"A Palestinian girl's transgression has strange repercussions ('little waves of consequence that travel like vibrations') in Zeina B. Ghandour's "The Honey". Young, impulsive Ruhiya gives the morning call to prayer as her father lies on his deathbed, even though it is forbidden under Islamic law for a woman to do this. Elliptical and lyrical, this is less a novel than a glimpse into the minds of the five narrators: Ruhiya herself; Yehya, her childhood love and a would-be terrorist; his father, Farhan; Maya, a foreign journalist; and Asrar, the little girl who was the only eyewitness to Ruhiya's deed."

"Islam is often unjustly called sexist, yet aspects of Islamic practice are almost always patriarchal, for instance, the adhan, or call to prayer. Ruhiya's father normally chants the adhan, but he has fallen ill. Worse, her beloved, Yehya, has left their village in Israeli-occupied Palestine for Jerusalem. Breaking a deep taboo, Ruhiya calls the community to prayer, and miraculously, Yehya hears her in Jerusalem and aborts the suicide mission he has planned. Add a journalist, a near-omniscient little girl, and the ubiquitous presence of honey, and you have this short, compelling fable. The rare novel about the Israeli-Palestinian conflict that acknowledges the complicated experiences and feelings on both sides without making an overt political statement, it is the story of a woman's need to assert herself in nontraditional ways... a little gem."

"...the story is so tightly packed that every word resonates and multiple readings are required...a glinting little novel that emanates big ideas about politics, pleasure, language, religion and fulfillment, be it earthy or otherwise."