Even before the Beatles hit the big time, a myth was created. This version of the Beatles legend smoothed the rough edges and filled in the fault lines, and for more than forty years this manicured version of the Beatles story has sustained as truth -- until now. The product of almost a decade of research, hundreds of unprecedented interviews, and the discovery of scores of never-before-revealed documents, Bob Spitz's The Beatles is the biography fans have been waiting for. Never before has a biography of musicians been so immersive and textured. We are there in the McCartney living room when Paul and John learn to write songs together; backstage the night Ringo takes over on drums; in seedy German strip clubs where George lies about his age so the band can perform; and at the Ed Sullivan Show as America discovers the joy and the madness. From Shea to San Francisco, through the London night, on to India, through marmalade skies, across the universe-all the way to a rooftop concert and one last moment of laughter and music. It is all here, the highs and the lows, the love and the rivalry, the drugs, the tears, the thrill, the magic never again to be repeated. Bob Spitz's masterpiece is, at long last, the biography the Beatles deserve.
Bob Spitz has represented the careers of Bruce Springsteen and Elton John. He is the author of The Making of Superstars, Barefoot in Babylon, Dylan and Shoot Out the Lights. His articles appear regularly in the New York Times Magazine, GQ, Conde Nast Traveler, Men's Journal, In Style, Esquire, Sky, and the Washington Post. He lives in Connecticut and can be reached at: firstname.lastname@example.org
Alfred Molina's films include Spiderman II, Frida, Magnolia, Chocolat, Boogie Nights, The Perez Family, Maverick, Enchanted April, Not Without My Daughter, Raiders of the Lost Ark and Prick Up Your Ears. He has appeared extensively on British and American television, including the TV series Bram & Alice and Ladies' Man. Mr. Molina received a Tony Award nomination, a Drama Desk Award, and an Outer Critics Circle Award for his performance in Art on Broadway. He also performed on Broadway in Molly Sweeney and in Speed the Plow for the National Theatre in London.