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Table of Contents
About The Book
A sculptor of historical figures starts with givens but creates her own vision. Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor.
But the historical record is very thin. The open questions about Edmonia’s life seem ideally suited to verse, a form that is compatible with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.
Excerpt
Old branches crack as Edmonia breaks
a path through the woods. She wants
to outrun fury, or at least make a distance
between herself and the poison spoken
at Oberlin. The school is a shop where she can’t buy,
a supper she’s never meant to taste,
a holiday she can’t celebrate
though she doesn’t want to be left out.
She runs under trees taller than those in town,
where they’re sawed into lumber,
turned into tables, rifles, or walls.
These woods are as close to home
as she may ever again get.
When she was given a chance to go
to boarding school, her aunts’ farewell was final.
People who move into houses
with hard walls don’t return to homes
that can be rolled and carried on backs.
Edmonia crouches to touch tracks
of birds and swift squirrels sculpted in snow,
the split hearts of deer hooves.
Boot prints are set far enough apart
to tell her the trespasser is tall,
shallow enough to guess he’s slender.
Her cold breath stops, like ice.
She looks up at a deer whose dark gaze
binds them, turns into trust.
Then a branch breaks. The deer flees.
Product Details
- Publisher: Atheneum Books for Young Readers (January 2, 2018)
- Length: 192 pages
- ISBN13: 9781481459068
- Grades: 7 and up
- Ages: 12 - 99
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Raves and Reviews
* “From sparse historical records, Atkins creates a memorable, poetic tale that offers a fictional account of what life may have been like for Edmonia. . . . A fascinating, tantalizing glimpse.”
– Kirkus Reviews, starred review
* “So much mystery surrounds the life of once-celebrated Ojibwe and African Haitian sculptor Edmonia Lewis, it’s a wonder novelist Atkins managed to piece together a cohesive narrative, much less such a splendid one. . . . How this brave, driven young woman overcame prejudice and trauma to pursue her artistic calling to the highest level . . . is a story that warrants such artful retelling.”
– Booklist, starred review
“Written with sensitivity and grace, this compelling title of injustice and vindication will leave readers pondering the complicated relationship between pain and art.”
– BCCB
“A good purchase for [those] looking for more diverse materials, especially those featuring women artists and people of color.”
– School Library Journal
Awards and Honors
- Bank Street Best Children's Book of the Year Selection Title
Resources and Downloads
High Resolution Images
- Book Cover Image (jpg): Stone Mirrors Trade Paperback 9781481459068
- Author Photo (jpg): Jeannine Atkins Photo courtesy of author(0.1 MB)
Any use of an author photo must include its respective photo credit