A homeless woman, let’s call her my mother for now, or yours, sits on a window ledge in late afternoon in a working-class neighborhood in Cleveland, or it could be Baltimore or Detroit. She is five stories up, and below the ambulance is waiting, red lights flashing in the rain. The woman thinks they’re the red eyes of a leopard from her dream last night. The voices below tell her not to jump, but the ones in her head are winning. In her story there are leopards on every corner, men with wild teeth and cat bodies, tails as long as rivers. If she opens her arms into wings she must cross a bridge of fire, battle four horses and riders. I am a swan, a spindle, a falcon, a bear. The men below call up to save her, cast their nets to lure her down, but she knows she cannot reach the garden without the distant journey. She opens her arms to enter the land of birds and fire. I will become wind, bone, blood, and memory. And the red eyes below are amazed to see just how perilously she balances on the ledge—like a leaf or a delicate lock of hair.
Every passion borders on chaos, that of the collector
on the chaos of memory.
© 2011 Mira Bartók
The Memory Palace
“People have abandoned their loved ones for much less than you’ve been through,” Mira Bartók is told at her mother’s memorial service. It is a poignant observation about the relationship between Mira, her sister, and their mentally ill mother. Before she was struck with schizophrenia at the age of nineteen, beautiful piano protégé Norma Herr had been the most vibrant personality in the room. She loved her daughters and did her best to raise them well, but as her mental state deteriorated, Norma spoke less about Chopin and more about Nazis and her fear that her daughters would be kidnapped, murdered, or raped.
When the girls left for college, the harassment escalated—Norma called them obsessively, appeared at their apartments or jobs, threatened to kill herself if they did not return home. After a traumatic encounter, Mira and her sister were left with no choice but to change their names and sever all contact with Norma in order to stay safe. But while Mira pursued her career as an artist—exploring the ancient romance of Florence, the eerie mysticism of northern Norway, and the raw desert of Israel—the haunting memories of her mother were never far away.
Then one day, a debilitating car accident changes Mira’s life forever. Struggling to recover from a traumatic brain injury, she was confronted with a need to recontextualize her life—she had to relearn how to paint, read, and interact with the outside world. In her search for a way back to her lost self, Mira reached out to the homeless shelter where she believed her mother was living and discovered that Norma was dying.
Mira and her sister traveled to Cleveland, where they shared an extraordinary reconciliation with their mother that none of them had thought possible. At the hospital, Mira discovered a set of keys that opened a storage unit Norma had been keeping for seventeen years. Filled with family photos, childhood toys, and ephemera from Norma’s life, the storage unit brought back a flood of previous memories that Mira had thought were lost to her forever.
Mira Bartok at the Cakeshop in NYC!-
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Reading Group Guide
When piano prodigy Norma Herr was well, she was the most vibrant personality in the room. But as her schizophrenic episodes became more frequent and more dangerous, she withdrew into a world that neither of her daughters could make any sense of. After being violently attacked for demanding that Norma seek help, Mira Bartók and her sister changed their names and cut off all contact in order to keep themselves safe. For the next seventeen years Mira’s only contact with her mother was through infrequent letters exchanged through post office boxes, often not even in the same city where she was living.
At the age of forty, artist Mira suffered a debilitating head injury that left her memories foggy and her ability to make sense of the world around her forever changed. Hoping to reconnect with her past, Mira reaches out to the homeless shelter where her mother had been living. When she receives word that her mother is dying in a hospital, Mira and her sister travel to their mother’s deathbed to see more
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