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About The Book

A rare mix of wit, social satire, and suspense, along with characters who leap from the page to speak directly to the reader, As Husbands Go is a moving story about a love that just won't give up.

Call her superficial, but Susie B Anthony Rabinowitz Gersten assumed her marriage was great—and why not? Jonah Gersten, MD, a Park Avenue plastic surgeon, clearly adored her. He was handsome, successful, and a doting dad to their four-year-old triplets. But when Jonah is found dead in the Upper East Side apartment of second-rate “escort” Dorinda Dillon, Susie is overwhelmed with questions left unanswered. It’s bad enough to know your husband’s been murdered, but even worse when you’re universally pitied (and quietly mocked) because of the sleaze factor. None of it makes sense to Susie—not a sexual liaison with someone like Dorinda, not the “better not to discuss it” response from Jonah’s partners. With help from her tough-talking, high-style grandma Ethel, who flies in from Miami, she takes on her snooty in-laws, her husband’s partners, the NYPD, and the DA as she tries to prove that her wonderful life with Jonah was no lie.

Susan Isaacs brilliantly turns the conventions of the mystery on end as Susie Gersten, suburban mom, floral designer, and fashion plate, searches not so much for answers to her husband's death as for answers to her own life.

Reading Group Guide

This reading group guide for As Husbands Go by Susan Isaacs includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book. 


When renowned Park Avenue plastic surgeon Jonah Gerston is found stabbed to death in the apartment of a second-rate call girl, his wife, Susie, is left with a lonely McMansion in a tony Long Island suburb, fatherless four-year-old triplets, and a host of nagging questions about her charming, successful, and seemingly loyal husband. The product of a modest Brooklyn upbringing who climbed her way up the social ladder into the world of Manolo slingbacks and antique bergère chairs, Susie had always felt secure in both her marriage and her posh lifestyle. But now, with tabloid reporters crowding her manicured lawn and the police convinced they have an open-and-shut case, she is left questioning everything she's ever believed in. But she’s also got a gut feeling that all is not what it seems.

Luckily for Susie, her plucky, glamorous, and long-estranged grandmother Ethel has suddenly emerged, ready to take on the NYPD, the D.A., Jonah's intolerable parents, and his former business partners, who would all rather just sweep this scandal under the rug. Their eagerness becomes a bit suspicious. With Ethel in tow, Susie embarks on a quest to reveal the truth about her husband's murder, hoping to find a way to validate her past and forge a new future.


Questions for Discussion

1)      Early in the book, Susie reflects on her personal growth, or lack thereof, since the death of her husband: “Maybe I’m still shallow, just deluding myself that after all that’s occurred, I’ve become a better person” (p. 2). How does Susie's character progress through the novel? Do you think that everything she has endured has made her a better person?

2)      Jonah’s friends, family, and colleagues all seem surprised that he might be cheating on his wife, and they repeatedly describe him as decent, honorable, and kind. What was your gut feeling about Jonah’s murder from the very beginning? Did you believe that he had been buying the services of this prostitute, and did your impressions change at all as you were reading? Why or why not?

3)      Susie seems to have always taken unabashed pleasure in her happy marriage, while her friend and business partner Andrea views her own marriage it as a vehicle to the lifestyle that she wants. Compare and contrast Susie and Andrea’s views on their husbands and marriage in general. Do you think Susie married for money, and simply chanced upon happiness with Jonah?

4)      Throughout the book, Susie lovingly reflects on the household items that she and Jonah collected, from the ornate bergère chair to the antique settee from Vermont. In the midst of mourning her husband’s death, she maintains, “I knew if I were sitting in a repro Regency covered in polyester damask, I would feel worse” (p. 25). What is her relationship with these objects of luxury? Do you think she is truly fulfilled by her life of material wealth? And do you think Isaacs is being ironic when she says that sitting on polyester damask would make things worse?

5)      As much as Susie clashes with her in-laws, Babs and Clive Gerston, she seems to revile her own parents even more. Discuss the depiction of the Rabinowitzs. How do you feel about Susie’s attitude toward them? Do you believe they are truly as selfish and miserable as she makes them out to be, or is she resentful of her humble upbringing?

6)      Susie struggles to reconcile her mother’s perception of Ethel as a selfish absentee parent with the alluring, open-hearted woman she knows today. What is your opinion of Ethel? Do you see her attempt to establish a relationship with Susie as penance for her past actions, or do you believe she has simply chosen a glamorous granddaughter over a misfit daughter?

7)      On page 139, Isaacs writes, “[Babs] and Grandma Ethel shared two dualities: an ability to manipulate other people and a powerful ambition to be a somebody. Most likely, they also shared a common ruthlessness.” Discuss the strengths and shortcomings of these two characters. Why do you think Susie seems so repelled by Babs and so enamored with Ethel, despite their apparent similarities?

8)      Susie relentlessly investigates Jonah’s murder even as her friends, family, and the police encourage her to move on. On p.149 she states, “What I’m after is the truth, even if it’s an ugly truth” and at the end of the book she explains, “It wasn’t so much truth-seeking as I couldn’t stand the thought of that repulsive, stupid, useless, innocent hooker rotting in jail” (p.339). Do you think that she is driven by the desire to clear Dorinda’s name, her husband’s, or both? Does her motivation evolve at all as the novel progresses? 

9)      Were you surprised to discover who the murderer was? Did you have any other suspects in mind?

10)  Susie relies on an eclectic support group of friends and family, from Andrea and her husband Hugh “Fat Boy” Morrison to tough talking Ethel and her lover, Sparky. Which of the novel’s characters is your favorite?

11)  What do you think lies ahead for Susie and the triplets? Will Ethel remain in their lives now that the mystery has been solved?

12)  Reread the novel’s epigraph from Walt Whitman’s Leaves of Grass. How do you think this quote applies to the novel?


Enhance your Book Club

1)      Try your hand at Susie’s trade! Take a floral design class with your book club at a local craft store or flower shop.

2)      Grandma Ethel first appeared in Susan Issacs’ Any Place I Hang My Hat. Read this for your next book club meeting.

3)      Find out more about Susan Isaacs by visiting her website,, which includes a list of her other titles as well as biographical information.

About The Author

© Deborah Feingold

Susan Isaacs is the author of thirteen novels, including As Husbands Go, Any Place I Hang My Hat, Long Time No See, and Compromising Positions. She is a former editor of Seventeen and a freelance political speechwriter. She lives on Long Island with her husband. All of her novels have been New York Times bestsellers.

Product Details

  • Publisher: Scribner (July 6, 2010)
  • Length: 352 pages
  • ISBN13: 9781416579847

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Raves and Reviews

“Very funny… A freewheeling comic monologue, part satire, part whine, socially acute and skillfully vicious.”—Washington Post

“A master of the genre.”—O, the Oprah Magazine

“Wildly sassy… Susie is an irresistible character.”—Columbus Dispatch

“Issacs is a master of witty fiction with an undercurrent of emotional truth.”—USA Today

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