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Forest Gate

A Novel

About The Book

A shattering, poetic and raw first novel set among young Somalian refugees in the slums of London -- beginning with a double suicide and ending with a rebirth.

In a community where poverty is kept close and passed from one generation to the next, two teenage boys, best friends, stand on top of twin tower blocks. Facing each other across the abyss of London's urban sprawl, they say their good-byes and jump. One dies. The other, alternating with the sister of the deceased, narrates this novel.

James gives us a window into the inner city -- his mom is a crack addict, his gang "brothers" force him to kill another black boy. Meina describes with feeling her family history in Somalia: after her parents are killed before her eyes, her village aunt sells her to six husbands -- before she is even a teenager. Desperate to rebuild their lives, James and Meina set out to find the place for which every child longs -- home.

Brutal and shockingly violent in places, rambunctious and lively in others and slyly, dryly witty in yet others, Meina and James's journey toward life through their past is ultimately a powerful story of redemptive love and the debut of an extraordinary literary talent.

Reading Group Guide

This reading group guide for Forest Gate includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with author Peter Akinti. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.



Set in the slums of contemporary London, Forest Gate chronicles the lives of the dual narrators—James and Armeina—in the wake of a double suicide attempt which James survives but Ashvin, Armeina’s brother, does not. Through the heart-wrenchingly human voices of Armeina and James, we learn about the extraordinarily sad family history of both narrators. Armeina, called Meina, was forced to flee Somalia with her brother Ashvin after the two witnessed the brutal murder of their intellectual parents by Ethiopian soldiers. Meina and Ashvin, with the help of their white benefactor Mr. Bloom, move to the ‘estates’ of London where they meet James, the youngest of six warlord and drug dealing brothers and the son of a crack-addicted mother. James and Meina are brought together by the tragedy of Ashvin’s death and James’ survival and fall in love in the shadow of their shared sorrow. Poignant and breathtaking, tragic and captivating, Forest Gate takes the reader on a journey that reminds all of us of the fragility of human life and the possibility of hope in spite of unmistakable tragedy and loss.



Discussion Questions

1. The novel opens with a double suicide attempt that is only halfway successful.  Meina, as the narrator, describes the two boys preparing to die: “They were quiet as they emptied their minds, as they tried to forget life, to blend with their frail place in the universe” (15).  Discuss each of the boy’s reasons for wanting to die. What would have happened if Ash lived instead of James? What if both boys died? 

2. In many ways Ashvin and Meina’s parents stand as a symbol of progress in the novel. They are educated, successful, political and modern. Meina is given the choice, for example, whether she would like to be circumcised or not (57).  What are other examples of the parent’s open-mindedness? How do the parents help shape the lives of Ash and Meina even after their death? 

3. Consider for a moment the structure of the story. What effect does the variety of narrators have on the story overall? Meina begins and ends the story, and is, by far, the most popular narrator employed by the author. To what extent does the story become Meina’s? Why do you think the author made use of a fractured structure with several narrators? Is it successful? 

4. A theme of the novel emerges on page 22 when Meina muses, “life is ultimately what you carry around in your heart.” Do you think it was worthwhile for Ashvin and Meina to leave their country for London? Consider the question from both Ashvin and Meina’s positions. How did James carry the burdens in his heart? How did Mr. Bloom? Was any character more successful at ‘carrying’ than the others? How so and to what extent? 

5. Revisit the brutal fight scene between Ashvin and Nalma, starting on page 116.  Easily one of the more difficult pieces to read, this scene is also a very important moment to the novel as a whole. We as readers at last have some insight into the extremely sad and complex feelings Ashvin has been coping with since he witnessed the brutal murder of his parents. James captures well what we feel as readers when he says “I couldn’t understand why Ash was crying” (118).  Discuss the ways in which this scene is important to the novel and especially to the character of Ashvin. Do you believe Ashvin’s actions were meant to be cathartic, vengeful or both? 

6. On page 54, Meina says she does not have any ideas of her own that are “strong enough to want to die over.” Is this what makes Meina different from her brother? What are other differences between the siblings? Are their differences due more to circumstance or fundamental differences in their personalities?  

7. At the onset of the story, Meina explains that she was named after the river Armeina that “glistened and was never disturbed” (7), according to her Mother.  But Meina does not share the peaceful existence of the river and therefore prefers her nickname. In comparison, James’ six brothers are referred to throughout the story by numbers rather than names, and #5’s suicide letter at the end of the novel is the first place where their birth names are listed. Consider what a name means to the characters in Forest Gate. Do the use of numbers symbolize that James’ brothers seem somehow sub-human? Why do you think the author used this technique of numbers instead of names? Why are the numbers out of chronological order? How does the use of numbers compare to Meina’s given name? 

8. Why do you think Meina asks James to live with her? Do you think it was her only option? Do you think Meina is in need of James or do you think James is in need of Meina? To what extent do the characters depend on one another?  

9. Depression and mental illness factor heavily into the novel. Ashvin is diagnosed as bipolar after his death and #5 goes on his shooting rampage as a result of not taking his medication. Do you think it is significant that these characters suffered from mental illness? What do you think the author may be saying about the stress of living in Forest Gate? Does the mental illness of Ashvin and #5 present a binary of guilt versus innocence?

10. Can you find any symbolism in the title Forest Gate? How does the image of enclosed wilderness help determine the parameters of the story? How would you have titled the novel? 
11. African American writers such as James Baldwin, Langston Hughes and Richard Wright are heavily referenced in Forest Gate. Ashvin and his father in particular often recited the poetry of Langston Hughes. Do you think the author meant poetry to stand as a form of freedom and escape for Ashvin and his father? How do literary role models challenge stereotypes of slum life? What does poetry symbolize in the story? 

12. What role does Mr. Bloom play in the novel? Do you consider him a just character or not? Do you believe he had Meina’s best interest at heart? 

13. James asks Meina: “Do you blame me for what happened to Ashvin? Be honest” (143). Do you think Meina forgives James? Do James and Meina forgive Ashvin? What role do you think guilt played in the suicide attempts? Does James feel guilty for surviving? Does Meina feel guilty for her brother’s death? 

14. How does the sojourn to Cornwall change Meina and James’ relationship? Do you think the shift in setting—from the enclosed slums to the open sea—is responsible for James and Meina finally sleeping together and opening up to one another? 

15. On page 147, James describes listening to Meina read Richard Wright’s book as “one of those stories you read and never forget, one that made you feel for your ancestors, one that made all your own troubles pale in comparison” (147).  Do you think this is a fair way to characterize Forest Gate? Did the voices of James and Meina bring alive for you what it means to be SOMALI? What it means to be victimized by circumstance? What it means to be trapped?

16. Discuss the ending of the story. Do you think it was a happy ending? Do you think there is a future for Meina and James? For James’s nephew? 

Enhancing Your Book Club

1. Forest Gate lets readers glimpse into the world of a SOMALI woman living in London. Explore further what it means to be a young woman in Somalia and a young Muslim SOMALI woman living in London by having each member of your book club read a copy of Infidel (Free Press, 2008) by Ayaan Hirsi Ali. Can you find any comparisons between Ayaan and Meina? 

2. Have a movie night with your book club and rent “The Class (Entre Les Murs)” (2008).  Is this school similar to the school James and Ashvin attended? How so? Does the slum life in the film remind you of the slums of Forest Gate?  What are the differences between the book and the film?

3. In the novel, Meina visits the SOMALI restaurant Zudzi (62) after she learns of Ashvin’s death. Meina is reminded of her lost home, of her lost Mother and says the food was “so delicious I almost wept” (63).  Host a book club meeting in a local SOMALI restaurant or have a potluck with traditional SOMALI dishes. Over lunch, discuss what it means to be displaced. What would you miss most? Can you relate to Meina’s story? 

4. Explore Langston Hughes poetry further by picking up a copy of The Collected Poems of Langston Hughes (Vintage Classics, 1995). Select a poem and have each member of your group take turns reading the same poem aloud. How does the poem make you feel? Is there a difference when several voices read the same poem? What effect did reading poetry aloud have on your group? Did reading aloud allow you to better relate to Ashvin’s love of reciting poetry? 



A Conversation with Peter Akinti

1. You were born in London but lived briefly in Nigeria before settling in Brooklyn. Describe how the various places in which you have lived helped you write this book.  Was living in London your primary influence? Why did you decide to set Forest Gate primarily in London instead of Somalia?

Living in London was definitely the primary influence of writing this book. I moved to Nigeria because I was fed up complaining about London then to Brooklyn after complaining about Nigeria. I am thankful that I did. I used to say, once you're an east Londoner you just can't live anywhere else. I thought it was part of the fabric of who I am. By traveling, I was lifted into new worlds, where I began to think, see and feel differently, extending the boundaries of my mind and eventually my writing, Looking at parallel lives of inventive young people who are practically the same yet divided by money, ethnicity and class.


2. You mention several African-American writers such as James Baldwin, Langston Hughes and Richard Wright throughout Forest Gate. Are these writers your influences? What is your background and how did you decide to become a writer?

These writers mean a great deal to me. Ultimately, and this is difficult to explain, they gave me the courage to honestly depict what I felt rather than portray what might please a specific audience or what might be financially rewarding.  I am heavily influenced by all proletarian fiction, that which springs out of the direct experience of the working class. I grew up longing to be a journalist. I have spent an awfully long time scribbling words in notebooks, even before I realized what I was doing. I signed up for a writing course once. My classmates went silent, just sort of looked at me sideways when I took my turn to read something out. I never went back but I knew I was on to something. 


3. Why did you decide to write this story? Describe the journey from conception to publication. 

I had just had my first manuscript turned down by every major publisher in the western world. I was feeling pretty low, unsure what to do with myself. I met with an old friend for a drink who told me his brother had died by suicide. He was just a kid; his death shook me up a bit. I couldn’t get his image of him standing at the edge of a tower block, a project, out of my mind. I asked myself the question: what he was thinking? And I was shocked when I realized I knew.


4. Were any of the characters based on people you have known in your life? On people from history?  On yourself?

Lots of black men are dying in London at the moment. We have started to believe lazy journalists who say these deaths are all to do with drugs and gangs formed in inner cities. This is just not true. James is based on a few people I have known and some who are fictional accounts of people who make the news. Of course James is also part of me, a part of the group of young men who are dying spiritually; James is also the nephew of James Baldwin whom the letter ‘my dungeon shook’ was addressed to. Poor James. The character Armeina is based on a Somali woman I met in Paris who was making a film about female circumcision.


5. Who is your favorite character and why?

My favorite character is Mohamed, James and Meina’s father, a quiet and formidable presence in the book. A man who loved his family and his country, a brave and principled man murdered for strong political beliefs.  


6. Your novel depicts a part of slum life that we don’t often see in popular culture; that is, those who are victimized by their circumstance, such as James. Was it important to you to present an alternative point of view?

I didn’t set out to depict this or that. I wanted to be included in the political dialogue that seemed to be taking place in London about people like me without people like me.


7. Why did you decide to tell the story from various narrators’ points of view? What effect do you think the structure has on the story overall? Why was Meina chosen as your primary narrator? 

Honestly, I thought people would tire of the black male voice, also it sounded very much like me, Peter. I would often find myself writing passages and working myself up more and more drifting further and further away from my plot. In the end I asked myself: What could I say about growing isolation, meaninglessness and moral decay from a black male perspective that hadn’t been said already. I tried using the voice of a black woman and, oddly enough it worked for me. I was able to detach, concentrate more on the creative process.


8. Describe the research that went into the making of this novel. Was it a lot or a little? Would you say this book is more from personal experience or from history and current events?

I remember reading about Faisal Wangita, son of the late Idi Amin, who got five years for killing Mahir Osman, an 18-year-old Somali boy in London. Then a 17-year-old boy was convicted at the Old Bailey of murdering Kiyan Prince in London last May. He stabbed him through the heart several times. Hannad Hasan, a 16-year-old Somali immigrant, claimed the stabbing was an accident. I remember he said the knife he used was "a little toy". I found hundreds of stories that highlighted how some young men from war torn countries are fuelling the violence in Britain. Ignorant journalists were blaming ‘black men’ despite the huge differences in our make up – we may look, dress and even talk the same but culturally, we are very different. I got fascinated with Somalia (their civil war has been ongoing for eighteen years. It is one of the only countries in the world that is officially ungovernable). I studied the Somali immigrants who were arriving in the East Midlands then moving to London and being housed mainly in the inner city estates, just like Forest Gate. (Academic studies estimate there are now 100,000 Somali’s in Britain. Officially the figure is 20,000). The story just grew from there.

9.  Do you hope to break any stereotypes with this novel?

I don’t know if my little book can break stereotypes, especially in London where the divide is difficult to overcome. Hopefully it will be included in the ongoing debate.


10.  Who are you reading now? Who is your favorite author? What is next for you as a writer?

My favorite author is a Nigerian author named Daniel Fagunwa. I read him at a very young age; he made a great impression on me. I am working on another novel. I have finished with the creative work; now I’m doing the editing. The book is set in east London. It has Yoruba mythology at its core.

About The Author

Photo Credit N/A

Peter Akinti was a seventies child, born of Nigerian ancestry, in London. He read Law at a London University. He has written for the Guardian, and worked for four years at HM Treasury Chambers before founding and editing Untold Magazine for five years. Untold was the first independent British magazine for black men and had a wealth of gifted contributors from all over the diaspora. Peter spent eighteen months in Nigeria, running a restaurant, beer parlour and cinema in Ondo Town, Southwest Nigeria. He currently lives in Brooklyn.  Forest Gate is his first novel.

Product Details

  • Publisher: Free Press (February 2, 2010)
  • Length: 224 pages
  • ISBN13: 9781439172179

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Raves and Reviews

"This is tautly constructed, graphic, angry, powerful fiction." -- Catherine Taylor, The Guardian

"A modern-day Richard Wright." -- William Leith, The Observer (UK)

"Vivid and energizing.... Breathtakingly fresh.... [Its] authenticity comes from a dazzling, painterly quality of realization and from a playful dance with the morality tale." -- Nicola Field, Socialist Review

"An assured debut." -- Ian Thomson, Times Literary Supplement

"Akinti weaves a tale of discovery." -- Pride

"...shines an unflinching light on the disparity of race and class...with an activist spirit akin to Richard Wright...Akinti crafts vivid young characters struggling to define themselves amid the chaos of families and communities entrenches in crime. The grit is tempered with an unlikely love story, affirmin gthe power of the human spirit and signaling the arrival of a major new literary talent."- Chris Kompanek, Flavorpill

"...shines an unflinching light on the disparity of race and class...with an activist spirit akin to Richard Wright...Akinti crafts vivid young characters struggling to define themselves amid the chaos of families and communities entrenches in crime. The grit is tempered with an unlikely love story, affirmin gthe power of the human spirit and signaling the arrival of a major new literary talent."- Chris Kompanek, Flavorpill

"...shines an unflinching light on the disparity of race and class...with an activist spirit akin to Richard Wright...Akinti crafts vivid young characters struggling to define themselves amid the chaos of families and communities entrenches in crime. The grit is tempered with an unlikely love story, affirmin gthe power of the human spirit and signaling the arrival of a major new literary talent."- Chris Kompanek, Flavorpill

"...absorbing...poetic....Akinti['s] atempt to detail the contemporary black British experience is visceral and immediate....most engaging is the neighborhood itself..."Forest Gate" is hot with fury....The novel elegantly illustrates contemporary Britain's failure to assimilate its immigrants [...] Akinti has acquitted hismelf with substantial elan and transformed a grim place into a thing of beauty." - Simon Akam, The New York Times Book Review

Editors' Choice, The New York Times

"Akinti's first novel is a visceral attempt to detail the harsh lives of the poor and black in Britain."-The New York Times

"Hard to put down...Akinti is a master of setting a scene quickly and efficiently...Akinti's narrative is crisp and intriguing, jumpy but arresting- glimpses intoa nightmare." —Mobile Register

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