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Mortal Fall

A Novel of Suspense



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About The Book

A wildlife biologist’s shocking death leads to chilling discoveries about a home for troubled teens in Christine Carbo’s haunting and compelling new crime novel set in the wilds of Glacier National Park.

Glacier National Park police officer Monty Harris knows that each summer at least one person—be it a reckless, arrogant climber, or a distracted hiker—will meet tragedy in the park. But Paul “Wolfie” Sedgewick’s fatal fall from the sheer cliffs near Going-To-the-Sun Road is incomprehensible. Wolfie was an experienced and highly regarded wildlife biologist who knew all too well the perils that Glacier’s treacherous terrain presents—and how to avoid them.

The case, so close to home, has frayed park employee emotions. Yet calm and methodical lead investigator Monty senses in his gut that something isn’t right. So when whispers of irresponsibility or suicide emerge, tarnishing Wolfie’s reputation, Monty dedicates himself to uncovering the truth, for the sake of the man’s family and to satisfy his own persistent sense of unease.

Monty discovers that Wolfie’s zealous studies of Glacier’s mysterious, embattled wolverine population, so vital to park ecology, had met resistance, both local and federal. To muddy the waters further, a wilderness facility for rehabilitating troubled teens—one that Monty’s older brother attended—may have a disturbing connection to the case. As Monty delves further into an investigation that goes deeper than he ever imagined, he wrestles with the demons of his past, which lead back to harsh betrayals he thought he’d buried long ago.

And then a second body is found.


Mortal Fall 1
I LIKE DETAILS, EVIDENCE, and organized notes. When I possess facts, I can clear the detritus around me, think straight, and proceed cautiously. Some might argue that this response is an overreaction to a complicated upbringing, or an overzealous affection for order; and in fact, that might be true. So when my intuition niggled at me that something wasn’t quite right with this particular accident, I tried to ignore it. The facts are that every summer in Glacier Park, there is at least one if not several hikers or climbers who stumble on unstable rock or lose their balance on wet, slippery boulders, sliding wildly out of control and catapulting to their demise on the jagged terrain below or into a raging stream, whisking them away.

All of us Glacier Park Police officers and rangers know that the most dire situations are frequently born from small, seemingly insignificant errors of judgment where a hiker is impatient, for example, and thinks the shortcut across an early-season snowfield is a stellar idea. So this tragedy was no different other than the fact that the Loop—the hairpin curve on the west side of Going-to-the-Sun Road—was an odd place for a hiker to go down. Although incredibly steep in places close to the pass, it was, after all, near the main road and a small buildup of natural stone formed a roadside barrier at the curving, sheer edge.

I stood with Ken Greeley, another Park Police officer, Charlie Olson, one of our seasoned rangers, and Joe Smith, chief of Park Police, on the short rock divider with Heavens Peak to our left. Nearly nine thousand feet of mass pushed to the sky and dominated the view west from the Going-to-the-Sun Road. Scraps of clouds reached northward from the permanently snow-coated peak like silk pennons.

“Looks like a bad fall.” Ken chewed a piece of gum vigorously as he peered down at the foot and leg twisted at an unnatural angle. “Any chance he hiked in from a different route and is still alive?”

“Unlikely,” Joe said. “He hasn’t moved since Charlie reported it. But I’ve got S&R on standby.”

We had gotten word an hour before from Charlie. A tourist had spotted something white poking out from a dark shadow in the steep ravine, found Charlie talking to some folks near the outdoor bathroom facility, and asked him to take a look. Although difficult to make out details with the tricks shadows like to play on rocks, Charlie did agree—with the help of some binoculars—that it appeared to be a shoe, a light-colored sock, and an ankle illuminated by a bright strip of sunshine piercing the crevasse.

“Think maybe it was a suicide?” Ken asked.

Joe shrugged. He’d been particularly quiet for the past eight months since the well-known case dubbed Bear Bait, in which we’d found a man bound to a tree near McGhee Meadow in Glacier Park. The victim, Victor Lance, was killed and fed on by a grizzly, and one of Joe’s family members had been involved. I’d assisted a lead investigator from the Department of the Interior on the case.

“Possibly,” I offered on Joe’s behalf. “Can’t tell for sure, but from the looks of where he is, I don’t think he actually fell from this roadside after all. There’s some slippery rock.” I pointed my chin to a spring seep that coated part of the slope across from us. The June sun spread across my back like the hot palm of a hand. Summer often arrives late to these parts, the fresh tang of spring sometimes hanging on until past solstice, but today seemed to mark the season’s first solid lunge forward. It was going on eleven a.m., and Glacier Park vibrated with new life and promise. Here today, gone tomorrow, I thought morosely. “He might have gone off trail to take a picture or a piss and misjudged how slippery those rocks are when they’re wet.”

“Maybe,” Joe said, then sighed and looked at me. “Monty”—his voice sounded tired and the brim of his cap shadowed his eyes—“you’ll handle the investigation. And you”—he turned to Ken—“will assist. Once you’re down there, I’ll need you to assess the scene. Like I said, if he’s still alive, we’ve got Rescue ready to go.” Then he turned to Charlie. “You and I will secure the area and begin directing traffic. When the victim’s ready to be removed,” he added, “I’ve got a short-haul team on standby. Looks too steep and rocky to haul him up without the chopper and we’ll need to close the road for a while. Tourists are going to get way backed up today.”

Twenty-five minutes later, Ken and I had our anchors set and we were ready to gingerly rappel over the edge, down two hundred vertical feet into the shadowy ravine. Two other experienced rangers, Karen Fortenson and Michael Bridwell, were brought in to man the anchors and assist with the ropes from above so that the weight was transferred appropriately through the pulley system. Each full-time park ranger and all Park Police officers are trained in basic emergency medical service, including Search and Rescue and rope rescue, but some have more experience than others. I was glad to be with Ken who I knew had been on a fair share of rope rescues in the past few years.

In addition to some on-the-job training, I had been scaling mountains since high school. I joined a local hiking and rock-climbing group in Columbia Falls, my small hometown located at the mouth of the canyon leading to Glacier Park. I had seen a flyer for the group on a bulletin board at a grocery store and called because I wasn’t the type to mope around at home after completing my schoolwork. Since it was just getting started and had only a few members—a few mellow twentysomethings—they welcomed me, even though I was only a teen.

I spent many weekends roaming the surrounding mountains of the Flathead Valley with the guys in the group, who asked me very few questions and basically treated me with respect, something I wasn’t used to from my own father or brother. They taught me what they knew about backcountry hiking, camping, rock climbing, and rappelling. I loved the notion that I could challenge myself by moving through untamed places that forced me to handle myself and my emotions on a grander scale. And, Jesus, to simply escape! To leave the house for hours to cleanse the mind under an endless sky, to be away from where the air always seemed thick and the ceiling heavy.

With a hard hat on and the sit harness around my legs and waist, I walked backwards out and away from the cliff where Ken and others stood. I controlled the brake with my right hand and descended slowly, keeping my feet close to the cliff until I made it down into the ravine.

I removed the carabiners from my harness and watched Ken make his descent. He was a large, muscular guy with almost no neck, a shaved, shiny head, and shoulders perpetually raised toward his ears with the bulk of his muscles. I was the opposite: lean and just shy of five foot nine, thick hair with graying sideburns that contradicted that I was only thirty-four, and dark, determined eyes that looked like I trusted everyone, but rarely took no for an answer. When Ken reached the ground, we hiked over cool, shadowed rocks and through brush.

A few yards from the victim, I stopped, took off my glasses and rubbed my eyes. I could feel my own heart thumping in my chest. The surprise and shock I felt from seeing the damage inflicted upon bone and flesh from smashing into rocks, the violation of our everyday perception of the human body, was something I never could get used to. I held out my hand for Ken to halt as well, then I let out a low, soft whistle.

I put my glasses back on and took in the scene. It felt suddenly quiet and intimate, as if the breeze had quit rattling the leaves, the hawks had gone silent, and McDonald Creek below us had ceased to roar from its full flow of spring runoff. But I knew none of this had happened; it was just an effect of my shocked senses in spite of how many times I’d seen it before: five to be exact. Three climbing incidents on the popular climbing peaks at the top of the pass, one fall into McDonald Creek, and one hiking accident in which the man had slid down a snowfield and off an abrupt ledge.

Before us, blood had stained the rocks around the back of the victim’s head. His skull was flattened, broken open like an egg with cerebrospinal fluid, gray brain matter, and blood drained out onto the rocky ground. His face was crushed, torn, swollen, and unrecognizable, but I could see what looked like facial hair streaked with blood and dirt. Every single limb lay twisted in awkward and unnatural angles, badly gashed and coated with dried blood. He had hit rock probably several times on the way down, using his hands instinctively to try to break the first slam. His hands and wrists were shattered up to his elbows, one thumb completely ripped off. The other arm lay hidden and abnormally cocked under his back with his shoulder joint dislocated. He looked like a badly broken Ken doll.

There was something familiar about the illogically crooked, disfigured body and at the same time, nothing at all recognizable. The man had long, dirty-blond and curly locks, also marbled with dirt and caked blood that had turned the color of rust. He had on army-green shorts and a tattered T-shirt that looked like it might have been white or yellow, but it was torn, covered in grime and body fluids and was hard to tell. One foot missed its hiking shoe, which had probably popped off on impact and been cast into some bushes even farther below.

I could hear tiny insects buzzing and zigzagging. Small blowflies had already swarmed into the mucus in his eye sockets, his mouth, and other wounds. My mouth went dry, then began to water. He smelled of death, a copper odor mixed with beef gone bad. I ignored the queasy sensation in my gut and pulled some nitrile and vinyl gloves out of my pocket, put them on, and walked to him. The instinct is to offer comforting words as if the person was still alive, to say, Are you okay? Help is on the way, but I shook the urge away and knelt beside him. Still grasping for the ordinary, I began to reach out with my two fingers toward his neck to check his vitals, then stopped. Checking for a pulse was as futile as trying to console him. It was obvious his neck was broken, his skull lacerated, and the life gone out of his one partially open eye, already gone opaque. The other was swollen shut. I withdrew my hand and shook my head to Ken.

Ken didn’t say anything. I could hear him breathing—strong exhales through his nostrils and he had ceased smacking his gum. He was usually hard to keep quiet and was not acting like his chatty and eager self. I chalked it up to the task at hand.

I grabbed my radio and pressed Talk. “Chief, you read?”

“Yep, please report.”

“Deceased. Judging by the color of the blood and his eyes, looks like he’s been here at least since yesterday. Rigor mortis has set in as well and it doesn’t appear to have begun to wear off. Doesn’t appear to be chewed on though, so no animals have been around yet.”

“Bonus,” Joe said, and I could hear him sigh like he didn’t want to be doing this so early into tourist season, which really fires up around the Fourth of July.

“We’ll look around, take notes and photos,” I said. “I’ll let you know when we’re getting closer to being done down here.”

We signed off, and l looked up at the clear cloudless sky. “Since he’s not alive,” I said to Ken, “and no rain in the forecast, there’s no major rush in getting him up. Let’s study the area as carefully as we can.”

Ken took out a tissue from his pocket and plucked his gum out with his thumb and forefinger. He briefly looked at it with disgust, then wrapped it in the tissue and placed it back in his pocket. I didn’t bother to tell him he’d be better off continuing to chew it or to grab a new piece because it helped minimize the full onslaught of death’s odor. I wasn’t much older than Ken, but I had gone through some recent forensics schooling while he’d had very little, just the initial training program—stuff like criminal investigations, park and recreation law, criminal procedure, and penal law. I was certain Ken had only been on one or two death scenes before, and only as a bystander, although he’d been on plenty of Search and Rescue missions. Fortunately, I had recently spent hours in Georgia going over forensic analysis with a cadaver before me.

After my time with Department of Interior agent Ted Systead on Bear Bait, I’d decided I wanted to enhance my knowledge of investigative services. I’d always been a fully-trained, permanent full-time law enforcement officer since I’d been employed by the park, but since I’m a good organizer and notetaker, I’d been pulled into administrative duties with the super. And before becoming a Park Police officer, I was a game warden in eastern Montana close to the Divide.

But I hadn’t been on a crime case in a long time until the Bear Bait case popped up. After it, my hunger to be involved in investigative services deepened, and I’m sure it was no coincidence that my desire to plunge into something wholly absorbing coincided with being separated from my wife, Lara. I admit I have a propensity for a bit of tunnel vision, for working feverishly on things that catch my interest. Lara would tell you that it was a problem at times—how I could tune out our lives and escape into the pull of a new task. I’ve been this way for as long as I can remember.

So once I caught the investigative bug, I no longer wanted any part of the administrative duties I’d been mixed up in for the past few years. I asked Joe, and he agreed to send me to a refresher course in Brunswick, Georgia, on Crime Scene Investigative Procedures, Evidence Collection and Analysis, and another on Modern Forensics.

I removed my pack and pulled out another pair of gloves for Ken, some evidence markers, and my notepad while he grabbed the camera.

“Here we go,” I said, ready to put my recent training to work. “We’ll see if I can do this without taking forever.” I kneeled down again by the body and pressed my forefinger into the blotched and bluish-purple skin of his arm. The skin was cold, still in the shadows and, of course, the algor mortis—the death chill—well underway. The flesh stayed purple. I noted that and said to Ken, “Looks like hypostasis has spread evenly and isn’t responding to pressure.”

“Huh?” Ken mumbled.

“The discoloring of the skin—you know, the livor mortis.”

“Yeah, right,” Ken said. He looked away, to the cliffs above us. A hawk sailed by.

“Probably means he’s been out here for more than ten to twelve hours,” I offered. “After five or six, the lividity blotches start to merge, but the skin still goes white when pressed. After ten, give or take depending on temperature, it stays this bluish-purple color. And,” I noted, “rigor mortis hasn’t yet begun to wear off as it does about thirty-six hours after death. Although with the cold last night,” I reconsidered, “what was it? Maybe forty-five, forty-eight degrees?”

“?’Bout that,” Ken agreed.

“Might’ve slowed both processes down quite a bit. The coroner or pathologist should be able to tell us more, depending on how far this goes.” Often with accidents like these, an autopsy is done regardless—just to be thorough because with a fall, it’s always harder to know if foul play occurred. Of course, the family’s wishes would be respected, but we’d request an autopsy, get the ducks in a row. Better safe than sorry.

Ken, now a little green around his mouth and white in the face, scrunched up his nose and stared at me with a slightly dazed expression. “You want me to take photos of the body now or after you inspect it and take your notes?”

“Now would be good.” I backed away and motioned with my gloved palm to signal all yours, and he snapped away. Flashes disrupted the shadows in the ravine until Ken stopped, moved the camera away from his face, swallowed hard, and wiped his forehead with the sleeve of his uniform shirt. I could still hear his breathing, heavier now. “You okay?” I said.

“Yeah, I’m good.”

“You sure? Here.” I held out my hand. “Why don’t I take the rest of the pictures and you can scoot over there and check out that disturbed rock up there. I think he probably hit that ledge.” I pointed about thirty yards above us. Glacier is known for its sedimentary rock, which is crumbly and unstable. “See it?”

Ken looked up, squinting into the sun now moving slightly farther to the west, shining directly on where I was kneeling and exposing the victim from the waist up. “Yeah, I see that. Right.” He handed me the camera. “Probably a good idea.”

“Check for blood, disturbed dirt, you know, scrape marks from sliding, clothing, that sort of thing, but don’t touch anything. And, Ken,” I said, “might want to grab another piece of gum.”

He looked at me confused, and I waved him on. I didn’t want to deal with him getting sick on me. Then I turned back to the victim, brought the camera to my eye, and focused on his hair and face again. I found myself tilting my head to slightly alter my perspective. Slowly, I lowered the camera from my eyes. “Ken,” I said. “Mind coming back over?”

He shuffled back. “Yeah?”

“Past the swelling, past the distortion. . . . Doesn’t this guy, I mean, call me nuts, but doesn’t he look familiar to you?”

Ken took a step back, also tilted his head to the side and squinted, his thick, sunburned neck bunching on one side.

“The hair especially,” I said. “I swear I know this man.”

Ken brought his head back to straight, his beefy shoulders tensing and pulled in his chin like a turtle. “Yeah, you’re right. Shit. You’re right. I think, oh God, I think it’s Wolfie.”

“Wolfie,” I repeated, under my breath. “Yes,” I nodded. “Damn, that’s it.” I grabbed my radio to call Joe and recalled the last time I saw the man. I was with Lara, my now-estranged wife, and he was with his wife and kids—all bright smiles while eating dinner at the Pizza Hut in Whitefish. “I guess we can’t be sure, but, holy shit, yeah, I think it’s him.”

About The Author

Scott Wilson Photography, 2014

Christine Carbo is the author of The Wild Inside, Mortal Fall, and The Weight of Night. A Florida native, she and her family live in Whitefish, Montana. Find out more at

Product Details

  • Publisher: Atria Books (May 31, 2016)
  • Length: 416 pages
  • ISBN13: 9781476775470

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Raves and Reviews

“Carbo doesn’t do superficial. She gives her characters weight. And like her debut, Mortal Fall provides a story with dual tracks—the investigation into murder and the rugged journey of the soul."

– New York Journal of Books

"Compulsively readable...Carbo paints a moving picture of complex, flawed people fighting to make their way in a wilderness where little is black or white, except the smoky chiaroscuro of the sweeping Montana sky.”

– Publishers Weekly

“[Carbo] writes with a sense of simple realism that comes from being a local. The grandeur and beauty of Glacier isn't over-written, nor ignored.

Carbo has a strong grasp of the area and writes with proficiency. The beauty and grit that is the Flathead Valley and Glacier is easily overwrought, and surprisingly, Mortal Fall is not….It's the perfect mystery to read beside the lake, not creepy or nightmarish. Mortal Fall is a well written case of murder, set in a beautiful place."

– The Missoulian

"If Mortal Fall were just a beautifully written, sharp-eyed procedural, that would be reason enough to read it. But Christine Carbo offers so much more in this fine second novel. It’s a study of flawed, compelling characters and the ghosts that haunt them. It’s also a fascinating look at the relationship of humans with the too-rapidly changing landscape of Glacier Park. And finally, it’s the tragic story of the forces that can shatter a family. This novel works on so many levels, all of them masterfully crafted."

– William Kent Krueger, New York Times bestselling author of Windigo Island

Mortal Fall is a terrific read. With a masterful hand, Christine Carbo guides her readers through an intriguing mystery full of complex relationships and smartly-developed characters. Her rich descriptions immerse you in the grandeur of Glacier National Forest as this riveting story unfolds. Christine Carbo should be a part of every mystery-lover’s personal library.”

– Allen Eskins, author of The Guise of Another

“Carbo brings subtlety and sensitivity to the smallest of moments… those willing to soak up the character-driven context will find much to enjoy here.”

– Booklist

"I found this book more and more engaging as it moved along a dark and dangerous path to a surprise conclusion."

– Mystery Scene Magazine

"Christine Carbo’s wonderful depictions of Glacier National Park and the surrounding national forests and wilderness made me long for a return…I relished Mortal Fall so much, that I now plan to purchase Carbo’s debut novel The Wild Inside.”

– Meanderthals

Praise for The Wild Inside:

“...stays in your mind long after you’ve put the book down. I’m still thinking about it. Prepare to run the gamut of emotions with this fine treat of a story. Then, in the years ahead, be on the lookout for more from this fresh new voice in the thriller genre.”

– Steve Berry, New York Times bestselling author of the Cotton Malone series

"Fans of Nevada Barr will love this tense, atmospheric thriller with its majestic Glacier National Park setting. The Wild Inside is a stunning debut!"

– Deborah Crombie, New York Times bestselling author of TO DWELL IN DARKNESS

“An intense and thoroughly enjoyable thrill ride. Christine Carbo’s literary voice echoes with her love of nature, her knowledge of its brutality, and the wild and beautiful locale of Montana. The Wild Inside is a tour de force of suspense that will leave you breathlessly turning the pages late into the night.”

– Linda Castillo, New York Times bestselling author of THE DEAD WILL TELL

“The brutality and fragility of Glacier National Park’s wilderness provides the perfect backdrop for this well-crafted, absorbing novel about the barbarities and kindnesses of the humans living on its edge. Christine Carbo is a writer to watch.”

– Tawni O'Dell, New York Times bestselling author of One of Us

“Grizzly bears, murder, mauling, and mayhem mix in Carbo's debut novel. Ted Systead's past and present intersect in an unexpected—and chilling—manner against the incongruously gorgeous backdrop of Glacier National Park.”

– Kirkus Reviews

“Sharp, introspective Systead is a strong series lead, and Carbo rolls out solid procedural details, pitting him against Department of the Interior bureaucrats. The grittiness of the poverty-wracked area surrounding Glacier plays against the park’s dangerous beauty in this dark foray into the wilderness subgenre. Put this one in the hands of those who enjoy Paul Doiron’s Mike Bowditch novels and Julia Keller’s Bell Elkins series.”

– Booklist

“If the key to a mystery’s success is keeping the reader guessing, The Wild Inside is a fine example of the genre.”

– The Billings Gazette

"The most powerful and compelling aspect of the novel is the balancing of criminal investigation and the emotional baggage that burdens the protagonist....The wilderness provides a lush background for this combination of crime and personal redemption, the resolution as nuanced as the death of Victor Lance."

– CurledUp

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