Fatheralong

A Meditation on Fathers and Sons, Race and Society

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About The Book

The reissued classic from “master of language” (The New York Times) John Edgar Wideman—a “superb” (New York Times Book Review) memoir in five essays about fathers, and Wideman's vexed relationship with his own.

An essential chronicler of Black American experience for over half a century, John Edgar Wideman has been hailed as one of the most important and influential writers of his generation. In Fatheralong, finalist for the 1994 National Book Award, Wideman examines the tidal pull of the narratives and scripts around the sometimes challenging father-son relationship. This searing work is an elegiac mirror to Brothers and Keepers, his landmark memoir about the divergent paths between he and his brother Robby, and the knotted, unbreakable cord of blood, love, and guilt that binds them together. In Fatheralong, we return to Homewood, the Pittsburgh neighborhood in which the two brothers were raised, but here, Wideman takes us even further back into the past, to the generations of Wideman fathers that preceded him. Tracing the contours of his family’s story back to a South Carolinian hamlet called Promised Land, and the trip there he took with his own estranged father, and then back into the present, in his own role as the father of his three children, Fatheralong exposes the hope and fatalism, wisdom and despair, that underwrites all lineage and all ancestry—the strange and universal condition of having come from someone.

In Fatheralong, we see Wideman at his most “earnest, artful, hopeful, angry, and proud” (Kirkus Review), as he imagines on the page, “how different we might be if we really listened to our fathers' stories.” A classic text by a formidable writer, ready for a new generation of readers.

About The Author

©Jean-Christian Bourcart

John Edgar Wideman’s books include, among others, Languages of Home, SlaveroadLook for Me and I’ll Be GoneYou Made Me Love YouThe Homewood Trilogy, American HistoriesWriting to Save a LifeBrothers and KeepersPhiladelphia FireHoop Roots, and Sent for You Yesterday. He won the PEN/Faulkner Award twice and has twice been a finalist for the National Book Critics Circle Award and National Book Award. He is a MacArthur Fellow and a recipient of the Lannan Literary Award for Lifetime Achievement, and the PEN/Malamud Award for Excellence in the Short Story. He divides his time between New York and France.

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Raves and Reviews

Praise for Fatheralong

"Superb...There are musicians who are known among their peers as 'musicians' musicians' because of their affection of their work, as well as their virtuosity and their subtle manipulation of the elements of their craft. John Edgar Wideman is one of a select group of writers who can claim a similar distinction."
—The New York Times Book Review

"An important, moving, large-spirited book...Wideman understands that the personal is the political, that somehow every single black life today is tied inextricably to the prison of race."
—Washington Post Book World

"Six discursive, stirring autobiographical essays wrestle with the social definitions foisted on the author as a black man and situate him within his own personal experiences and the collective history of his kin...Earnest, artful, hopeful, angry, and proud, Wideman's lovely book contains the seeds of promise for a world where black children have a rich wellspring of history to draw from, and where there's 'enough love for everybody.'"
—Kirkus Reviews

Praise for Slaveroad

"Long heralded as one of literature’s preeminent voices, John Edgar Wideman has faithfully chronicled the experiences of African Americans for almost 60 years...This book offers a fresh perspective of slavery’s impact and a confirmation of Wideman’s exalted status in American letters."
—New York Magazine

"Part autofiction, part history and part memoir, this book is an alchemy of genres. Wideman meditates on the word “slaveroad” as a metaphor—both temporal and corporeal—to examine its various meanings and its connection to the trans-Atlantic slave trade."
—The New York Times

"A work of bruising candor and obsessive originality, [Slaveroad] makes sense only outside the constraints of clock time, beyond trends or movements or even any contemporary notion of ‘relevance'....the Nobel committee has not given an American fiction writer the literature prize for more than 30 years, but if its members are of a mind to, I hope they begin their considerations here."
—Wall Street Journal

“[Wideman] tells and retells powerful, miry tales in Slaveroad that are incantatory, transporting and incendiary.”
—New York Times Book Review

"An agonized howl, a lament, an audacious quest to ‘revisit and reify moments in my life that haunt and form me."
—LA Times

"A genre-defying and clear-eyed meditation on the roiling effects of transatlantic slavery on past and present lives, including [Wideman’s] own…By mining the depths of our shared history across place and time in his impassioned “Slaveroad,” Wideman invites us to come along with him on a journey (or a daring, self-excavating exercise?) both immeasurably rigorous and rewarding."
—Minneapolis Star Tribune

"A blend of memoir, fiction, and history that charts the 'slaveroad' that runs through American history, spanning the Atlantic slave trade to the criminal justice system...[for] fans of Clint Smith and Ta-Nehisi Coates."
—The Millions

Praise for John Edgar Wideman

“Master of language.”
—New York Times Book Review 

"Mr. Wideman is one of the great tragedians of American literature."
—Wall Street Journal
 

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