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From the New York Times bestselling author of the Pretty Little Liars series comes a thriller “blending Hitchcock, S.J. Watson, and Ruth Ware” (Entertainment Weekly) filled with half-truths, suppressed memories, and ingenious twists.

When Eliza Fontaine is rescued from the bottom of a hotel pool just a few weeks before her first novel is going to be published, her family assumes that it’s another failed suicide attempt. But Eliza swears she was pushed. The problem is she remembers little of that night, a result of the large quantity of alcohol she consumed and a worsening struggle with memory loss due to a brain tumor. Feeling ignored and vulnerable, she decides she must find the truth of what actually happened.

As she searches for answers, something very peculiar begins to happen: The people closest to her start to confuse the events in her novel with those in her real life. The dividing line between fact and fiction seems to be dissolving, and even Eliza is becoming uncertain about where her protagonist’s story ends and hers begins. She glimpses a shadowy presence hovering nearby, a mirror image of herself…but is it all in her head or is there really someone following her, studying her, wishing to do her harm? Perhaps the answers to all her questions already exist in the pages of her novel, if only she could put the pieces together in the right way.

The Elizas is a heart-pounding, Hitchcockian double narrative composed of secrets, lies, false memories, and an unreliable narrator you’ll never forget.

The Elizas ELIZA
I’M SCREAMING AS I wake up. The sound is sucked away as soon as I open my eyes, but it leaves a mark on my brain, a quickly fading handprint in wet sand. My throat is raw. My head is pounding. I struggle to look around, but all I see are blurred shapes. There’s an acrid taste of booze in my mouth.

Way to go, Eliza. You dodge a bullet, and you do this?

I picture the upgraded suite I’m missing out on because I’m too wasted. When I arrived at my suite in the Tranquility resort in Palm Springs late Saturday afternoon, I opened all the blinds in all the rooms. I stripped off my clothes and lay atop the bedsheets in only my underwear. I sat in the enormous empty tub and later warmed my ass on the heated toilet seat. And then, against my better judgment, I unlocked the minibar and belted down several bottles of vanilla-flavored Stolichnaya in quick succession. It tasted so good. Like an old friend.

As I drank, I stood on the balcony and stared into the courtyard seven flights below. It’s a perfect square, that courtyard, made up of flagstone paths and flower beds. The space is divided into secluded quadrants that invite privacy . . . and scandal. The lore about this place is that in the early sixties, a wannabe starlet named Gigi Reese was murdered in that courtyard. Bludgeoned in the head, apparently, probably by some local goons she got mixed up with. When they first found the body, officials ID’d her as another blonde actress named Diana Dane—the two women looked very similar. The public mourned for Diana Dane, who’d danced alongside Danny Kaye in a few pictures. What a tragedy! A life cut short! We must find her killer, pronto! Then Diana Dane returned from a USO trip to Japan and told the world she was just fine, thank her lucky stars. When the coroner got the dead woman’s true identity sorted out, the Hollywood headlines barely mentioned it. They were still talking about what a relief it was that Diana Dane was okay. No one cared who’d offed Gigi Reese. The mystery is still unsolved.

After I finished my third mini bottle of vodka, I was feeling loose and reckless, so I figured I might as well go all out. I ordered room service, telling the guy taking my order, “Oh, just send up one of everything, especially the desserts.” While I waited, I looked at the hand towels in the bathroom. They were soft, yet substantial. Unforgiving. I tried to imagine Gigi Reese’s killer using such a towel to muffle her screams. Or maybe he knocked her out quickly, and she hadn’t had time to make a sound. I ran my fingers over the spaceship-shaped alarm clock next to my bed, noting the sharpness of the tip and the heaviness of its base. It would make a good bludgeoning tool.

But now, when I turn my head to check out the space-age alarm clock again, it’s not on the bedside stand. In fact, I don’t even see the bedside stand. Light streams through a window, too—but isn’t it nighttime?

A face emerges above me. “I think she’s awake.”

It’s my mother’s crinkled forehead, her wire-frame glasses, the sunburned nose from Saturdays spent kite surfing. She is so incongruous in this setting I assume, at first, that I’m still dreaming.

“What are you doing here?” I ask. It is an effort to speak. It feels as though there is someone sitting on my face.

My mother licks her lips. “Eliza.” Her voice cracks. Trembles. And then she sighs. It’s a big sigh, sad and long, gloomy and defeated. “Honey.”

Honey. It sets my heart thumping. My mother only calls me honey when I’ve done something to really shake her up. We’ve been through things, me and my mom. I’ve scared her one too many times.

“W-what’s going on?” I croak.

My stepfather, Bill, shimmers into view. There are mussed tufts of grayish hair above his ears. “Don’t worry, chicken. You’re going to be okay.”

I remember the scream I’d made upon waking. “Did something happen?”

Gazes slide to the left. I spy my stepsister, Gabby, slouched in a doorway. This isn’t my hotel suite at all. And what I’d thought was the typical crushing, sticky-mouthed descent into a hangover doesn’t feel that way anymore, not completely. I notice a machine standing to my left. Green LED numbers march across a screen. The beeping sound is rhythmic, organic, matching the cadence of a body—my body. There’s an IV pole with bags and tubes next to me, too. The goopy liquid in the IV bag is tinged an inorganic, vampire red, but when I look again, the liquid is thin and clear.

“Why am I in a hospital?” I whisper.

Again, no one speaks. A slick, cold feeling creeps down my back. A voice prods from somewhere deep. You’ve got to get ahold of yourself. I hear clinking glasses and a strain of “Low Rider” on the stereo—but what stereo? My vision swirls. Stop staring, someone says. And: I’ve been looking for you.

I try to grab the memory, but it’s a petal blowing off a patio. Someone’s screaming. Then . . . nothing. When was this from? Is it even real?

I try another question. “What day is it?”

“Sunday,” my mother answers. “Sunday morning. You’ve been asleep for a while.”

“Why am I in a hospital?” I ask again. “Please. Somebody tell me.”

Bill clears his throat awkwardly. “You were found at the bottom of another pool last night.”

I blink. In a way, I’m not surprised. This is, what, the fourth time I’ve almost drowned? The fifth? No wonder my family seems fatigued.

“The one at the Tranquility resort?” I ask tremulously.

“You don’t remember.” Bill says it like a statement, not a question.

I glance at my mother. She’s staring down at her chest, biting her lip, so she doesn’t see when I shake my head—but then, it’s clear she already knows. I hate that I’m disappointing her—scaring her—but . . . I don’t remember. Again.

“Where’s my phone?” I ask.

My mother’s face shifts into a mix of anger and annoyance, her favorite way to deflect fear. “Eliza. The last thing you should be worrying about right now is your phone.”

Bill leans forward. “It’s true. The doctors want you to rest. You need to get your strength back up.”

I crane my neck and look at Gabby. Her expression is grave behind her round glasses. A sliver of memory from last night suddenly wriggles through. It’s nighttime, a few hours after my minibar and room-service binge. I am standing on the pool deck at the Tranquility, but I don’t know why. Every other time I’ve been at the pool, it’s been pleasantly crowded with lounging bodies, but in this memory, the area is empty, as though everyone has just evacuated. Waves bob tempestuously on the water. Towels are thrown haphazardly across chairs. An upended cup sits on a table, a balled-up napkin printed with the resort’s logo has missed the trash can and lies on the concrete. The diving board wobbles, as if someone has just jumped off . . . and dissolved into nothing.

The sky is very dark in the memory, opaque black velvet. The air is a cleansing kind of chilly, like there was a sudden drop in barometric pressure wicking away all the humidity. I can practically feel my heels ticking against the hard tiled pool deck. I stand near the water, looking around frantically—for what? And I feel scared—but why? And then I hear footsteps. There’s a confusion of movement, and I trip. There’s a yelp—my yelp—and a stranger’s laugh. The water is shockingly cold when I hit it belly-first. My useless limbs flap, I try to paddle, but I quickly give out. Air leaves my lungs. My shoes fall off my feet as I sink to the bottom. I can’t swim. I never learned.

I inhale and detect the faintest hint of pool chlorine in my nostrils. I hear that “Low Rider” riff again. A cold sweat breaks out on the surface of my skin. “Did they find him?”

My mother’s lips part. “Who? The person who pulled you out of the water?”

Once again I feel those strong hands pushing me from behind. Once again I hear that laugh. A high-pitched, mocking, satisfied laugh.

“The person who pushed me in,” I whisper.

Gabby’s blonde head shoots up. My mother’s face turns red, and she pokes her head into the hall. “Nurse,” she says in a panicked voice.

Now I am shaking. “No, seriously, someone pushed me!” My voice grows louder. “Someone pushed me into that pool! We have to find him! Please!”

“Eliza.” Bill’s face is large and close. “No one pushed you. You jumped.”

“Like every other time,” my mother murmurs into her hands with a sob, just as a nurse walks into the room with a gleaming syringe.

I cower back on the bed. My eyes bulge as the nurse steps closer. “No!” I cry, but it doesn’t matter. The nurse isn’t listening, and neither is anyone else. It’s not so crazy they think I jumped. I have a bit of a track record of this kind of behavior. But I didn’t go into that water willingly—this I know for sure.

Someone wanted me dead.

• • •

The clock on the wall of my hospital room says 3:15, and judging by the sunlight, I have to assume it’s now Sunday afternoon. I must have fallen asleep from the shot the nurse gave me because, she claimed—they all claimed—I was having another episode. The whole way down, milliseconds before I lost consciousness, I argued with the room this wasn’t a repeat performance. I wasn’t delusional like all those other times. I was telling the truth.

Now, the room is silent and still. I don’t know where anyone is—maybe my family has left. In many ways, I hope they have.

I feel around on the little bedside table, hoping my phone is there. It’s not. It’s discomfiting not to have my phone by my side, like one of my senses has been taken away. I’ve missed hours of news. I’ve missed random snaps from celebrities I’ve never met and friends I never see and distant family members I don’t really like. I’ve missed emails about shoe sales, makeup sales, and emails that proclaim Free shipping today and today only! Maybe I’ve even missed an email from my editor or agent. I want to Google this hospital to make sure it’s reputable and search for news of last night’s incident at the Tranquility. I want to Google the meds in my IV drip, and ask Siri why all hospitals smell like sadness, and also confirm with Siri that my family actually drugged me to keep me quiet.

Okay, it had been a major slip to drink. I’d promised my family I wouldn’t after my surgery and treatment. Only, it had tasted so good. Once I’d started, I couldn’t stop. I’m not really very good at refraining, to be honest. Willpower isn’t my strong suit. But drinking was my only slip, and it didn’t dull what I know. Everything I’d said to them about someone pushing me is true. It happened. I know it.

There’s a knock at the door, and I shoot up. A guy in a faded blue shirt enters. He’s sandy-haired, with black plastic glasses that were probably hip about five years ago. He’s got a weak, wimpy half smile and long, thin fingers with carefully manicured nails. I arrange the sheets around me so that my ass isn’t exposed and pull my hospital gown tight. I wish the gown were any color but white. The fabric matches my skin tone perfectly.

“Miss Fontaine.” He extends his hand. “I’m Lance Collier, with the Palm Springs PD. I’ve been assigned to your case.”

“You’re a detective?” My voice leaps. The world blossoms.

He sinks into a plastic chair next to my bed. “I have a few questions for you. I hear you’re going to be with us for a while longer.”

“What do you mean?”

“I was told your family would like you to take a few days to recover in psychiatric.”

My heart sinks. “No. No. I wasn’t trying to kill myself.”

Lance turns his head to the right. His neck cracks noisily, and I wince. I have never liked the sound of cracking joints. “What I see”—he flips a page—“is that two passersby rescued you from the bottom of the Tranquility resort pool last night. True?”

I shrug. “I guess.”

“And you can’t swim, right?”

“That’s right.”

“So what were you doing in the pool?”

“Someone pushed me.”

This doesn’t even elicit an eyebrow raise, which surprises me, considering the last time I made this claim I got a needle jammed into my bicep. “Did you see the person who pushed you?” he asks in an even tone.

“No, but I felt hands on my back.”

“But no face. So you can’t be positive you were pushed.”

I lick my lips. “Are you saying I’m lying?”

He crosses his legs. The clock on the wall ticks loudly. “Miss Fontaine, it’s come to my attention that you’ve had some issues with suicide attempts in the past.”

I inwardly groan. “Yes, but that was . . . before.”

“Before what?”

“Before her brain tumor.”

My mother rushes into the room, never mind that this is a private meeting. Bill follows. Gabby pulls up the rear.

“Um, hello?” I say awkwardly, defensively.

My mother turns to the detective. “She tried to drown herself four other times last year. Three were in hotel swimming pools. The fourth time was in the Pacific Ocean—Santa Monica. She kept saying she had to. Someone was after her. Someone was trying to hurt her. Finally, about eleven months ago, a doctor gave her a brain scan, and it turns out she had a tumor pressing against—”

“—my amygdala,” I interrupt, desperate to regain control of this. “It’s this part of your brain that tells your body how it’s supposed to respond to emotionally charged situations.”

“I’m aware of how an amygdala functions,” Lance says.

“That’s why you see all those suicide attempts on my record,” I say. “But the doctor got the tumor out. I had treatment, and I’m better now. Last night was different. I wasn’t trying to die. Honest.”

“It’s just so similar, chicken,” Bill says quietly. “The drinking, the fear that someone was after you . . . everything about the situation is the same.”

“Well, it’s not the same.” I look around the room and see tilted mouths, downcast eyes. “It’s not.” It comes out like a whine.

There’s a small, condescending smile on Lance’s face. “How about you walk me through what you remember?”

I try to grab on to that memory of the strong hands on my back at the edge of the pool, but the shot that nurse gave me—a mixture of drugs I’m unfamiliar with—is making even reality seem dreamlike and unfathomable. “I walked out to the pool. I stood there. Then I felt this whoosh. I was pushed from behind, and I fell in. I was in a public place. Weren’t there witnesses?”

Lance studies his notes. “According to the report, there were no witnesses besides the people who rescued you. By the time they saw you, you were already in the water, and they said no one else was around. They pulled you out, laid you on the deck. One of them gave you mouth-to-mouth.”

I feel itchy. It’s harrowing to hear the details of your almost-death. I notice, out of the corner of my eye, that my mother has her lips pressed tightly together.

“Are they sure no one else saw?” I ask. It seems impossible. There were hundreds of guests at that resort when I checked in. The lobby was clogged with guys in Maui Jim sunglasses and women carrying raffia Tory Burch handbags.

“There was a thunderstorm—the pool area had been cleared. The staff wonders how you even got onto the deck—it was roped off.”

I’d climbed over the rope? My patent leather booties had five-inch heels. What the hell prompted me to do that?

“Who pulled me out of the water?” I ask. “Who was it?”

He looks again at the notebook. “Someone named Desmond Wells. Know him?”

I crane my neck at the notebook, too. Lance has written the name Desmond Wells in all caps along with a Los Angeles area code phone number. The name doesn’t ring a bell. “Does he work at the hotel?”

“He said he was a guest.”

“So what about video surveillance? Didn’t that pick up what happened?”

“There normally are security cameras in the pool area, but the power was down because of the storm.”

I snort. “And I bet it snapped right back on after I got out of the pool, huh?”

“This isn’t a conspiracy, Eliza,” my mother says, almost inaudibly, her voice tinged with that sad, scared bitterness again.

“How about people at the bar? I was talking to someone there, I think, before I went to the pool. Can you interview them? Maybe they saw something. Or I could interview them, actually. Do you happen to know where my phone is? I could call the bar and straighten this out.”

My mother looks aghast. “You were at a bar, too?”

I clear my throat. I’d promised I wouldn’t go to bars after the tumor surgery. Just like I promised I wouldn’t drink, period. I look at Lance. “I-I just went for some atmosphere. I wasn’t drinking.”

Lance coughs awkwardly. “The lab did a toxicity report on you. Your blood alcohol level was sky-high.”

I can feel my family’s gaze upon me. It sucks to be caught in a lie, especially such a foolish one. But sometimes lying’s my natural response. The lies come out of my mouth involuntarily.

Lance flips a page. “Anyway. The police who responded to the 911 call spoke to two men who rescued you, and they said they’d never seen you before, and they didn’t know where you’d come from. Can you describe who you were talking to at the bar, Eliza? Did you get a name?”

I swallow hard. I have no idea.

“Was it a man? A woman? Anything?”

Still nothing. I’m not even sure I was talking to someone.

“Can you tell me which bar you were at? I could look into it.”

According to the big binder in my room at the Tranquility, the resort has six bars. D’Oro’s, the casual one off the lobby; The Stuffed Pig, for business dinners; Trax, with the DJ; Meritage, a wine bar; Shipstead, the nautical-themed martini bar; and Harry’s, a tiki bar. So I have a one-in-six chance of getting it right. Stingers, buzzes a little insect in my head. I drank a stinger last night. How had that come about? That’s not a drink I usually order.

“Ah. Here it is. You were most likely at the Shipstead. That’s the only bar whose door leads to the pool area.” Lance looks up from his notes and squints at me. “It’s possible, though, that you don’t remember the night properly. There’s the issue of your toxicity report, for one thing. And I happened to get a look in your bag, too—I found . . . well, I suppose you know what I found.”

“What?” my mother gasps.

Lance is still looking at me. “Are you sure that’s not why you fell in the pool? Maybe you were too wasted to realize what you were doing?”

I try to swallow, but my throat is so dry. I can picture the label of the bottle he found. It reads Xanax, 1 mg, twice daily. “I don’t suppose you noticed all the other things in my purse, did you?” I finally say. “All the vitamins? Metabolic maintenance, immuno drops, Metformin, CoQ10?” I give Bill and my mother a self-righteous glance. “It’s everything the doctors ordered me to take to keep the tumor from coming back. I’m trying.”

“We know you are, chicken.” Bill pats my arm. “We know.”

“Are you on any other prescription medications?” Lance asks.

This is unbelievable. “I’m sorry, but do cops usually ask these sorts of questions?”

“Actually, I’m a forensic psychologist. But I have ties to Palm Springs PD, and I report everything we’re speaking about to them.”

I scoot away from him in the bed. “We’re done, then. Conversation over.” I’ve had enough of talking to shrinks.

“Eliza.” My mother crosses her arms over her chest. “Honey, please. He’s just trying to help.”

“Too bad,” I say, like a toddler. And stop calling me honey, I want to add. It’s just too incongruous . . . and heartbreaking.

“I promise I can help put the pieces together for you,” Lance says. “But for this process to work, you have to be a willing participant. So how about you tell me if you took any other meds last night before you fell into the pool?”

I chew the inside of my cheek. I hate the turn this has taken.

“You know, even just mixing Xanax and alcohol can give you blackouts, memory gaps, and—”

“That might be true, but I didn’t take all those last night,” I cut him off. “You’re not listening to me. This isn’t a memory gap. This really happened.”

Lance looks at me easily, but I detect a slight smirk on his face. As he shifts in the seat, he’s lined up squarely with a poster of a curly-horned mountain goat in the hall. His head tilts just so, and it looks like he’s the one with the horns.

“Let’s talk about the drinking,” Lance circles back. “So why drink so much? Were you upset about something?”

I stare down at the sheets. “No.”

“You sure?”

I look him square in the eye. Focus, I tell myself. Breathe. “Of course I’m sure.”

“And what prompted this visit to Palm Springs, anyway?”

Why the hell does that matter? “I don’t know. It’s . . . pretty there. I like the dry heat. I like art deco. And I like hotels.”

“You should have told us you were going, sweetie,” Bill chimes in.

This takes me by surprise. “Am I on probation?”

“You promised us you’d tell us if you went anywhere outside LA,” my mother says.

I push my tongue into my cheek. I did?

Lance sits back in the chair and crosses his ankles. “That must have been tough to have a brain tumor last year, huh?”

I wrinkle my nose. He’s using his Shrink Voice. I’ve heard a few of those in my day. “It wasn’t that big of a deal.”

“You don’t have to downplay it. Cancer scares the shit out of everyone.”

“Of course it scared her,” my mother says. “As a kid, she worried she was going to get a tumor. She worried about a lot of things. Illness. Death. She was an unusually anxious child. And then she got a tumor. She was beside herself.”

“Mom,” I warn.

My mother shrugs. “But you were.”

Lance peers at me expectantly. I swallow hard, readying my own version of what it was like to have gone through brain surgery and recovery at twenty-two years old. The thing is, though, my mother is right. I was a strange child. A kid who worried. A kid who had obsessions, obsessions that still exist today. I was that kid who lined a storage bin with silk, climbed in, shut the lid, and lay there for hours, pretending, absorbing, fantasizing. I used to make my Barbies strangle, bludgeon, asphyxiate, stab, and hack apart one another. I was that kid who hanged every one of my stuffed animals from nooses in the closet doorway, pinning miniature suicide notes to their plush bodies. My mother found those suicide notes. She asked me why I’d done such a thing. I didn’t have the vocabulary for it at the time, but I guess I was just curious about how someone could sink to that level of despair. I identified with that level of despair, though I didn’t know why. It came from somewhere deep inside of me, a place I was too young to understand.

Maybe my errant amygdala was to blame. Being diagnosed with the tumor was a bit of a paradox for me—it was nightmarish, yes, but it also kind of explained why, sometimes, I made very strange and unhealthy decisions. It was like a get-out-of-jail-free card. I was no longer responsible for my actions.

“Look, it wasn’t fun, but I got through it,” I answer. “And I’m doing well now. I have my own place. I have a job. I even wrote a book.”

Lance raises an eyebrow. “A book?”

“A novel. The Dots. A publisher bought it and everything.”

“How about that!” Lance glances around at my family. They shift from foot to foot. “What’s it about?”

Gabby makes a loud throat-clearing sound near the door, but when I try to catch her eye, she doesn’t look up. “It’s a coming-of-age story,” I say.

Lance nods encouragingly. He probably expects me to tell more, but I don’t want to. The last thing I want to do is explain my creative endeavors to my family. This is my achievement, not theirs—they didn’t foster it in the least. They aren’t artists. They aren’t even readers. They’ll deem it silly, probably. Frivolous. Melodramatic. They don’t even know that it’s publishing in a month. I hope they miss it entirely and never read a word, because then I won’t have to hear their misinterpretation.

“Eliza, let’s try and think this through,” my mother says. “You had a shock last night, and I think you need some time to rest. If you don’t want to stay in this hospital, maybe consider this place instead.” She fishes in her Band-Aid-colored bucket bag and hands me a pamphlet. It takes me a moment to make sense of the words on the cover. The Oaks Wellness Center. There’s a picture of people sitting around a farmhouse table, eating soup and looking joyful and serene. Psychiatric treatment in a relaxed, soothing environment, reads the cover.

Acid rises in my throat. “No way.”

“The last year has been hard for you,” Bill says. “It’s okay to admit you’re going through a rough patch again.”

“This isn’t a rough patch!”

“It’s okay, Eliza.” Lance puts his pen in his front pocket. “People with serious illnesses often have psychological relapses.”

“I. Didn’t. Jump. Into. That. Pool,” I tell the room. “I felt . . . hands.” I hold up my two shaking palms and make a shoving motion. “I don’t need a rest. My tumor isn’t back. And I definitely don’t need a psych ward.” I look at Lance. “Can you at least ask around again, see if anyone saw anything, or if there was a backup video? Or even just ask the bartender on duty if they saw anyone with me in the bar that night?”

“But you seem like a nice girl, Eliza,” Lance says. “Would someone really want to hurt you?”

My brain catches. A nice girl. It’s comical. On the other hand, am I someone a person would like to hurt—even kill? Someone must have consciously made the decision to thrust me forward into the water. Someone must have hated me that much. It has to be someone who knows me. Someone who knows I can’t swim.

Sometimes I pick flowers, beautiful flowers, off people’s lawns. People I don’t even know. I don’t do anything with them. I smell them, drop them, and sometimes step on them.

I can be cruel and withhold affection.

I’m a liar. A fabulist. It’s probably why I wrote a book so easily post-tumor.

A lot of my decisions don’t make sense. I piss people off. I burn bridges. I do nothing to repair them usually, either.

There are certain things I don’t remember at all, huge chunks gone. I’ve been told the tumor’s to blame, but sometimes I wake up with a residue of shame over me, as gritty as sand. And sometimes, I still get the feeling I’ve done something. Something awful. I just don’t know what. So maybe someone does hate me that much.

I jut my chin into the air. “I guess that’s for you to find out, isn’t it, Lance?”

Lance looks at my family. My mother raises her eyebrows. Bill breathes out, looking heartbroken. Gabby is trying to morph into the wall. And then I glance at Lance’s clipboard again. He has flipped to a sheet of lined paper with the heading Eliza Fontaine. But he hasn’t written a single thing. No testimony. No details of my attack.

It doesn’t take me but a moment to get it. In his mind, there was no attack. He has sided with my family. I’m just a crazy girl. I don’t know what’s real.

I look desperately to Gabby, hoping she’ll speak up in my defense, but she’s pointedly consulting her phone as if we’re all just inappropriately loud strangers she’s stuck sitting next to on public transport. And for a moment, I entertain the idea that perhaps there is a third girl in the room, a different Eliza, and they’re talking about her, not me. After all, I’m the Eliza who’s better. I’m the Eliza who just had a few too many drinks. I’m the Eliza who remembers hands at her back pushing her into the water. I’m the Eliza who has the niggling worry that someone might have done it on purpose, for something I deserved.

That last bit strikes a dissonant chord. Only, no. This isn’t like the other times, those paranoia-fueled plunges brought on by a twisted lump of abnormal cells. Someone really is after me. Whatever happened to me this time, my fear is completely and unequivocally justified.

I just wish someone else believed it, too.
Photograph by Danielle Shields

Sara Shepard is the #1 New York Times bestselling author of the Pretty Little Liars series. She has also written other young adult series and novels, including The Lying Game, The Heiresses, and The Perfectionists. Sara now lives outside of Philadelphia with her husband, sons, and dogs.

"Shepard brings her knack for the tightly-wound thriller that earned Pretty Little Liars its runaway success to a whole new demographic. . . Clever and attention-grabbing, this is one book you won't be able to leave sitting on the nightstand for long."

– Harper's BAZAAR

"From a possible murder attempt to amnesia, prepare for tons of juicy plot twists!"

– Cosmopolitan

"A dark and twisty mystery that will keep you guessing until the very end."

– Marie Claire

"This captivating thriller will keep readers rooting for Eliza—and trying to guess what is fact and what is fiction."

– Real Simple

"A twisting, clever thriller with a smart, darkly funny, and totally unreliable narrator at its heart. I was rooting for the troubled, sharp-tongued Eliza, even as Shepard deftly blurred those very thin lines between lies and the truth, fact and fiction. A sizzler!"

– Lisa Unger, New York Times bestselling author of The Red Hunter

"Sara Shepard dazzles with this spine-chilling thriller that blurs the lines of fact and fiction. Electric and smart with a witty protagonist readers won’t soon forget."

– Mary Kubica, New York Times bestselling author of THE GOOD GIRL and EVERY LAST LIE

"Clever, compelling, and completely unpredictable, The Elizas kept me guessing until the very last page. Sara Shepard has spun a captivating story around an unreliable protagonist and the one mistake that refuses to stay in her past."

– Megan Miranda, New York Times bestselling author of The Perfect Stranger

“A story blending Hitchcock, S.J. Watson, and Ruth Ware.”

– Entertainment Weekly

“A thriller that will keep you guessing until the very last page.”

– PopSugar

"Shepard, author of several successful series for young adults, including Pretty Little Liars, makes her adult-fiction [thriller] debut with a brilliant narrative about a confused young woman struggling to separate fact from fiction in her life."

– Booklist (Starred Review)

“Clear your calendar; The Elizas is a clever, creepy mystery you’ll want to swallow in one sitting. Five enthusiastic stars!”

– Kimberly Belle, international bestselling author of Little Boy Lost and The Marriage Lie

The Elizas’s unreliable protagonist will haunt you. A twisty psychological thriller that is impossible to put down. Shepard is a true storyteller.”

– Colleen Hoover, #1 New York Times bestselling author

“A dark, twisty labyrinth of a psychological thriller with a fascinating, complex protagonist whose growing paranoia kept me in constant suspense.”

– A.J. Banner, USA Today bestselling author of The Twilight Wife and The Good Neighbor

"Eliza Fontaine is trying to figure out the truth of her attempted suicide. Or was it a murder? These questions and more will draw you into Sara Shepard’s complex and clever new thriller. This twisty-turny tale boasts an unreliable narrator par excellence: get ready to lose sleep and gain a new literary obsession."

– Georgia Clark, author of The Bucket List and The Regulars

“In her first adult thriller, The Elizas, #1 New York Times bestselling author Sara Shepard crafts a clever and unpredictable page-turner that follows a young woman on a desperate search for answers. Thoroughly enjoyable!”

– Wendy Walker, bestselling author of Emma in the Night and All is Not Forgotten

“Who can you trust when you can’t even trust yourself? With an unreliable yet compelling heroine, Sara Shepard crafts an eerie tale of manipulation, inception, and betrayal that will leave readers questioning their own memories—and reality.”

– Jamie Blynn, Us Weekly

"With a cast of dodgy characters and twists you won't see coming, the New York Times bestselling author of Pretty Little Liars will keep you on your toes until the very last page."

– Redbook

"Buckle up Pretty Little Liars fans, because author Sara Shepard is here with her first adult novel, and it is sizzling."

– Bustle

"[A] twisted adult thriller about finding the fine line between fact and fiction."

– Working Mother

“Provocative… Eliza’s voice draws readers in, and her unreliable memory creates tension. Gillian Flynn fans will be satisfied.”

– Publishers Weekly

“Bestselling author Sara Shepard, of Pretty Little Liars fame, pays close attention to cinematic details, practically projecting Eliza's descent into personal nightmare, where she cannot be certain of her own memories, onto a silver screen: Scenes are carefully framed, and a soundtrack even bubbles along. A delicious Southern California noir riddled with muddled identities and family secrets.”

– Kirkus Reviews

“The dysfunctional, unreliable heroines of Girl on a Train and The Woman in the Window have a new sister-in-arms: Eliza Fontaine, protagonist of this adult novel by the author of the YA juggernaut Pretty Little Liars.”

– Newsday

"[A] page-turner… This is spring-break reading at its finest."

– Town & Country

"A solid choice for psychological thriller aficionados."

– Library Journal

"This intriguing story is as disconcerting for readers as it is for Eliza. Shepard weaves a complicated and ultimately chilling tale that will keep readers turning pages."

– RT Book Reviews

“Equal parts fun and disturbing, The Elizas delivers a heavy dose of psychodrama and a punchy, contemporary voice.”

– BookPage

More books from this author: Sara Shepard