"This rollicking history of the modern London art market takes us from World War II to the present day, charting the shift from a business of decorous private transactions to the glitz, hype and rivalry we know today. Stourton, a longtime director at Sotheby’s UK, brings an insider’s authority to this story of big money, bigger egos and great art."

– New York Times Book Review

"In Rogues and Scholars, James Stourton discusses how postwar London briefly became the center of the global art market. This is an absorbing story of how small dealers and experts were gradually replaced by large auction houses. If you find yourself paying attention to the stories about the high prices paid at art auctions, you will not want to miss this book."

– The Christian Science Monitor

"A fascinating, amusing and revealing account of how the London art market emerged from World War II as an informal banker to the cash-strapped English gentry, how the rivalry of Christie’s and Sotheby’s reinvented London as the center of the art business and how, though New York eclipsed London in the 1980s, the big houses still eke out a lavish existence."

– Dominic Green, The Wall Street Journal

“An erudite and authoritative history of the London art market from World War II to our century. Outstanding in its own field, Rogues and Scholars nears Anthony Bourdain’s tell-all Kitchen Confidential.”

– New York Times Book Review

"In James Stourton's new book, the history of London's art scene and how it became the big-money, cutthroat enterprise it is today, is explored with a gimlet eye and all of the necessary receipts."

– Town & Country

"A rare view into the art world, told wryly and authoritatively. This study will be of interest not just to art aficionados but also business-oriented readers who will want to know how a company creates a market, adapts to change, and thrives."

– Kirkus Reviews

"A remarkable story of a bygone world, well told by an insider. A former chairman of Sotheby’s UK, Stourton knowledgeably takes readers behind the scenes and describes the emptying of great British estates, London’s swinging ’60s, the rise of contemporary art, the overdue restitution of antiquities, and finally the market’s ultimate demise thanks to the internet."

– Library Journal

“Former Sotheby’s chairman James Stourton shares an insider’s glimpse into the murkier corners of a ‘gentlemanly’ world. Subtle subterfuge was indicative of a larger free-for-all in the postwar art scene, as James Stourton describes with considerable wit and pace in Rogues and Scholars. The author’s wry prose livens up an arcane subject. His survey is illuminating, as well as erudite and amusing. Stourton succeeds in capturing the enduring allure of a largely unregulated and mercurial market.”

– The Financial Times

“Stourton lucidly discusses various pivotal points, scandals, triumphs, booms, busts and disasters along the way. The lively pace and vast cast list may leave some readers breathless, but what a treat for art-market insiders.”

– Country Life

"James Stourton is an excellent art historian and brilliant storyteller; a heady combination that makes Rogues & Scholars the must-read art book of the year.”

– Will Gompertz, author of See What You're Missing: New Ways of Looking at the World Through Art

"A fascinating, amusing and revealing account of how the London art market emerged from World War II as an informal banker to the cash-strapped English gentry, how the rivalry of Christie’s and Sotheby’s reinvented London as the center of the art business and how, though New York eclipsed London in the 1980s, the big houses still eke out a lavish existence."

– Dominic Green, The Wall Street Journal