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Line War
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Table of Contents
About The Book
Product Details
- Publisher: Night Shade Books (September 23, 2014)
- Length: 580 pages
- ISBN13: 9781597805193
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Raves and Reviews
Praise for Line War
“A highly engaging, smart and fulfilling close to the Ian Cormac series . . . some of the best science fiction being produced today by one of the most talented—and underappreciated—authors in the genre.”— Fantasy Book Critic
“I came away from Line War, and the series as a whole, completely, thoroughly, and immensely pleased. . . . Neal Asher: without a doubt the most entertaining science fiction author writing today.”— SFF World
“Overall Line War is an excellent ending to the Cormac series. It provides a great sense of closure while still leaving enough room for future novels.”— Worlds In Ink
“Space opera with a big helping of post-cyber-punk. . . . The world is compelling, the technological ideas are impressively thought up and put together, there is great, deepening, complex intrigue, really mean ships and faster than light action.”— The BookBag
General Praise for Neal Asher:
“Neal Asher’s books are like an adrenaline shot targeted directly for the brain.” —New York Times bestselling author John Scalzi
“With mind-blowing complexity, characters, and combat, Asher’s work continues to combine the best of advanced cybertech and military SF.” ?Publishers Weekly, starred review
“Asher is a modern master of sci-fi.” —Starburst magazine
“A wide-screen special-effects extravaganza, a space opera featuring gods and monsters . . . Doc Smith and Olaf Stapledon in a blender, turned up to eleven, with the contents splattering across the ceiling.” ?Russell Letson, Locus
“Asher has an amazing talent for world-building, for writing larger-than-life characters, for weaving gripping plots and for imagining exotic alien races and wonderful technologies. Huge ships! Big weapons! Space battles! Ground battles! Treason! Revenge! This is New Space Opera at its best.” —Sense of Wonder
“Hardboiled, fast-paced space opera . . . Asher’s books are similar to the world of Iain M. Banks’ Culture universe, but the Polity is arguably a much darker and more vicious environment—and all the better for it.” —The Register
Praise for Line War
“A highly engaging, smart and fulfilling close to the Ian Cormac series . . . some of the best science fiction being produced today by one of the most talented—and underappreciated—authors in the genre.”— Fantasy Book Critic
“I came away from Line War, and the series as a whole, completely, thoroughly, and immensely pleased. . . . Neal Asher: without a doubt the most entertaining science fiction author writing today.”— SFF World
“Overall Line War is an excellent ending to the Cormac series. It provides a great sense of closure while still leaving enough room for future novels.”— Worlds In Ink
“Space opera with a big helping of post-cyber-punk. . . . The world is compelling, the technological ideas are impressively thought up and put together, there is great, deepening, complex intrigue, really mean ships and faster than light action.”— The BookBag
General Praise for Neal Asher:
“Neal Asher’s books are like an adrenaline shot targeted directly for the brain.” —New York Times bestselling author John Scalzi
“With mind-blowing complexity, characters, and combat, Asher’s work continues to combine the best of advanced cybertech and military SF.” ?Publishers Weekly, starred review
“Asher is a modern master of sci-fi.” —Starburst magazine
“A wide-screen special-effects extravaganza, a space opera featuring gods and monsters . . . Doc Smith and Olaf Stapledon in a blender, turned up to eleven, with the contents splattering across the ceiling.” ?Russell Letson, Locus
“Asher has an amazing talent for world-building, for writing larger-than-life characters, for weaving gripping plots and for imagining exotic alien races and wonderful technologies. Huge ships! Big weapons! Space battles! Ground battles! Treason! Revenge! This is New Space Opera at its best.” —Sense of Wonder
“Hardboiled, fast-paced space opera . . . Asher’s books are similar to the world of Iain M. Banks’ Culture universe, but the Polity is arguably a much darker and more vicious environment—and all the better for it.” —The Register
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