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Published by David Zwirner Books
Distributed by Simon & Schuster



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About The Book

Designed as a companion to the hugely successful monograph Noah Davis, this volume offers further insight into the impact and legacy of the revolutionary Los Angeles artist and activist.

“Embedding his dreams on canvas and in the community, visionary American artist Noah Davis created a mighty legacy.” — Rachel Willcock, ArtReview (2022)

Looking to literature, film, architecture, and art history, Noah Davis imbued his ethereal paintings with emotion and imagination. Muted colors, fantastic scenes, and blurred subjects create an intoxicating vision. Attuned to the power of his medium, Davis layered his paintings—figuratively and literally—using a unique dry paint application to depict quotidian life at an enigmatic, almost magical remove. Featuring sumptuous close-ups throughout, this important new book brings into focus the rich, painterly variety and luminous detail of Davis’s canvases.

With a special focus on the groundbreaking Underground Museum, which Noah Davis co-founded with his wife, Karon Davis, Noah Davis: In Detail includes a special conversation, moderated by Helen Molesworth, between Fred Moten, Glenn Ligon, Thomas Lax, and Julie Mehretu. This renowned group of artists and thinkers share personal experiences of the powerful and emotional impact of The Underground Museum and its connection to the larger artistic environs of Los Angeles. Franklin Sirmans contributes a new essay and Lindsay Charlwood, a lifelong friend of Noah’s, authors a chronology of his life, contextualizing his artistic and social achievements.

About The Authors

American artist Noah Davis’s (1983–2015) body of work encompasses, on the one hand, his lush, sensual figurative paintings and, on the other, an ambitious institutional project called The Underground Museum, a black-owned-and-operated art space dedicated to the exhibition of museum-quality art in a culturally underserved African American and Latinx neighborhood in Los Angeles.

Helen Molesworth is a Los Angeles–based writer, podcaster, and curator. Her major museum exhibitions include: Leap Before You Look: Black Mountain College 1933–1957, This Will Have Been: Art, Love, and Politics in the 1980s, and Work Ethic. She has organized monographic exhibitions of Ruth Asawa, Moyra Davey, Noah Davis, Louise Lawler, Steve Locke, Kerry James Marshall, Catherine Opie, and Luc Tuymans. She is the author of numerous catalogue essays and her writing has appeared in Artforum, Art Journal, Documents, and October. The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, in 2021 she received a Guggenheim Fellowship and in 2022 she was awarded The Clark Art Writing Prize.

Franklin Sirmans is the director of the Pérez Art Museum Miami (PAMM). Prior to his appointment he was the department head and curator of contemporary art at Los Angeles County Museum of Art from 2010 until 2015.

Product Details

  • Publisher: David Zwirner Books (November 7, 2023)
  • Length: 208 pages
  • ISBN13: 9781644230763

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Raves and Reviews

"...incredible paintings...elegant details...visionary practice."

– "The 13 Best Black Art Books of 2023", Culture Type

“A thrilling discovery and a terrible loss”

– Jerry Saltz, New York Magazine

“Embedding his dreams on canvas and in the community, visionary American artist Noah Davis created a mighty legacy.”

– Rachel Willcocks, ArtReview

“An early sign of the New Year’s strengths was a solemnly beautiful survey of the truncated career of the painter Noah Davis (1983-2015) at David Zwirner in mid-January. Davis combined realist figuration with touches of painterliness and color that added a resonant symbolism and elegiac calm to his scenes of almost-everyday African-American life.”

– Roberta Smith, The New York Times

“Davis’s paintings are primarily figurative, sometimes dipping into the surreal and other times languishing in the mundane, and most often occupying a space between the two—a realm of quiet magic in which the everyday is imbued with the infinite.”

– Wallace Ludel, The Art Newspaper

“Davis’s paintings combine immediacy, conjured by a rich color palette full of vibrant, often dripping blues, with a timelessness—more precisely, a sense of being unstuck in time—that derives in part from his transtemporal source material.”

– Camila Mchugh, Artforum

“There was nothing formulaic about Davis’s approach. Even when he was painting mundane domestic scenes, his eye for the subject and his painterly treatment infused them with a sly, soft-pedaled, gently melancholy wonder.”

– Sebastian Smee, The Washington Post

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