With cameo appearances by Lenny Bruce, J. Edgar Hoover, Bobby Thompson, Frank Sinatra, Jackie Gleason and Toots Shor, “this is DeLillo’s most affecting novel…a dazzling, phosphorescent work of art” (Michiko Kakutani, The New York Times).
Reading Group Guide
- "Underworld" can refer to many different facets of this book, such as the labyrinthine subways that wind beneath New York City, or the underground art scenes frequented by Klara and her friends. But it also alludes to the "underworld" that lives within each of us, the fusing of our memories, emotions, and personal histories that make us who we are. Do you agree with the prison psychiatrist who tells young Nick Shay that "we all have a history we are responsible to?" Discuss other "underworld" themes in the book.
- As Underworld's cover photo represents, there are many "twin forces" explored in this book. Identify these themes of duality and discuss how they're rendered by DeLillo.
- Few books boast a more brilliantly conceived Prologue than Underworld. Discuss your opinions of it: its construction, its language, its use of real-life in a tale of fiction. Why is the Prologue titled "The Triumph of Death?" How does its gritty, "you're-in-the-ballpark" tone compare to the tone of the first chapter? Do you think the Prologue could stand alone as a short story?
- One of the most striking aspects of Underworld's narrative is its sprawling, nonlinear structure. By the end of the novel, we have gone full-circle; we start at the baseball game in 1951, fast-forward to the 1990s, and then work our way back to 1951 again. Why do you think DeLillo chose to structure his book this