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Table of Contents
About The Book
For fans of Fredrik Backman and Virginia Evans, an astonishing, deeply moving novel about finding beauty in the brevity of life, as narrated by the one who knows it best: Death.
Travis is Death in the modern world. He lives with his cat in a small, gray town. His job is to offer people comfort in their final hours of life, which he does without complaint or judgement. He’s stoic, gentle, and a little naive, despite who he is, but he never tries to change anyone’s fate. He is responsible for maintaining the balance of nature, and every life must eventually end.
Then Travis meets Dalia, a midwife, and her boisterous eight-year-old daughter Layla, who live across the hall, and despite his best attempts to keep his distance, he finds himself wholeheartedly embraced by other people for the first time. So it is with this seemingly unremarkable family that Travis begins to understand what it means to be truly alive—and what might be irrevocably lost in death.
Written with radiant warmth, wisdom, and compassion, Everything Was Beautiful and Nothing Hurt is a timeless and ultimately uplifting story about appreciating life, accepting its end, and finding our place in the universe—especially when it feels most impossible—that will resonate with anyone who has ever loved and lost or worried about time’s passing.
Excerpt
The silver car tumbles end-over-end five times before resting on its roof at the crossroads. A traffic light shifts from red to green, detecting nothing wrong with this arrival, and the headlights glare through the rain, and the wheels keep spinning, flicking their spray at no one in the empty street.
All is quiet. A kebab shop, yellow haze. The stark whiteness of a liquor store and the spatter of residential windows glinting like fairy lights. Faces peeking through the curtains. There’s a scent of sparks from the fireworks behind the terraces, and from the car’s roof where it scraped along the road.
The car sits steaming in the cold, the upside-down world reflected in the wet tarmac. It was the wetness that made the tires slip—tires, illegal, too bald, beige treads—and it was the Jägermeister he’d brought to the party, and the pills still fizzing inside his stomach.
The car’s wheels begin to slow, like a worn-out clock.
Nothing moves but everything speaks—the car speaks, the signs speak. It all speaks, so quiet, so gentle—the whisper of a drain, the birdsong of distant sirens. All of it waits.
They arrive, an ambulance and two police response vehicles, flashing blue-red-blue. The traffic light does its best to recite what happened in its light-language, but none of them listens. The paramedics scurry to the scene, urgent and cautious and tired from the long night. The police chatter like budgies into their radios. They await instruction.
But no instruction comes, for the world slows, slows.
It slows and slows and slows to an imperceptible crawl.
Paramedics with their steely faces masking worried ones—paramedics caught mid-stride, the flaps of their hi-vis jackets frozen behind them in the frigid air. The police officer trapped in a half blink. The rain suspended in space, a billion glass beads reflecting the scene.
I pass between all of it. Through these hanging raindrops, through the emergency team, and I relish the weight of my body, and the crunch of windshield glass beneath my bare feet. I tread toward the car, over these fragments scattered like the diamonds of some careless jeweler. A sign reading 30 leans mockingly beside the driver-side door.
And when the driver, twenty-nine, the man who is still a boy, Samuel Preston, sees me through the side window, his eyes are wide. His eyes are wide because he knows who I am and why I’ve come. Everyone knows, at the end.
He’d planned on proposing to his girlfriend this New Year’s Day. Now he’s sprawled on the upside-down ceiling, all crushed and crooked, strapped awkwardly in his upside-down seat, legs mangled somewhere above the steering wheel. Arms broken. Neck broken, the column cracked, its wires kinked.
I kneel down, open his door.
His friends are unconscious—one in the front passenger seat, one in the back. Samuel tries to move, but I hush him. I lean into the car, holding his head on my lap, and I stroke his hair, and he’s scared, and I tell him it’s okay now. It’s okay.
He tells me he can’t move, and I say I know, it’s okay. He says, is this it? This can’t be it, can it? And I don’t answer because he already knows. And when he asks if this has to happen, I say yes, it’s okay. Close your eyes now. He does, and he winces from the pain. I whisper some things. I tell him things a person should only know right before they die. And the pain rushes away, and he relaxes, caught in this motionless double-world where the light flickers from blue to red, back to blue, minutes in between.
He asks, will you tell my girlfriend what happened?
I can’t, I tell him. But someone will.
She’s pregnant.
I know. It’s okay. Close your eyes.
Oh god, he says. Oh god, I’m gonna miss it. I’m gonna miss everything.
Samuel Preston stares through the shattered windshield. For eight seconds, he’s still. Then he slips the bracelet from his topsy-turvy rearview mirror—wooden beads on elastic. He holds them to his lips as he cries, and he smells them, and he remembers. His face is tight and brave. And we rest in the stillness, just he and I, silent, and the smell of the bracelet is the last thing Samuel Preston ever knows.
Samuel Preston—29 years, 5 months, 4 days
Product Details
- Publisher: Avid Reader Press/Simon & Schuster (July 7, 2026)
- Length: 256 pages
- ISBN13: 9781668216361
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Raves and Reviews
“This is one of the most affecting, original, and unforgettable novels I have ever read. Through the lens of death himself, we confront the highs and lows of the human experience in a way that reminds us how gritty and exquisite it is to live. Ben Reeves has expertly crafted a mortality tale that is both abstract and specific, spiritual and physical, fantastical and as true as it gets. The characters are so vivid that they seem to be sitting beside you, their loves and losses your own. Absolutely breathtaking, with a perfect twist of an ending.” —Sarah Damoff, bestselling author of The Bright Years
"Be prepared to reflect on what makes a well-lived life and to shed some tears before sending a copy to a friend. A good suggestion for fans of Matt Haig, Gabrielle Zevin, or Marcus Zusak." —Booklist, starred review
“This novel has all the ingredients of unforgettability: a plot you’ve never seen, characters you want to love, writing that glimmers on the page, and a spectacular ending that will smack you in the face with an aching joy. Days later, I’m still brimming.” —Monica Wood, bestselling author of How to Read a Book
“Reeves repeatedly takes us to life’s most terrifying knife-edge, heartening us with the steady poetry of everyday life. This clever and vivid book made me fall in love with our collective ephemerality. I literally said, “Wow,” about halfway through. The ending left me speechless.” —Matthew Quick, New York Times bestselling author of The Silver Linings Playbook and Dad, Love, Me
"One of the most original, riveting and moving books I’ve read in a long while." —Graeme Simsion, New York Times bestselling author of The Rosie Project
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