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Table of Contents
About The Book
The keys to the mighty Gothic mansion of Thornwalk are about to be handed over to a luxury hotelier. They will spend millions in the restoration, but in doing so, what will be erased?
The reader is invited on a tour of this crumbling estate, guided by an enigmatic narrator. Each room holds a secret, from the bolt on the blue room door to a silver spoon in a wooden box. Wrapped around these seemingly insignificant objects are the stories of the five fatherless children who lived here.
Taking us from the eve of World War II to the early 2000s, Angela Tomaski paints a “droll” (The New Yorker) and indelible portrait of a once-grand family brought to its knees. What begins as a bucolic snapshot of five children playing cricket on the lawn soon unravels as the world becomes a place they no longer recognize. The Infamous Gilberts is the darkly funny tale of an unusual family, lovingly portrayed.
“This dark little novel should be Wes Anderson’s next movie...Tomaski puts a quirky spin on Gothic storytelling…with rare control and evident relish.” —The New York Times Book Review
Reading Group Guide
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Introduction
Thornwalk, a once-stately English manor, will never be the same. The keys are being handed over to a luxury hotelier, who will undertake a complete renovation—but in doing so, what will they erase? Through the keen eyes of an enigmatic narrator, the reader is taken on a guided tour into rooms filled with secrets and memories, each revealing a piece of the story of the five Gilbert siblings.
Spanning the eve of World War II to the early 2000s, this contemporary gothic novel weaves a rich tapestry of English country life. As the story unfolds, the reader is drawn into a world where the echoes of an Edwardian idyll clash with the harsh realities of war, neglect, and changing times. The Gilberts’ tale is one of great loves, lofty ambitions, and profound loss, and Angela Tomaski’s mordantly witty yet loving account is an immersive experience.
Topics & Questions for Discussion
On the first page of the book, Hugo tells us he worries about the objects in Thornwalk because “they’re not the sort of thing people like these days.” What purpose do these objects serve in the story? How might the reader value them?
Discuss the Gilbert siblings’ relationships to each other and others in their family. What do they prioritize in life? How do their priorities shift as they exit childhood and enter adulthood?
Maximus is an omniscient narrator who doubles as a character in the book. How does he care for the Gilberts, both in his narration and outside of it?
What did you think of Aunt Beatrice’s relationship with Mrs. Gilbert, and her treatment of her nieces and nephews?
Discuss Annabel’s role in the story. How does she evolve?
Hugo “guards their father’s memory like the curator of a museum” (page 61). How does he mythologize his father, and himself? How does self-mythologization for any of the Gilberts spell doom at various points in the book?
On page 96, Mrs. Gilbert says that it was out of respect for Mr. Gilbert that the bomb in the lake didn’t explode, and Maximus tells us this is a lie: “[Mrs. Gilbert] will always remember it and regret it, because it is deliberately dishonest, in a way that most of her other lies haven’t been.” What do you make of this statement? How does Mrs. Gilbert’s style of motherhood influence her children?
When Hugo returns from the war, Annabel starts crying because “Hugo is dead” (page 99). In what way is Hugo “dead”? Does he retain any semblance of his younger self?
Discuss the Asquills and how they shape the lives of the Gilberts, both materially and psychologically.
On page 107, Maximus draws our attention to a story about Hugo and Jeremy in which they work together to rescue a lamb. What is the relevance of this moment?
Unrequited love emerges as a major driver of behavior throughout the story. Discuss how various characters suffer through this emotional experience.
On page 175, we hear murmurings that, “Something, somewhere, must have gone very wrong in this family.” What do you think went wrong for them?
On page 235, Rosalind says, “I never chose to do any of the things I did. They just happened.” Discuss how the Gilberts take responsibility for their actions (or don’t).
At the beginning of the book, Maximus says, “It is tempting to become careless with things when there are lots of them. You must treat each object here as if it were the only one in the world” (page 11). How does this sentiment relate to the Gilberts? How are we to think of disposability, in terms of things, places, people—relationships?
Which object is your favorite? Which object holds the most unexpected story?
Enhance Your Book Club
Look around your own home. Is there an object, perhaps one that would normally be overlooked by the casual observer, that tells a story like the vignettes in The Infamous Gilberts? Share the story of that object with your book club.
Thornwalk is inspired by an ornate Victorian Gothic Revival house, Tyntesfield. Visit https://www.nationaltrust.org.uk/visit/bath-bristol/tyntesfield for a virtual tour.
Think about and discuss the ways your own town or neighborhood has changed. How has it changed in the past year? Five years? Ten? Twenty? The Infamous Gilberts spans almost a hundred years. How do the changes in your town or neighborhood compare to the changes we see (or don’t see) at Thornwalk?
Product Details
- Publisher: Scribner (January 20, 2026)
- Length: 288 pages
- ISBN13: 9781668094662
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Raves and Reviews
“This dark little novel should be Wes Anderson’s next movie... Tomaski puts a quirky spin on Gothic storytelling... with rare control and evident relish.” —New York Times Book Review
“A droll yet mournful debut novel.” —New Yorker
“A thrilling debut that absolutely delivers.” —Town & Country
“A witty, elegant debut… very stylish... I kept thinking of Shirley Jackson.” —Minnesota Star-Tribune
“Hilarious at times, heartbreaking at others.” —Booklist
“Readers who have wondered what a Jane Austen novel would look like if it had considerably more psychological ugliness should check out The Infamous Gilberts... an entertainingly devious family drama with enough wicked surprises to captivate audiences open to its pleasures.” —BookPage
“If Shirley Jackson moved The Addams Family to the English countryside, something like this dark, tongue-in-cheek epic might result… This distinctive debut introduces a wickedly weird new talent.” —Kirkus Reviews
“Tomaski debuts with a fresh story of an eccentric English family [and] imbues the narrative with pathos and wit… readers will find much to enjoy.” —Publishers Weekly
“How do legendary families fall to ruin? The narrator of this ingenious debut grabs us by the hand and guides us through a crumbling Gothic estate to share the tragic fates of five siblings. The Infamous Gilberts intertwines humor, heartbreak, and mystery in a story about the choices that shape—and shatter—the lives we inherit and build. It kept me laughing, gasping, and guessing from beginning to end.” —Heather Aimee O'Neill, author of The Irish Goodbye
“A family saga like no other: gloriously offbeat, darkly comedic, and totally bewitching. A bravura performance.” —Sarah Winman, author of Still Life
“The Infamous Gilberts is quite unlike anything I have ever read—a highly imaginative world within a world. Exquisite, unsettling, and utterly unique.” —Jessica Stanley, author of Consider Yourself Kissed
“Eccentric and deliciously addictive, The Infamous Gilberts is a gorgeous portrayal of a family caught in a privileged world that no longer exists... moments of heartbreaking pathos come hot on the heels of moments of riotous fun, but it’s the bewilderment of a family struggling to make peace with loss that will stay with me the longest.” —Rachel Joyce, author of The Unlikely Pilgrimage of Harold Fry
“Exquisite. A first novel to treasure and inspire. Vivid, poignant, hilarious, and tragic, The Infamous Gilberts is the most rewarding and beautiful book I've read in ages.” —Barbara Trapido, author of Brother of the More Famous Jack
“Completely captivating; I absolutely loved it. A compelling, ingenious, mischievous blend of tragedy, comedy, and intrigue.” —Nina Stibbe, author of Love Nina
“Funny, and silly, and brilliantly crazy, and so poignant it made me cry.” —Claire Fuller, author of Unsettled Ground
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