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The Crossed-Out Notebook
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About The Book
From the Academy Award-winning cowriter of Birdman, a wonderfully eccentric, suspenseful debut in the tradition of Misery and Kiss of the Spiderwoman about a screenwriter kidnapped by a world-famous director who orders him to compose a masterpiece.
Pablo, a failed Argentine novelist-turned-screenwriter, has been kidnapped by the greatest Latin American film director of all time and is kept in a basement where he works, day after day, on what he is told must at all costs be a great, world-changing screenplay. Every night, after finishing work on the script, Pablo writes in his notebook and every morning he crosses out what he wrote the night before. The Crossed-Out Notebook is Pablo’s diary of this time: being brought food by a maid; being threatened with a gun; vociferously arguing with the director about what he’s written the previous day.
The clash between the two men and their different approaches leads to a movie being made, a gun going off, an unlikely escape, and a final confrontation. In the end, The Crossed-Out Notebook is a darkly funny novel full of intrigue and surprise about the essence of the creative process; a short, crazy ode to any artist whose brilliance shines through strangeness and adversity.
Reading Group Guide
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Pablo, a failed Argentine novelist turned screenwriter, has been abducted by the greatest Latin American film director of all time and is kept in a basement where he works, day after day, on what he is told must at all costs be a great, world-changing screenplay. Every night, after finishing work on the screenplay, Pablo writes in his notebook and every morning he crosses out what he wrote the night before. The Crossed-Out Notebook is Pablo’s diary of this time: his psychological torment by a maid, being threatened with a gun, and his vociferous arguing with the director about what he wrote the previous day.
Topics & Questions for Discussion
1. The Crossed-Out Notebook is about the essence of the creative process. How does Pablo view this process differently from Santiago Salvatierra?
2. The novel is a diary documenting Pablo’s time in Salvatierra’s basement. Much of it is written in a form approaching stream of consciousness. Discuss how this impacted your reading experience. Did you notice any changes in style over the course of the book?
3. In the chapter “Unencrypted Word File,” Pablo writes that the best books are “the unwritten ones. But it’s impossible to write a screenplay without writing.” Analyze this assertion.
4. What is the significance of Pablo’s background as a failed musician?
5. Do you see any similarities between Amadeus, Pablo’s favorite film, and the events described in The Crossed-Out Notebook? What does its inclusion in the book suggest about the theme of mediocrity?
6. What commentary does the novel make about the film world? Why do you think Pablo, a screenwriter, believes novels to be a superior art form to films?
7. Discuss Norma’s role in the story. Did you view her as a prisoner like Pablo or as an accomplice of Stantiago’s?
8. How did the progression from crossed-out notebook, to encrypted file, to unencrypted file, to yellow sticky note change your reading of the text? What impact did putting the writing medium front and center have on the experience of reading a book about writing?
9. Why didn’t Pablo call his mother when he left the basement? Do you think he was afraid to return to his normal life?
10. Discuss the novel’s ending. What is the significance of finishing a creative work?
Enhance Your Book Club
1. Read Stephen King’s Misery, another novel about a kidnapped writer. Discuss and compare the two.
2. Watch Birdman, the Academy Award–winning film the author cowrote. Discuss any similarities in style you detect between the novel and the film.
About The Reader
- Publisher: Simon & Schuster Audio (September 24, 2019)
- Runtime: 6 hours and 18 minutes
- ISBN13: 9781508297413
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- Book Cover Image (jpg): The Crossed-Out Notebook Unabridged Audio Download 9781508297413
- Author Photo (jpg): Nicolás Giacobone Pasqual Sisto(0.1 MB)
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More books from this reader: Jacques Roy
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