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Table of Contents
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About The Book
One of The New York Times Book Review's 100 Notable Books of 2025
One of The Washington Post's 10 Best Books of 2025
For readers of Jonathan Franzen and Nathan Hill comes a haymaker of an American novel about a missing teenage boy, cases of fluid and mistaken identity, and the transformative power of boxing.
Austin, Texas: It’s the summer of 1998, and there’s a new face on the scene at Terry Tucker’s Boxing Gym. Sixteen-year-old Nathaniel Rothstein has never felt comfortable in his own skin, but under the tutelage of a swaggering, Haitian-born ex-fighter named David Dalice, he begins to come into his own. Even the boy’s slightly stoned uncle, Bob Alexander, who is supposed to be watching him for the summer, notices the change. Nathaniel is happier, more confident—tanner, even. Then one night he vanishes, leaving little trace behind.
Across the city, Charles Rex, now going simply by “X,” has been undergoing a teenage transformation of his own, trolling the phone sex hotline that his mother works, seeking an outlet for everything that feels wrong about his body, looking for intimacy and acceptance in a culture that denies him both. As a surprising and unlikely romance blooms, X feels, for a moment, like he might have found the safety he’s been searching for. But it's never that simple.
More than a decade later, Nathaniel’s uncle Bob receives a shocking tip, propelling him to open his own investigation into his nephew’s disappearance. The resulting search involves gymgoers past and present, including a down-on-his-luck twin and his opportunistic brother; a rookie cop determined to prove herself; and Alexis Cepeda, a promising lightweight, who crossed the US-Mexico border when he was only fourteen, carrying with him a license bearing the wrong name and face.
Bobbing and weaving across the ever-shifting canvas of a changing country, The Slip is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.
Reading Group Guide
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Throughout The Slip, David Dalice makes choices that could, at best, be called ethically questionable, from boasting to his teenage underlings about his alleged sexual experiences to more consequential actions later. Why do you think David behaves as he does? Were you sympathetic to David, and how did your sympathies evolve over the course of the story?
How does Nathaniel’s understanding of race—and particularly the meaning of Blackness—contribute to his actions? Where do you sense this understanding comes from?
Belinda St. James has what at the end of the book is characterized as a “complicated love” for her child, who decides as a teenager to, in Belinda’s sassy estimation, ditch the name she gave him, Charles Rex, and be known simply as X. How would you describe Belinda’s parenting style? Did you understand her approach? Did you agree with it?
In the first half of the “XXX” section of the book, we get to know X through his sort-of-romance with a troubled boy in his class named Jesse Filkins. In the second half, X begins a new sort-of-romance, with life-changing results. What is the link between these two relationships? How is X’s conception of himself tied up in his connection to his suitors?
Who gets to be considered an American, and why, is an issue at the heart of the intersecting immigration plotlines in The Slip. Compare the journeys of Haitian-born David Dalice and Mexican-born Alexis Cepeda. How do their immigration stories have an impact on their lives in the US? Do you think they conceive of themselves as American? Do others?
Much of The Slip takes place in 1998—a time when search engines were still novel, and smartphones nonexistent. How does the time period affect the plot? Do you think the conversations and conflicts concerning race, gender, and sexuality would’ve transpired differently if they were set today?
In “Leonard District,” we spend a year following Miriam Lopez, the police officer investigating Nathaniel’s case a decade after his disappearance. In what ways did Miriam’s experience as a rookie cop conform to or diverge from your expectations?
The Jewish women who attend Citizen Police Academy with Nathaniel’s uncle, Bob Alexander, seem, at first, tangential to the mystery of the boy’s disappearance over a decade earlier. However, it is through these women that the reader learns key details about the cold case. Why do you think the author chose to tell this part of the story from their perspective? What did you make of their evolution over the course of the class?
A slip is a defensive strategy in boxing, but the title could also refer to the many characters who give each other—and sometimes themselves—“the slip.” Which “slip” most surprised you? Most resonated with you? Which characters do you think benefited from their transformations, and which didn’t?
About The Readers
Product Details
- Publisher: Simon & Schuster Audio (June 3, 2025)
- Runtime: 17 hours and 42 minutes
- ISBN13: 9781797191171
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Raves and Reviews
"Narrators Shaun Taylor–Corbett and Renata Friedman bring to life this epic novel spanning the period from 1998 to 2014, when teen Nathanial Rothstein goes missing in Austin, Texas. They voice a wide cast of misfits whose lives intersect during the pivotal summer of 1998. At 16, Rothstein is miserable, yet through a phone-sex hotline, workouts at a boxing gym, and access to medication at a nursing home, his worldview expands in unexpected ways, particularly around race and gender. Taylor–Corbett and Friedman deliver a range of accents that lend authenticity to the extensive list of characters they portray. Their vocal talents capture humor, sadness, and tension with nuance and sincerity. Overall, their performances help sustain listener engagement throughout this sweeping story."
– Winner of an AudioFile Earphones Award, AudioFile Magazine
Awards and Honors
- ALA Notable Book
Resources and Downloads
High Resolution Images
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Book Cover Image (jpg): The Slip
Unabridged Audio Download 9781797191171
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Author Photo (jpg): Lucas Schaefer Greg Marshall(0.1 MB)
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