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Table of Contents
About The Book
A bestselling thriller author arranges a luxury train trip that is not what it appears to be in this electrifying modern homage to Agatha Christie that is filled with “rich, complex characters, taut prose, and twists and turns that keep those pages turning as the plot thickens” (Lisa Barr, New York Times bestselling author).
Reclusive author Ginevra Ex is famous for her unusual approach to crafting her bestselling thrillers: she hires real people and conducts intensive interviews, then fictionalizes them. Her latest main character, Rory, is thrilled when Ginevra presents her with an extravagant bonus—a lavish trip along Italy’s Mediterranean coast on the famed, newly renovated Orient Express. But when Rory boards the train, she’s stunned to discover that her brother, her best friend, and even her ex-fiancé are passengers, as well. All invited by Ginevra, all hiding secrets.
With each stop, from Cinque Terre to Rome to Positano, it becomes increasingly clear that Ginevra has masterminded the ultimate real life twisty plot with Rory as her main character. And as Ginevra’s deceptions mount, and the lies and machinations of Rory’s travel companions pile up, Rory begins to fear that her trip will culminate like one of Ginevra’s books: with a murder or two. In the opulent compartments of the iconic train, Rory must untangle the shocking reasons why Ginevra wanted them all aboard—and to what deadly end.
The perfect read for fans of Ruth Ware, Lucy Foley, and Paula Hawkins, The Main Character mixes “the family drama of Knives Out with the locked room atmosphere of Murder on the Orient Express and the resulting cocktail is like an Aperol spritz on a hot summer’s day: perfect” (Katy Hays, New York Times bestselling author).
Excerpt
For Ginevra Ex, bloody, murdered bodies were par for the course. Ginevra had poisoned and stabbed with the best of them. She’d decapitated, shot, and even had a victim killed while skydiving (framed as an accident). The New Yorker had called that one “ingenious.” But a murder conducted by pen—blood contained to a page that was summarily flipped—well, that was quite different from standing over the dead body of someone you loved.
Ginevra averted her eyes from the face caught midscream. How had it come to this? How?
Ginevra had been especially proud of her latest book. She’d spun pages with characters still tangy on her tongue. Characters closely inspired by people who existed in real life. Then she’d arranged those unsuspecting people on this very train. She had awaited this moment, the end of their journey in sight. The perfect trip. Culminating in the sweet, sweet End.
In the end, it wasn’t as she’d intended. Not even close.
Because dead. Not alive.
The train chugged along, the treetops whizzing by in a black, bushy haze, and in the darkness and her grief, Ginevra felt her footing give way. She was fifty-nine, but she lumbered as someone decades older, her limbs laden in flesh, not sprightly enough to quickly catch herself. Instead she toppled down onto the body, cheek to blood. She gagged a bit, but still she reached over, grappling across the still chest. For a hug.
Their first.
Her own flesh and blood.
She clutched the body to hers. Still disbelieving. How in the world had it come to this?
Ginevra was a plotter, after all. Not a pantser. Plotting versus pantsing—that eternal vociferous debate used by writers to distract themselves from just sitting down and doing the damn thing. While all those midlist authors, whose names no one would ever know, bandied about pros and cons of writing methods, Ginevra—the wealthiest author in the world after J. K. Rowling—simply wrote. Furiously. Successfully. Stratospherically. One book a year, starring her main character du jour. Always an instant #1 New York Times bestseller, except for her most recent publication, a disappointing launch that had hardly taken the literary world by storm and had even left her off the bestseller lists. The book had garnered a barrage of angry, critical reviews alleging the murder was flawed, the twists too obvious, the main character a cardboard cutout. Worse yet—that Ginevra was losing her golden touch. But oh, how she’d planned to redeem herself with her latest manuscript and its grand finale: this trip on the Orient Express. Ginevra had assembled all her characters, meticulously dropped clues, laid all the traps. Tightened the noose.
But she hadn’t foreseen this.
She scooted back from the body. Tears mingled with her heavy black winged eyeliner and mascara, applied always from the middle of her eye rather than the inner corner, exactly like her idol, Sophia Loren. Although in every other way, Ginevra was the opposite of Sophia Loren. Ginevra was tubby and short, barely grazing five foot, with hair once chestnut but now her signature purple red. Her skin was mottled, and her nose crooked—like a rugby player, her twin sister, Orsola, had once said, wriggling her own pert nose. Orsola also had warm brown eyes with tiger flecks. Ginevra’s eyes were black, the color of those deep foreboding lakes that policemen trawl for dead bodies in the movies.
Ginevra’s vision clouded as minuscule mascara flecks irritated her pupils. Again, she wrangled herself across the parquet and caressed the forehead—still warm.
She strangled a sob.
She’d been so certain it would work, her meticulous plan to give Rory—and the rest of them—the perfect trip. Ambitious, fiercely protective Rory. An old soul. Occasionally too determined and bighearted for her own good. Ginevra’s latest, and finest, main character.
All Ginevra had wanted to do was save Rory. To make decades of wrongs, right.
And so Ginevra had plotted and planned, but somewhere along the way, her eagerness, her confidence, her old but raw pain had bested her. Run roughshod over her clarity of mind.
Ginevra had forgotten the cardinal rule: Often characters have a mind of their own.
And characters are prone to hiding secrets—from the author and from each other. Secrets that take pages to untangle. The majority of the book to tease out until you yelp a little surprise.
Oh!
Sometimes it doesn’t matter that you’ve lined it up perfectly, all the acts, all the beats—the twisty, perfect lead-up to that critical character’s final zig.
Because instead of zigging, they zag.
Product Details
- Publisher: Atria/Emily Bestler Books (May 21, 2024)
- Length: 336 pages
- ISBN13: 9781668013045
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Raves and Reviews
"Fans of Agatha Christie may want to check out this homage to MURDER ON THE ORIENT EXPRESS . . . . Deeply engaging and set in a glamorous, must-read-about setting. It’s the perfect balance between a picturesque summer novel and an engaging story."
– The New York Post
"This riveting meta-murder-mystery poses an ingenious question: if we are all the main characters in our own stories, what if someone wanted to buy ours and make it their own? The most glamorous, opulent train in the world carries a fascinating set of passengers… and this entertaining thriller is wrapped in a heartfelt and psychologically astute study of love, success, and, most touchingly, family. A terrific book!"
– Hank Phillippi Ryan, USA Today bestselling author of ONE WRONG WORD
"All aboard this glamorous thriller! A novel with more twists than a train winding through the Italian countryside, THE MAIN CHARACTER will surprise even the most eagle-eyed reader. Goldis has mixed the family drama of Knives Out with the locked room atmosphere of Murder on the Orient Express and the resulting cocktail is like an Aperol on a hot summer’s day: perfect."
– Katy Hays, New York Times bestselling author of THE CLOISTERS
“Suspenseful, stylish, and seductive—what you’d expect from Jaclyn Goldis—but with something deeper at its core: a love letter to family. THE MAIN CHARACTER is a runaway train that will leave you mesmerized. All aboard!”
– Alex Finlay, author of IF SOMETHING HAPPENS TO ME
"Delicious tension and drama. Grab your suitcase and board the Orient Express for a trip you won’t soon forget."
– Kirkus Reviews
"Jaclyn Goldis slays it in her latest twisty propulsive thriller, THE MAIN CHARACTER. It has all the goods reminiscent of an Agatha Christie murder mystery – and yes, it even takes place on a luxury trip along the Italian coast on the Orient Express. There’s murder, secrets, lies, love, loss, and deception – all the delicious elements of a modern whodunnit . . . . Goldis has a sharp instinct for tragedy, rich complex characters, taut prose, and twists and turns that keep those pages turning as the plot thickens. Readers will enjoy the ride, down to the very last stop."
– Lisa Barr, New York Times bestselling author of WOMAN ON FIRE
"Jaclyn Goldis is a master of atmosphere as she whisks readers away on a luxury train ride along the Italian coast. . . THE MAIN CHARACTER is full steam ahead when it comes to betrayals and secrets, all wrapped up in a deliciously claustrophobic ride that you’ll never forget."
– Finley Turner, author of THE ENGAGEMENT PARTY
"[A]n entertaining modern-day mystery… with no shortage of shocking twists."
– Booklist
"Twisting, turning and dramatic with a capital D, THE MAIN CHARACTER will hold you in suspense while you try to unravel the tangled, tension-filled web spun between key players in this story. Jaclyn Goldis has delivered an absorbing Agatha Christie-esque tale that propels readers forward with a desperate need for answers."
– Best Thriller Books
"Fans of Agatha Christie mysteries won’t be able to put down this new novel."
– BookBub
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- Book Cover Image (jpg): The Main Character Hardcover 9781668013045
- Author Photo (jpg): Jaclyn Goldis Photograph by Shai Hansav(0.1 MB)
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