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The Buffalo Hunter Hunter
Selected as One of The New York Times’s 100 Notable Books of the Year
A Barack Obama Summer Read
Bram Stoker Award Winner for Superior Achievement in a Novel
Nebula Award Winner for Best Novel
Locus Award Winner for Horror
Libby Award Winner for Best Horror
Kirkus Reviews Best Historical Fiction
Los Angeles Times Book Prize Award Finalist
A Time, The Washington Post, NPR, Shelf Awareness, The Toronto Star, and Publishers Weekly Best of the Year
The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.
“Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture
“Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post
A Barack Obama Summer Read
Bram Stoker Award Winner for Superior Achievement in a Novel
Nebula Award Winner for Best Novel
Locus Award Winner for Horror
Libby Award Winner for Best Horror
Kirkus Reviews Best Historical Fiction
Los Angeles Times Book Prize Award Finalist
A Time, The Washington Post, NPR, Shelf Awareness, The Toronto Star, and Publishers Weekly Best of the Year
The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice.
“Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture
“Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post
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