Beijing-born painter Liu Ye (b. 1964) combines abstraction and figuration to create bold, meditative paintings that investigate the intersections of history and representation through a distinct vocabulary that transcends traditional Eastern and Western art-historical categories. Drawing on both his childhood memories of China and his early education in Europe, the artist’s carefully balanced, methodical compositions play on perspective and ways of seeing, while also referencing a diverse range of aesthetic, literary, and cultural sources. Among these are the fairy-tale worlds of Hans Christian Andersen and Lewis Carroll; literature by Leo Tolstoy and Vladimir Nabokov; and modernist painting, architecture, and design, from Balthus to the Bauhaus. These various points of reference have inspired Liu’s artistic output for more than twenty-five years, resulting in a body of work that is at once rich in its historical quotations and singularly his own.
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