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Table of Contents
About The Book
Esther Nacht is born in Vienna in 1905. Her father dies on board the ship to Portland, Maine; her mother is murdered by anti-Semites in Portland. Dr. Larch knows it won’t be easy to find a Jewish family to adopt Esther; in fact, he won’t find any family who’ll adopt her.
When Esther is fourteen, soon to be a ward of the state, Dr. Larch meets the Winslows, a philanthropic New England family with a history of providing foster care for unadopted orphans. The Winslows aren’t Jewish, but they despise anti-Semitism. Esther’s gratitude for the Winslows is unending; even as she retraces her roots back to Vienna, she never stops loving and protecting the Winslows. In the final chapter, set in Jerusalem in 1981, Esther Nacht is seventy-six.
John Irving’s sixteenth novel is a testament to his enduring ability to weave complex characters and intricate narratives that challenge and captivate. Queen Esther is not just a story of survival but a profound exploration of identity, belonging, and the enduring impact of history on our personal lives showcasing why Irving remains one of the world’s most beloved, provocative, and entertaining authors—a storyteller of our time and for all time.
Reading Group Guide
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From the Book of Esther, after which Esther Nacht is named, to Charles Dickens’s Great Expectations, to Jimmy Winslow’s The Dickens Man, stories play a major role in Queen Esther. Discuss the role of stories and storytelling in the novel. What does it mean to “have a story”? How is the importance of storytelling to Jimmy similar to or different from its importance to Esther? Why do you think Jimmy is attracted to being a storyteller?
The threat of Hard Rain’s “alleged overreaction to thunderstorms” (page 227) hangs over Jimmy’s stay in Vienna. What role does Hard Rain play in Queen Esther, and how might we interpret her fear of thunderstorms? Is it significant that, when a thunderstorm does come, Hard Rain doesn’t “overreact” in the way Jimmy, Claude, and Jolanda have been anticipating?
“Hard Rain is a woman” is a phrase repeated several times in Queen Esther. It’s one of the first things Jolanda teaches Siegfried to say in English, and it’s what Jimmy writes in Siegfried’s copy of Roommates in Vienna when they meet in Jerusalem. What is the significance of this refrain in the novel?
Although Jimmy is a heterosexual man, he is surrounded by sexual minorities: Honor is asexual, Jolanda is a lesbian, and Mieke is a lesbian who wants “to try it with a guy” (page 197). Discuss the portrayal of sex and sexuality in Queen Esther. What role does sex play in Jimmy’s life? In what way does the novel either challenge or uphold traditional notions of sex and sexuality?
Queen Esther starts with a history of the Winslow family in America: “Beginning in Puritan times, more Winslows kept coming” (page 1). Why do you think the novel begins this way? What role does family history play in Queen Esther? How, if at all, does personal history intersect with national history?
In Chapter 8, we learn that Esther wants the following quote from Jane Eyre tattooed on her chest: “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (page 71). Why do you think Esther is so drawn to this quote? What do you think Jimmy would make of it? If Jimmy were to get a tattoo, what words or image do you think he might choose?
“In Great Expectations,” says Thomas Winslow to Jimmy, “. . . you will love the characters you’re supposed to love, and you’ll hate the ones you’re supposed to hate” (page 138). How does Tommy’s reading of Great Expectations play out in Queen Esther? Do you think we’re “supposed to love” some people, and “supposed to hate” others? How does the novel reaffirm or complicate this conception of love and hate? Support your ideas with reference to the text.
Esther is left at the orphanage at St. Cloud’s by two female “anti-Semites” (page 65); Jimmy is raised with two mothers and no father; Vienna, Jimmy’s daughter, is raised with a father and two mothers; and Siegfried is adopted by Annelies when the anti-Semitic Irmgard dies. These are just a few examples of how motherhood is portrayed and reconfigured in Queen Esther. Discuss the novel’s portrayal of mothers and motherhood. What do you think of the idea that “giving birth to a child and being a mother [are] two separate choices” (page 154)? Support your ideas with reference to the text.
“ ‘There is a telescope that sees into the future, Jimmy—it’s called the passage of time. Just wait and see,’ [Irmgard] said, closing the door” (page 329). Discuss the significance of this quote, and of the passage of time more broadly, in Queen Esther. What does it mean to see into the future by means of the passage of time? From the very first Winslow on board the Mayflower in 1620, to Jimmy Winslow in Jerusalem in 1981, the novel covers a long span of time. How is the passage of time portrayed in the novel?
Product Details
- Publisher: Simon & Schuster (November 4, 2025)
- Length: 432 pages
- ISBN13: 9781501189463
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Raves and Reviews
"Few skewer sanctimony quite like Irving at his best. More important: I fell in love, once again, with his people."
– Peter Orner, The New York Times Book Review
"A story that's unmistakably Irving — amiably peopled, compellingly plotted and, above all, compassionate for its characters."
– NPR
"Irving masterfully threads the narrative, from New England to Vienna to Jerusalem, while exploring the themes he frequently wrestles with—orphans, sexuality, and found families. Irving’s luminous prose embodies his singular gifts; the novel is expansive, darkly comic, melancholic, and deeply compassionate, conveying a profound empathy for his flawed characters. Countless literary references, lyrical flourishes, and allusions add depth to the Dickensian motif as Irving brilliantly blends moral ambiguity and emotional truth in this essential addition to his oeuvre."
– Booklist (starred)
"Queen Esther is richly textured with unforgettable characters, vivid settings, and familial love that will stay with you long after you put the book down."
– The Jewish Book Council
"To read a John Irving novel is to call to mind the classic works of Charles Dickens with their broad, melancholy searches for families lost and their acceptance of families made. Irving’s new work is especially potent."
– Steven Whitton, The Anniston Star
"The novel is quintessential Irving: layered, funny, heartbreaking, and full of the strange humanity he has always captured so well.”
– Canadian Jewish News
“It’s hard to imagine this historical novel landing at a more timely moment.”
– Zoomer
“Irving has a lot on his mind [in Queen Esther] — the flow of history, to be sure, but also relationships, the nature of identity and the gnawing horror of antisemitism.”
– National Post
“A profound exploration of identity and belonging, shaped by a story of survival and a call for tolerance.”
– Diario de Burgos
“Irving continues to believe in the novel as an art form, and in characters conceived as moral destiny."
– Ángeles López, La Razón
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