In this paean to the vintage car, Baker, who has also provided the photos, juxtaposes American autos against the backdrop of Cuba to great effect...the photos effectively capture the beauty of the vintage cars themselves as well as the country that keeps them running. This photographic history is a nice companion to Baker's award-winning travel memoir, Motorcycling Through Castro's Cuba.

Travel writer Baker has been to Cuba 20 times to research books, and one of the more fascinating aspects of contemporary Cuba did not escape his notice: it is the 'largest American car museum in the world.' Before Castro, particularly in the 1940s and 1950s, Cuba imported a vast number of cars from the U.S, but since the embargo, no more cars can be brought across the Florida Strait. Consequently, the islanders are left to make do-to repair and relish the cars they owned before the embargo. Baker's lively text and rousing photographs give a palpable sense of the 'time warp' experienced by tourists to today's Cuba as they, say, spot a 1952 Ford Victoria, catch a glimpse of a 1955 Chrysler New Yorker, or closely observe a 1959 Studebaker Lark. The photographs are the major draw here, for Baker catches these prized vehicles, most held together only by a creative use of spare parts, in full-length profiles, up-close details, at rest, or zooming by on street and road.

Cuba. The word by itself brims with connotations: the Cold War, missile crisis, refugees, dictatorship. What this book does is replace all those notions. It takes readers back to a time when American cars were each unique in their design and symbolized the good life as defined by shiny chrome and elegant hood ornaments. With images and text, the author shows readers a Cuba they never expected, while at the same time offering a nostalgic journey to a past often forgotten by this SUV generation.

– Silver Award/Best Travel Book category, Lowell Thomas Travel Journalism Awards

Chris Baker is the preeminent travel writer covering Cuba today. His guidebooks for National Geographic Traveler and Moon Publishing are biblical Baedekers for anyone traveling to the island. Mi Moto Fidel, his book-length journey around the island on a BMW motorcycle, reads like a Hemingwayan novel-and has garnered prestigious writing awards. Now, with Cuba Classics, Baker has taken his already impressive act to a new level, displaying his skill as a photographer, which is nothing short of artistry. His stunning photographs of vintage American autos-so plentiful in Cuba-are not only wonderful depictions of cars not seen in the U.S. for decades, but are the subjects of photos that demonstrate a photographer's instinctively artistic command of format, color, tone, and lighting. Settings for the autos often speak to the greater issue of the Cuban landscape, both urban and rural. It's a must book for car buffs, for anyone interested in photographic artistry, for anyone enamored of beautiful writing. As a long-time fan of Baker's journalism, I have found myself asking what else could he possibly do to present another aspect of this island country he knows and loves? Cuba Classics is the latest answer to that question. Kudos.

– Tony Tedeschi, editor, naturaltraveler.com

Baker has done a remarkable job in visually capturing the elusive sense of place that is the goal of every travel photographer and yet which very few ever achieve.... This is the real Cuba photographed with a directness that has a refreshing lack of artifice. Whether your interest is old cars, Cuba, or good photography per se, this exquisite coffee-table book will not disappoint. A better book on Cuba would be hard to find. For a writer of Baker's ability to demonstrate equal talent as a photographer is an enviable accomplishment. Cuba Classics will become a classic in its own right.

– Robert Holmes, twice recipient of the coveted

Travel Photographer of the Year... The complexity of relationships between the U.S. and Cuba, from the vantage point of old automobiles, is a fountainhead of insight for anyone who cares enough to think about it. There is pain and comedy there, as well as beauty and pathos. Christopher P. Baker's images evoke all that: the restored beauty of the vintage cars is utterly Cuban now, but the sheen and light that shines from them and from the Cubans in his pictures, hides other worlds. Cuba is a photographer's dream and nightmare: she is pathologically photogenic. Only the best artists can simultaneously pose and question her. I think Baker does.

– Andrei Codrescu, contributor to NPR's 'All Things Considered' and author of Ay, Cuba!

Christopher P. Baker's Cuba Classics is the history of 20th century Cuba told through its love affair with the automobile-an enduring symbol of its inventive and resilient spirit.

– Ann Louise Bardach, author of Cuba Confidential: Love & Vengeance in Miami and Havana

This is the most beautiful, most sympathetic photo book about Cuba I have seen for years. It's terrific!

– Martin Cruz Smith, author of Gorky Park and Havana Bay