not miss The Butcher!

– Fresh Fiction

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