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Table of Contents
About The Book
A darkly funny, life-affirming “joy of a debut novel” (David Mitchell) that follows five women from three generations of a once illustrious Iranian family as their lives are turned upside down.
The women of the Valiat family are in crisis. Elizabeth, the regal matriarch, remained in Tehran despite the revolution and only has Niaz, her Islamic law–breaking granddaughter for company. In America, Elizabeth’s daughters, the flamboyantly high-flying Shirin and frustrated housewife Seema, are wondering if their new lives there are what they had hoped for. Lastly, there’s the second granddaughter, Bita, a disillusioned law student trying to find deeper meaning by giving away her worldly belongings.
When an annual vacation in Aspen goes wildly awry and Shirin ends up being bailed out of jail, gossip about the family spreads like wildfire. Soon, Shirin sets out to restore the family name to its former glory. But what does that mean in a country where the Valiats never mattered to anyone?
The Persians is an irresistible portrait of a unique family in turmoil that explores timeless questions of love, money, art and fulfilment. Here is their past, present, and a possible new future for them all.
Excerpt
FOR A WEEK IT was a nonstop party of drugs and cartoons until an hour ago when I bailed my Auntie Shirin out of the Aspen jail after her arrest for attempted prostitution.
In the white Suburban taxi that bulldozed across the uneven snowy roads, she poked her head out the backseat window, avoiding my questions. Finally, she turned around, her cheeks pink and alive, and yelled in Persian for me to stop meddling: “Foozooli nakon!”
Back at our hotel, Auntie Shirin marched down the third-floor hallway in her five-inch-heel over-the-knee boots. She passed 3E without slowing down. “Not dealing with Houman’s kumbaya shit. Bita, my dear, my joon, I’m staying with you.”
I hovered the key card over the lock, and my door opened.
Thirty minutes later she walked out of my bathroom wearing a big white hotel robe, and a towel around her head. The steam rolling out the door smelled of sweet chemicals.
Shirin removed the towel and shook out her hair. She lay face down on the king bed, on top of the cloudlike duvet. We’d dubbed my room Club 3M. Me, her son Mo, and all the dipshit kids of our parents’ friends. They made mine the party room not because I was the life of the party but more the opposite—after Mom died last year we’d skipped the trip and could I really get into the spirit without a shove? For eleven years straight, since 1994, our friends and family had flown to Aspen from New York, L.A., and Houston, as if 1979 and the Islamic Revolution hadn’t happened. As if we were still the most important families in Iran, descended from the great ancient lines, although this was America and nobody cared. The locals hated us. Not openly, but they did. I imagined them like that Pace Picante commercial, cowboys mumbling “Get a rope” when they saw us in all black, buying a thousand dollars’ worth of caviar and champagne at the mom-and-pop market.
“Bita joon, fetch me a Fiji and a Marlboro Light.” Auntie Shirin turned her head to the side, her cheek against the white pillow. She raised her arm and pinched at the air. “Be a good girl and do as your auntie says.”
“Okay, sure,” I said and rolled my eyes.
In Iran, before 1979, Auntie Shirin had chauffeurs and servants. Once she said to me, without an ounce of self-reflection, “Bita, even the chauffeurs talked about overthrowing the king. They drove me to the marches. They hated the Pahlavis nearly as much as me.”
Her thick, dark hair splayed out across the white sheets, like ink spilling out on paper. She was a mess and I hated her and I loved her too.
I pulled a cool blue bottle from the minibar and got a cigarette out of the pack in my poofy ski jacket, stuck it in my mouth and lit it on a matchbook from the Caribou Club. The printed gold antlers of the muscular animal rose up in silhouette on the black cardboard. This was the club where my aunt was arrested for attempted prostitution. I inhaled deeply from the cigarette, watching the salt-and-pepper tip turn red, before passing it to Shirin.
“Here you go,” I said, blowing out the first smoke.
“Good girl,” Auntie Shirin said.
She brought it to her face, her deep maroon nails sparkling. She looked to the bedside table as if to say, Put the water there. So I did.
It was four a.m. and I was no longer high. Or drunk. Just tired and annoyed. I’d bailed Shirin out for ten thousand dollars and all she’d said when the cop brought her barefoot to the empty waiting area was “Thank you, Bita joon” and “I knew you’d answer. What a damn genius I was to call you first, my little lawyer-in-training. That was good practice for you. Houman would be going up the wall.”
Then the cop handed me a large plastic bag of her belongings along with her boots, which even he knew better than to stuff in with her purse.
Now on her back, Auntie Shirin lay like a puddle soaking into the ground. The smoke rose from her lips. “Don’t you dare knock on his door,” she said, meaning her husband passed out in another room along the third floor.
I sat down in the tufted floral armchair next to the bed. On the TV, the newsman stood in a blizzard of white snow, in his black coat, breathing out white air. I pressed mute.
“They treated me like a common criminal. I’m disgusted,” Auntie Shirin said and filled her throat again with smoke.
“Did they read you your rights? They search you?” I asked.
“Are you kidding? A horrible slob stuck her hand in my ass. I’m going to sue them, you know.”
“Why don’t we just focus on getting the charges dropped, Auntie? This isn’t a joke—do you want a criminal record? Prison time? These charges can be serious. Think about your business—you’re the face of Valiat Events, aren’t you?” My voice grew high and slightly shaky.
She widened her eyes, ash building on her cigarette. “Mashallah, Bita,” she said. “For an Ivy League law student, you’re pretty fucking wimpy.”
I looked away at the silent TV, the news always on. It was pretty hypocritical that she invoked allah, given that nobody in our circle actually thought of ourselves as Muslim. Although some ancestor once made the Hajj, circled that big black box and was known for doing so.
“You owe me,” I said. “I could have left you shivering on a vinyl mattress until all the Persians came in and roasted you like a marshmallow.”
“Attagirl,” she said and smiled.
I rolled my eyes. “You’re a jerk, Auntie. This is bad, even for you. At least you didn’t go through with it. Right?” I pictured Shirin under a big blob of man, giving herself to him. “How did this even happen? Didn’t he approach you? I don’t get it.”
“That pig. That stupid officer fuckface posing as a Dallas playboy,” Auntie Shirin said, as she ashed her cigarette onto the floor.
“Do you think they targeted you?”
“For what? Being beautiful?”
I laughed and shook my head. “People from Iran are always a menace. One day we are hostage takers and hairy terrorists, the next we are a nuclear threat or a woman of ill repute.”
She stared at me, daring me to continue, but I said nothing.
“He said, ‘Baby, be my Cleopatra for the night. I want to be your sheik.’ I’ve had it up to here with that shit. So I said, ‘Okay, honey, I can be your Princess Jasmine, but it’s gonna cost you. Gimme fifty Gs.’ Bastard.” Shirin narrowed her eyes, her oily black lashes folding together.
I laughed. “Where did you come up with that amount?”
“I’m worth twice that at least,” she said. She stretched her arms out in a yawn, pushing against the headboard with her cigarette hand.
“Watch it,” I said. Ash scattered behind her head.
Auntie Shirin dropped her cigarette into the bottle full of water. “They’re so uneducated,” she said. “Everyone’s a fucking Arab. They don’t know anything about the Persians, that we were the greatest civilization on Earth. Let alone that our family in particular is something to behold. So then he said, ‘Okay, baby, just walk with me to the ATM.’ I’m no idiot. I know an ATM isn’t going to give you that kind of money. So I said, ‘You’re full of shit.’ He took out a checkbook and wrote me a check and gave me his entire wallet as collateral. I was going to do it, you know.”
“It was a trap,” I said. “But you’re right. All they saw was woman with dark skin.”
“What dark skin?” She looked at one arm and then the other. “No, no.”
“Oh please,” I said.
“This guy just wanted to humiliate me. He hates beautiful women.”
I scanned the dining table. Ketel One, a mirror taken from the wall, rolled-up dollar bills, Gore-Tex gloves, torn-up ski passes with mangled wires, green soy sauce packets and used chopsticks from Sushi Olé. On the carpet, the shiny hard shells of kicked-off ski boots. Black-on-black Prada shopping bags. Half-drunk Fijis, red-lipstick-kissed necks.
“And those opium-smoking dumbasses,” Shirin continued. “They won’t find out. Let them play their silly games.”
She meant the men, like her husband, Houman, and my dad, Teymour, who sat playing cards at their round table covered in green felt brought rolled up in someone’s luggage. In their room, the air would smell of mixed smoke—sweet, earthy, and floral, crystal tumblers of scotch shining like stars against the soft, green sky.
“When you were in the shower I called Patty to see if she could help. Her old professor knows some lawyers out in Denver. I told her to be discreet. I know you wouldn’t want word to get around.”
“I don’t need your lawyers, but fine, if you insist, I’ll take their call.”
“Don’t do me any favors, Auntie,” I said.
“And who’s this Patty? Why would you call her so early in the morning? Shame on you.”
“A friend,” I said, tipping my head back and staring at the air vent. Gray dust clung to the slats, like petri-dish fur.
THERE WAS A KNOCK at the door. Then, more knocking. I opened my eyes. As I lifted my head, my neck ached.
“Go see who it is,” Auntie Shirin said.
I wobbled over to the door, wiping drool from my cheek. Pressed my eye against the cold ring of the peephole.
“It’s Mo,” I said.
“Don’t tell him shit. He can’t take it,” she said. “But wait.” Auntie Shirin reached for the large Ziploc on the floor. Her married name—Shirin Javan—was scrawled on it in black marker. She shook it and junk scattered across the white bed. Matchbooks, makeup cases, phone, black purse. She hurried to refill the purse.
I opened the door. Mo plowed past me, straight to Shirin, whose head was back on the pillow. “The fuck, Mom? Where you been? I’ve been calling you all morning.”
“The fuck what,” she said. “Call it female bonding. Show some respect. You don’t speak to your mother like that.” She propped her purse up on the nightstand.
“Sorry, Mommy,” he said. He bent down and kissed her head. He wore all black. His platinum Rolex shone in the bedside light. He was almost thirty, three years older than me. Mo short for Mohammad.
Mo and Shirin had the same beautiful dark moles on their faces, spaced like constellations, jet-black hair, fluid motions. Shirin smiled. Her makeup had stayed on throughout all this—eyeliner drawn slanted like cat eyes, mascara pulling her lashes up and away.
“I’m starved—can we eat?” she said.
Shirin swung her legs onto the floor and untied her robe. It opened up like a curtain and I saw her naked body underneath. She dropped the robe on the bed. I looked at Mo and saw that he was watching her too. Eyes full of love. Her boobs were round and stiff and seemed a separate thing from her body. Her tummy flat and tan, her pussy waxed into a razor-sharp V. Not like someone’s fifty-year-old mother. I thought of the cop approaching her, kissing her. The only signs of age were in the veins that stuck out of her hands and neck.
“Can you believe you came out of this?” she said, looking at her crotch. “Best decision I ever made. One day I went to the toilet to take a shit, and there you were.”
Mo raised an eyebrow. “Mom, no one else would think this is normal. Be serious.”
“I am serious. It’s a miracle you’re not gay.”
Mo laughed.
“Real nice, Auntie. I thought you didn’t wanted to seem backwards anymore,” I said.
“Talk to me when you have kids, Bita,” she said. “No one wants that. My baby boy is a lady-killer.” She gave Mo a kiss on his stiff, gelled hair then walked over to the loveseat where she’d dumped last night’s clothes. A form-fitting black wool dress and her Chanel boots. No underwear. She put them on. Over it, she put on my black coat with the big fur collar. Her tanned skin shone. “Let’s go,” she said, smiling and grabbing her purse. “I could eat a cowboy.”
As I zipped up my boots I saw the white powder already sliced into lines on the mirror. I leaned over, took the rolled bill, and snorted. Mo and Shirin did the same. I closed my eyes, breathed in and out. The inside of my nose burned and the bitterness leaked down my throat. I swallowed. And there it was throughout my body: the little flash of joy.
We walked out of the hotel room. I checked that the door tag read DO NOT DISTURB. At the elevator bank, a hotel maid was organizing her cart. Shirin acknowledged her and then, when she turned, snatched a handful of tiny liquor bottles and slipped them into Mo’s coat pocket.
The three of us stepped out of the elevator onto the mezzanine carpeted in peach-and-orange paisley. Gold chandeliers lit up the room. A grand wooden staircase rose from the lobby and circled up to where we stood. The après-ski crowd sat on sofas and drank wine, ordering more rounds than they should. In that way they were like us.
We watched the guests down below, fresh off planes in cowboy hats and fur coats. I counted all the bleached blondes and Ken-doll haircuts. Bellboys rushed around with luggage. I spent my infancy on planes. Planes left Tehran daily with our kind, people who could bribe and smuggle their way out.
“When did you realize the Revolution was for real?” I asked my parents once. “Never,” Mom said. We were more pro-Shah than we knew. When push came to shove.
“These Texans are making me sick. They’re a couple cows and oil wells from being complete dirt,” Shirin said. “Let’s go have a drink.”
We sat before the crackle of the mezzanine lounge fireplace. They’d really done it up this year—more than I remembered. Tinsel reflected in the mirrors. Christmas songs played on invisible speakers. I’d sung them all as a little kid in L.A. I’m sure Mo did, too, in Houston.
American newlyweds sat on the adjacent sofa. They Eskimo-kissed, twirled their wineglasses like they teach you at a wine-tasting class. Then they looked over at us and left. The fire warmed my body.
“Your mom would have loved this,” Auntie Shirin said. “Seema was the biggest Christmas freak.”
“Was she? She liked the cold air here, the cross-country skiing.” Would have. Was. The words grated. Fuck cancer, that cheesy saying, and fuck how we distance ourselves from Mom, maybe to protect ourselves from death’s entirety, distract us from its lack of a point. She’d been dead just one year and already I felt her fading from us. The little snow globe she’d treasured as a child—did it hold a pine tree? How can I remember her better? How would a real Muslim do it?
According to one of Mom’s rare stories about her youth, my grandmother Elizabeth modeled herself after Hollywood actresses—like Elizabeth Taylor. Even before that Elizabeth’s famous visit to Iran in ’76, with all the seductive posing in front of landmarks. Our Elizabeth hated children. The children she hated most in the world were her own: her son Nader, my mother Seema, and Auntie Shirin. Elizabeth didn’t want to be a mother. She told my mom at sixteen, the day she finally got her first period: “After you came out, bloody and screaming, my life was finished. I was finished.” She liked to talk about how much her vagina stretched giving birth. Why wasn’t her life over after Nader came out? Nader, a semiliterate bully who ate ants. Was one kid doable, not life-ruining?
“This is the last time I’m doing this dumb trip, kids,” Auntie Shirin said, rubbing her shiny, dark nails.
“Why?” Mo said.
“It’s more and more of us every year. Aspen is infested with us, and the people of my generation are so boring. The men pretend they’re young. And the women act like my old naneh. The monarchy crawled up their asses and died. Roll me a joint, baby.” She passed a bejeweled cigarette case to Mo and ordered us a bottle of champagne. I’d thought she was going to say it was no good now without Mom. Maybe she felt that too. I clinked my glass to theirs and then against the edge of the table as my hand wobbled. I waited for something to break. Shirin smoked her joint and nobody stopped her.
“Your fathers,” Shirin said, inhaled and exhaled, “are such losers.”
“You’re so mean,” Mo said. “Dad does good business.”
“Hah,” Shirin said. “In Iran, they were the economy.” She looked at me. “Houman and your dad are now selling what? Fake Iranian teabags with inspirational messages?”
“Yo, the fake part is not their fault. Hello, sanctions,” Mo said.
Suddenly, Shahla, Neda, and Leila appeared in front of us. Sisters I could barely tell apart, Houman’s brother’s kids. Thick hair blow-dried straight, perfectly arched eyebrows, sad sexy mouths. Like me but, if I’m being honest, much prettier. Black pants, tight sweaters, diamonds, fur earmuffs. Somewhere between ski bunny and Playboy bunny and Iranian Ivanka Trump.
“Oh, girls, sit down. Eat. Eat,” Auntie Shirin said. “Looks like all you’re on is Ritalin and coffee. I don’t understand you girls. You eat, you just eat smart. Lunch, okay. Dinner is for pigs. For dinner you eat a nice salad and that’s that.”
Shahla, Neda, and Leila giggled and two of them flipped their hair from one side to the other.
“We’re going shopping. I need a new dress for tomorrow,” the girl on the left said, cocking her head. “Side-boob for real.”
“Da-yumn,” Mo said. “We got the hottest girls. I’ll always say that.”
I made a gagging expression, a finger in my mouth. “Incest much? Besides, you only date blondes.”
“And you only date Harvard guys? Well, before your dry spell.”
“That’s different,” I said.
“Oh, is it?”
I shook my head. But he was right.
“These Houston boys invited us to a party on Red Mountain,” the one in the middle said. “We gotta look fi-yah, yo.”
“Hmm. You know anything about these guys?” Mo said.
“Oh, suddenly you’re our big bad protector? Shut up, Mo! No one’s in it for the conversation. Blaaah, blaaah, blaaah,” Leila said hoarsely. I knew her by her voice: the oldest, the wisest, the one who’d been passing out drunk on tables since she was eleven.
“LET’S VAMANOS. IT’S FOUR,” Auntie Shirin said. “Stores close early today.” She put her hand in the air and waved down a waiter. Not even our waiter. “Check?” she said to some guy in a navy uniform. “Don’t have all day.”
The man rushed back to the bar. I was a little drunk and too tired to act sober, so I stretched out my legs noisily on the coffee table. “No more stealing though,” I said. “They charge fifteen dollars for each of those mini bottles. For real, Auntie.”
Shirin smiled.
I did like making her smile. “You’re such a criminal,” I added and watched her now ignore me.
Mo scrunched his brows. “Huh?” he said.
“Joke,” I said.
When the waiter didn’t return, Auntie Shirin stood up and walked down the stairs and, we could see, out the revolving glass door. She didn’t turn back. Mo and I shrugged our shoulders and followed. For a few seconds, I was alone sealed in the glass chamber. The world was quiet. Half gone. Perfect.
Outside, I joined Mo and Shirin under the green awning. I zipped my coat up to my face, feeling jagged metal against my lip, and drew up my hood.
We walked over the melting ice and cobblestone. Cowboy hats bobbing up and down with shopping bags. Everyone buying last-minute Christmas presents, and now so were we. My eyes watered in the cold wind.
Auntie Shirin pressed the buzzer at the entrance of a jewelry store.
“Are we just looking?” I asked.
A security man let us in and then resumed his position inside. He wore reflective sunglasses and a tight tan uniform, like a caricature of an ’80s highway patrolman. He did not smile at us or even look in our direction.
“What shall I get you?” Auntie Shirin said to Mo.
“For what?” Mo said.
“A new watch? What about you, Bita?”
“I’m okay,” I said.
“You’re turning down jewelry?” Auntie Shirin said.
“Shouldn’t you take it easy today?” I said.
“Saket,” Shirin snapped.
An older woman organized boxes on the other side of the glass counter. She wore a long ivory cardigan, her dyed caramel hair pulled back into a loose bun, her posture perfect. I hated her right away.
The woman looked up. “Can I help you?” she asked.
“I’d like to see your men’s watches,” Auntie Shirin said as the woman approached.
“Wonderful.” She twisted a key in the glass case, which held a miniature Aspen dripping in jewels. Diamond-stud earrings suspended with invisible string as snowflakes.
“Nobody needs another watch,” I said.
“You know what? I’ll take them all.” Shirin glared at me.
The woman took a step back. “Oh my. Are you sure?”
Shirin raised an eyebrow. “What do you think?”
“Do you want the prices first?” the woman asked. She unfastened watches from the green-and-white felt mountain.
“Throw in that necklace too.” Shirin nodded at an emerald choker that doubled as a gondola cable.
“You must really love Christmas,” the woman said. “That green is marvelous for the season.”
Shirin laughed. She shook her head. “You have no idea.”
The woman stared at us. “I’ll go wrap these.”
“Throw them in here,” Auntie Shirin said, pulling out the Ziploc from the Aspen jail.
The woman stared at the pile of watches and then at the empty plastic bag scribbled on in Sharpie. Her perfect hair and face powder reflected the overhead lights, giving her the glow of an angel. She looked back at Shirin and smiled, lips pursed like she’d never felt sorrier for anyone in her goddamn life.
OUTSIDE THE STORE, AUNTIE Shirin put on the emerald choker—an octagon, held on to her neck by a chainmail of gold. It glistened. She’d bought six watches. Spent over thirty thousand dollars. She swung the plastic bag side to side sharply as she walked.
“Where’d you get that bag?” Mo said.
“None of your business,” she said.
The sun was out now, the clouds moving fast. The snow on the ground blinded me. I put on my sunglasses.
“Don’t ever embarrass me like that again,” Shirin said. Her boots sounded hard on the red brick.
“Embarrass you?” I said. “I was just trying to help.”
“I don’t need your help,” she said.
“Come on, guys. Cool it. Let’s get a crepe,” Mo said.
“Whatever you want, sweetheart,” Shirin said. “Give me those vodkas.”
Mo reached into his pocket and handed the bottles to Shirin. She stopped, tucked the bag under her arm, untwisted one bottle’s top, shot it. Did the same with the other two. She tossed the empties into a mound of snow. I considered picking them up, but what was the point.
The big Aspen mountain—what the locals called Ajax—ascended ahead of us as we approached the line extending from the red-and-white-striped crepe cart. I felt dizzy and hot. I looked at my feet on the uneven bricks. I remembered something Mom used to say: if someone says, I like your bracelet, in Iran you’re supposed to offer it to them. Just like that. Of course I couldn’t ask Shirin to pay me back the ten thousand dollars bail money. It would be against everything they ever taught me. Besides, the money belonged to our family.
“Hey hey hey, if it isn’t my favorite people of all time,” I heard. It was Uncle Houman, with Dad. They had red noses from the cold, their short beards grizzled. They wore big fur hoods and thick parkas, Moncler or Façonnable. Dad held a cigar in his hairy hand. “Where’ve you been, darling?” Houman said. “I didn’t see you last night.”
“You know. Defending our honor,” she said, crossing her arms.
Uncle Houman laughed. “Just relax, honey. Seriously. Relax. Everything’s okay.” He tilted his head up to the crisp blue-and-white sky, drew his arms wide, and breathed in. “Ahhhhh,” he breathed out a cloud of white vapor. “What could be more beautiful than this? Aspen, Colorado, with my beautiful wife and family?” He patted Dad on his back.
Shirin shook her head. “Come on,” she said. “You’re pathetic. This town is a shithole.”
“Order me a chocolate crepe, will you, Bita?” Dad said.
“We’ve got the poker tournament of the century going on,” Uncle Houman said. He patted Dad’s thick coat again, like he was dusting a pillow. Dad coughed, stretching out his cigar hand.
Two police officers with mustaches walked past us, chocolate sauce crawling down the sides of the crepe plates in their hands. I watched them and watched Auntie Shirin watch them. One of them smiled at her and winked.
“Excuse me?” Shirin said, loudly.
The cops turned around. “Excuse who?” the other one said, chocolate sauce now dripping over his fingers.
“Don’t you dare look at me,” Auntie Shirin said.
“Now, now, Shirin joon. Relax,” Houman said. “Sorry, my wife must have had a few too many.”
“Dirty pig,” she said.
“Hey,” the cop who had winked said. “Watch it.”
Shirin looked back at us. Nobody said anything. The cop stood, his feet wide apart. He shook his head and squinted at Shirin in the bright sun.
Auntie Shirin turned again and looked at me, then Mo, and then our fathers. “Wait a minute here. None of you shits are saying anything?” she shouted.
I looked at my feet. Please let her stop. I waved people along so they’d pass us in line.
“Now, now,” Houman said again. “Let’s all just have a Merry Christmas. It’s fine.”
Auntie Shirin clenched her fists. “Shut up,” she said, suddenly quieter, her jaw clenched, too.
The cop stepped closer to her.
“Get the fuck away from me,” she said. “I saw that face you made. You heard about the Cleopatra bullshit, didn’t you? You know who I am, don’t you?”
The cop scrunched his eyebrows. “Huh? I should arrest you right now for public intoxication. Want that?”
“I’m not drunk,” she yelled. People in line behind us started to walk around us without asking, their heads turning.
“Really?” the cop said. Then he turned to Houman. “Control that shit mouth on her,” he went on. “If it weren’t Christmas Eve, I’d put her in jail right now.” He started to say something to the other cop, who took out a notepad.
“Shirin,” Houman said in a low voice. “What is wrong with you?” He grabbed her arm and shook it.
“I nearly fucked one of their guys last night,” she said. Her words, a weapon. She steeled her face.
Houman stared at her and didn’t blink. I’d never seen him so still.
“What are you talking about, Auntie?” I said. “Come on. Stop that.”
“Mom,” Mo said. He looked at her and then at the people watching us.
Shirin fixed her gaze towards the ski mountain.
“She’s joking,” I said.
Auntie Shirin let out a bitter, angry laugh. “Nobody defends me. Nobody sticks up for me. What. Do. I. Have. To lose?” she asked.
I stared into her shiny, dark eyes. “What are you talking about? You have everything,” I said.
But I didn’t believe this. She was miserable. Mom always said Shirin was the sharpest of all their friends. Even though Mom was the booksmart one, Shirin turned out the most ambitious and daring. Most able to shape the world to her will. I was supposedly smart too. But what good had any of these qualities done us? The Revolution fucked everyone up. Even Mo and me and the three Ivanka sisters. Even if we didn’t really talk about it. What was wrong with us?
“Please, Auntie,” I said.
She shook her head. “I got you idiots presents.” She swung the plastic bag in front of the men. “But I changed my mind.”
Auntie Shirin walked away from us. Away from the crepe stand and the lift-ticket booth. She didn’t look back. She stopped for a moment when she reached the base of the mountain, where people had left skis punched into the snow. I waited for her to turn, but she didn’t. She started walking up the mountain. I could feel her leaning forward and bending her knees. I could feel the hot tears on her face—or was that wishful thinking? Skiers shot down fast, right past her, inadvertently spraying her with snow and making her pause to brush herself off as she climbed. Then, next to the giant tower of the gondola, she stopped. Skiers below her now shook snow off their helmets and clicked off their skis. She looked up, craning her neck. Her arms reached out like she was submitting herself to the mountain. Surrendering. The plastic bag dangled from one hand, the light bouncing off it.
She was far away now and I had to squint. Auntie Shirin reached into the bag. Suddenly, she swept her arm in an arc across the sky. Then, again. Her hand at the bag. And then her arm across the sky.
Objects curved like boomerangs flew across the air, glittery against the sun. But none returned. The beautiful, useless watches.
I said nothing. I watched Shirin. I watched the mountain, letting my eyes travel past her, up along the slope leading to the top, obscured by clouds. The mountain looked both soft and sharp. Rock pierced through powder. I breathed in the cool, crisp air.
Tehran was very dirty, everyone knew. A city running on smog. The last time I had breathed its air, I was a baby. As a kid, I felt surprised when I learned Iran was mountainous, the Alborz mountains growing just north of the city. Embracing Tehran in its majestic, silent beauty. What kind of Persian was I?
And yet I watched Auntie Shirin, I watched myself.
Reading Group Guide
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The Persians
Sanam Mahloudji
This reading group guide for The Persians includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.
Introduction
The women in the Valiat family have complicated relationships. They are mothers, daughters, granddaughters, and cousins, connected by a storied name that at best means anonymity and irrelevance in America and at worst spells ridicule as well as a fear of unwanted attention from the Islamic Republic of Iran. One of the Valiat women, Shirin, a flamboyant Houston event planner, gets arrested for attempted prostitution while in Aspen, which triggers a series of events that results in the women of her family—her niece, Bita, a law student studying in New York City; her mostly estranged daughter, Niaz; and her mother, Elizabeth—coming together and confronting the truths about their collective past, all while Seema, Shirin’s late older sister, wanders through a purgatory-like existence.
Topics & Questions for Discussion
1. The novel is divided into three sections: “A Second Face,” “We Like Poison,” and “Operation Ajax.” How do the events within each part relate to their respective titles?
2. Early in the novel (page 19), Bita asks herself, “What kind of Persian was I?” Discuss how Bita tries to make sense of her identity throughout the novel. How do you think she would answer this question by the end of the novel? How would the other characters answer it for themselves?
3. Shirin expounds on the importance of jewelry, saying, “When you evacuate, you take your jewels. All our Revolution stories involve jewelry” (page 20). What is the significance of jewelry in this story?
4. The novel rotates the first-person perspective between Bita, Shirin, Niaz, and Seema, but uses the third person when with Elizabeth. What does this narrative style do for your reading experience? How would things change if Elizabeth’s sections were narrated in first person?
5. The first Elizabeth section begins “This is a story of a nose” (page 41). Elizabeth’s family teases her about her large nose, which makes her obsess over it. How does this influence Elizabeth’s choices and sense of self? Had Elizabeth’s nose not been so notable, how might her life have been different?
6. The mother-daughter relationships in the novel are often fraught. How is motherhood represented in these relationships? Do you think certain characters might make better mother-daughter pairs? Why or why not?
7. Several characters comment on how their Iranian heritage is devalued in America. Shirin calls America “the history killer” (page 20), and while in therapy, Bita narrates that “nobody cared who your great-great grandfather was” (page 91). What does it mean to live in a country where one’s lineage is unrecognized? For characters like Bita and Mo, what does it mean to be Iranian American?
8. Both Elizabeth and Niaz take charge of their sexuality as young women—Elizabeth through art and Niaz with Kian, a boy who is her gateway into political activities. How is female sexuality explored in the novel and how does it relate to the characters’ personal development?
9. Elizabeth and Niaz tell their respective love stories, Bita is forging a new romance with a woman, Shirin craves male attention, and Seema’s most loving relationship was with her grandmother. How does the pursuit or lack of love shape the characters’ lives?
10. Though the Valiat name means little in America, the characters still benefit from their family money. Discuss how wealth and status influence the characters’ choices and behavior throughout the book.
11. The Valiats are descendants of Babak Ali Khan Valiat, “the Great Warrior,” the source of their prestige. As the novel progresses, it becomes clear that there are conflicting accounts of this figure, one of which greatly startles Seema. Talk about conflicting narratives and how contradiction plays a role in the story.
12. Niaz stands as the only character we see interacting in great detail with contemporary Iran. What do you think is her greatest strength? Weakness? Why?
13. Consider the following line (page 23): “We are born artists, us Persians, born dreamers. Even if we express it in high finance or dentistry.” Elizabeth draws and paints, Bita is an aspiring writer, Niaz writes poetry, Seema designs labels for jam jars. You could even say that Shirin is an artist in the way she has created her persona. What role does art and being an artist play in the book?
14. While there is a collective coming together, each character also goes on her own journey. Are Bita, Elizabeth, Shirin, Seema, and Niaz changed by the end of the book? If so, how? What changes each woman? If not, in what ways hasn’t she changed? What do you think stops her and why?
15. The novel ends in March 2006. Why do you think the story doesn’t take us to present day? How might life have changed for the family in the years since? Can you imagine what their lives might be like today?
Enhance Your Book Club
1. Early in the novel, Shirin notes that Iranians “have a lineage of the greatest poets on earth” (page 22) and mentions “Hafez and Saadi and Ferdowsi and Farrokhzad.” Look up these poets and read some of their work.
2. Iranian history and politics are integral to The Persians, particularly the Islamic revolution of 1979. How much did you know about Iranian politics prior to reading this book? Consider researching further into the relevant history.
Product Details
- Publisher: Scribner (March 4, 2025)
- Length: 384 pages
- ISBN13: 9781668015797
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Raves and Reviews
“Exuberant, whip-smart, infused with melancholy, tragicomic, huge-hearted and sharp-toothed—like the proud sisters, aunts, mothers and nieces who populate its pages. Seventy years of Iranian and diaspora history are the backdrop to this swirling portrait of an emigre family, glinting with read-out-loud sentences. A joy of a debut novel by the real deal.” —David Mitchell
“Mahloudji writes with a wisdom and confidence rarely seen in a debut, and her sharp observations are humorous and poignant… Multigenerational stories of family anguish and upheaval remain as popular as ever, from Abraham Verghese’s beautiful The Covenant of Water, to the quiet excellence of Min Jin Lee’s Pachinko. The Persians earns a place alongside these heavyweights. It is as funny as it is moving, as perceptive as it is pithy. This is a story of Iranian women, told by an Iranian woman, and the men remain on the periphery.” —Joanna Cannon, The Guardian
“A sumptuous family saga, The Persians follows the wonderfully realised Valiat family before and after the Iranian revolution, both in and beyond Tehran. It is unputdownable and replete with brilliant observations—an undoubtedly assured debut novel.” —Harper’s Bazaar UK
“Highly entertaining... a novel full of outrageous laughter, retaining its fire even in tender moments, and relishing the challenge of locating beauty and complexity.” —The Observer
“This multigenerational novel captures repercussions with drama and humor.” —San Francisco Chronicle
“By turns comic and affecting, the saga of the Valiat women conveys hard truths about women’s lives along with a healthy dose of couture and jewelry. The glitz never outshines the heart here.” —Kirkus
“Ebullient…Mahloudji keeps the reader turning the pages…a memorable family saga.” —Publishers Weekly
“Debut novelist Mahloudji deftly shifts among the perspectives of her characters in this irreverent yet deeply felt story of an immigrant family grappling with their past.” —Booklist
“Mahloudji’s moving, madcap saga of women in exile [is] a relentlessly entertaining exploration of Iranian-American immigrant life... holds the high-lo glitz and gutter appeal of the best immigrant epics such as Marjane Satrapi's chronicles.” —The Financial Times
“A mesmerizing debut that reminds us that our past travels with us, and that our actions and inactions reverberate down the generations. Gorgeously written, with a sharp ear for dialogue, a flair for the comic and characters that dance off the page and into your heart.” —Monica Ali, author of Love Marriage
“A wonderful multi-generational family drama with characters you really care about. I'm still thinking about them now. I enjoyed it enormously” —Marian Keyes, author of Rachel's Holiday
“An irresistible novel about a singular yet wholly recognizable family. I fell in love with the women in the Valiat family: by turns feisty and foolish, wise and secretive, and full of so much love and longing it took my breath away. Sanam Mahloudji writes with such humor and zip that the heartbreak sneaks up on you. This is a remarkable debut.” —Edan Lepucki, author of California
“The Persians is an ambitious, glorious feat of juggling. Five women’s voices become one irresistible whole in this darkly funny, richly satisfying, wonderful debut.” —Sarah Winman, author of Still Life
“Filled with heartbreak, humor, and so much love, The Persians is a sharp exploration of the concerns of a wealthy Iranian family. Sanam Mahloudji takes us on a journey to reshape our understanding of power, heritage, and ancestry—and brings a rare wisdom to the chaos of family.” —Vanessa Chan, author of The Storm We Made
“An epic of intricate and beautiful proportion, The Persians is exuberant, comic, and perceptive. I fell in love with the women of the Valiat family and won't soon forget them.” —Amina Cain, author of Indelicacy
“Half outrageous, compulsive, and shameless; half tender, loving, and funny: The Persians is a very brilliant, very special book.” —Jessica Stanley, author of Consider Yourself Kissed
“A captivating family saga, equally tragic and comic, The Persians is an unforgettable read with complex, chaotic characters you can’t help but love.” —Josie Ferguson, author of The Silence in Between
“A witty and deeply absorbing saga of a family whose fate is intertwined with modern Iran’s. I always knew epic Iranian families like the Valiats existed, I had just never met any. These five fierce, passionate, wounded women are at once tragic and hilarious, each voice meticulously crafted and singularly true.” —Dina Nayeri, author of Who Gets Believed?
“Glitzy, gutsy and deliciously dark, a romp with serious things to say about misogyny, generational trauma and losing your home.” —Samantha Ellis, author of Take Courage
“At once funny and profound, sprawling and personal, The Persians questions history’s grip on our lives—is it possible to free ourselves from the past, and do we even want to? A gloriously engrossing debut.” —Tash Aw, author of We, The Survivors
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- Book Cover Image (jpg): The Persians Hardcover 9781668015797
- Author Photo (jpg): Sanam Mahloudji Photo by Amaal Said(0.1 MB)
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