From the New York Times bestselling author of Speaking in Bones, the first Temperance Brennan novel in the “cleverly plotted and expertly maintained series” (The New York Times Book Review).
Her life is devoted to justice—even for those she never knew.
In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Temperance detects an alarming pattern—and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her—her best friend and her own daughter—in mortal danger…
“A genius at building suspense” (Daily News, New York), Kathy Reichs’s Temperance Brennan books are ripe with intricate settings and memorable characters” (Milwaukee Journal Sentinel).
Kathy Reichs’s first novel Déjà Dead was a #1 New York Times bestseller and won the 1997 Ellis Award for Best First Novel. A Conspiracy of Bones is Kathy’s nineteenth entry in her series featuring forensic anthropologist Temperance Brennan. Kathy was also a producer of the hit Fox TV series, Bones, which is based on her work and her novels. Dr. Reichs is one of very few forensic anthropologists certified by the American Board of Forensic Anthropology. She served on the Board of Directors and as Vice President of both the American Academy of Forensic Sciences and the American Board of Forensic Anthropology, and as a member of the National Police Services Advisory Council in Canada. She divides her time between Charlotte, North Carolina, and Montreal, Québec. Visit Kathy at KathyReichs.com.
"Kathy Reichs knows how to put all [of her] exotic experience into a novel....Quebec's own Southern gal give[s] Cornwell a run for the money." -- Margaret Cannon, Globe and Mail
"What makes Déjà Dead so compelling, in addition to the authoritative descriptions of how a forensic scientist 'reads' the story the bones tell, is the character of Brennan -- smart, persistent, gutsy, ironic yet vulnerable." -- Judy Stoffman, Toronto Star