Melinda LeBlanc, at 30, makes an untriumphant return to Harrow, Massachusetts, her recently gentrified hometown. She’s unmarried, romanced out, designing wedding bouquets for old classmates who hadn't known a fraction of her early popularity. So why is she alone—not counting the occasional horizontal encounter—while these dull brides have found men and happiness? Libby Getchel, who designs strange dresses in the shop next door, and Dennis Vaughan, a native son who owns the hip Brookhoppers, a fly fisherman's paradise, provide friendship in mutating forms. The Way Men Act explores age-old quandary: Can you every truly go home again? Find out in this “wise and charming novel” (Cosmopolitan).
Elinor Lipman started writing fiction by night while working at a teachers’ magazine by day. Her first book, Into Love and Out Again, was published in 1987; its centerpiece was seven connected stories, novella-length, which gave her the courage to try a novel. Then She Found Me came out in 1990 (eighteen years later it was adapted into a feature film), followed by The Way Men Act, Isabel’s Bed, The Inn at Lake Devine, The Ladies’ Man, The Dearly Departed, The Pursuit of Alice Thrift, My Latest Grievance, and most recently, The Family Man. Her honors include the New England Book Award and the Poetry Center’s Fiction Prize. She divides her time between leafy western Massachusetts and New York City. Visit ElinorLipman.com to find out more.
"With The Way Men Act, Elinor Lipman emerges as a full-fledge talent, a witty, compassionate chronicler of modern sensibility, wise without beating the reader over the head with her insights....Written in spare, sparkling prose, with not a flat or dragging millisecond." — Michael Dorris in the Boston Globe
"Elinor Lipman's language is so superb that to paraphrase would be murder. Part of the joy of this wise and charming novel is in the writing. The rest is in the thinking—smart, offbeat, funny. What a pleasure." — Cosmopolitan
"In a league with Jane Austen... Elinor Lipman's eye for social geography instantly infatuates, just as the screwball plot charms with its basic tenet of successful courtship: location, location, location." —Glamour