Stone Mirrors

The Sculpture and Silence of Edmonia Lewis

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About The Book

From critically acclaimed author Jeannine Atkins comes a gorgeous, haunting biographical novel in verse about a half Native American, half African American sculptor working in the years following the Civil War.

A sculptor of historical figures starts with givens but creates her own vision. Edmonia Lewis was just such a sculptor, but she never spoke or wrote much about her past, and the stories that have come down through time are often vague or contradictory. Some facts are known: Edmonia was the daughter of an Ojibwe woman and an African-Haitian man. She had the rare opportunity to study art at Oberlin, one of the first schools to admit women and people of color, but lost her place after being accused of poisoning and theft, despite being acquitted of both. She moved to Boston and eventually Italy, where she became a successful sculptor.

But the historical record is very thin. The open questions about Edmonia’s life seem ideally suited to verse, a form that is comfortable with mysteries. Inspired by both the facts and the gaps in history, author Jeannine Atkins imagines her way into a vision of what might have been.

Excerpt

Stone Mirrors Forbidden
Old branches crack as Edmonia breaks

a path through the woods. She wants

to outrun fury, or at least make a distance

between herself and the poison spoken

at Oberlin. The school is a shop where she can’t buy,

a supper she’s never meant to taste,

a holiday she can’t celebrate

though she doesn’t want to be left out.

She runs under trees taller than those in town,

where they’re sawed into lumber,

turned into tables, rifles, or walls.

These woods are as close to home

as she may ever again get.

When she was given a chance to go

to boarding school, her aunts’ farewell was final.

People who move into houses

with hard walls don’t return to homes

that can be rolled and carried on backs.

Edmonia crouches to touch tracks

of birds and swift squirrels sculpted in snow,

the split hearts of deer hooves.

Boot prints are set far enough apart

to tell her the trespasser is tall,

shallow enough to guess he’s slender.

Her cold breath stops, like ice.

She looks up at a deer whose dark gaze

binds them, turns into trust.

Then a branch breaks. The deer flees.

About The Author

Photo courtesy of author

Jeannine Atkins is the author of several books for young readers about courageous women, including Stone Mirrors: The Sculpture and Silence of Edmonia Lewis; Finding Wonders: Three Girls Who Changed Science; and the highly praised Borrowed Names: Poems About Laura Ingalls Wilder, Madam C. J. Walker, Marie Curie, and Their Daughters. Jeannine teaches children’s literature at the University of Massachusetts–Amherst and writing at Simmons College. She lives in western Massachusetts. Visit her at JeannineAtkins.com.

Product Details

  • Publisher: Atheneum Books for Young Readers (January 2017)
  • Length: 176 pages
  • ISBN13: 9781481459051
  • Grades: 7 and up
  • Ages: 12 - 99
  • Lexile ® 860L ? The Lexile reading levels have been certified by the Lexile developer, MetaMetrics®

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Raves and Reviews

* “From sparse historical records, Atkins creates a memorable, poetic tale that offers a fictional account of what life may have been like for Edmonia. . . . A fascinating, tantalizing glimpse.”

– Kirkus Reviews, starred review

* “So much mystery surrounds the life of once-celebrated Ojibwe and African Haitian sculptor Edmonia Lewis, it’s a wonder novelist Atkins managed to piece together a cohesive narrative, much less such a splendid one. . . . How this brave, driven young woman overcame prejudice and trauma to pursue her artistic calling to the highest level . . . is a story that warrants such artful retelling.”

– Booklist, starred review

“A good purchase for [those] looking for more diverse materials, especially those featuring women artists and people of color.”

– School Library Journal

“Written with sensitivity and grace, this compelling title of injustice and vindication will leave readers pondering the complicated relationship between pain and art.”

– BCCB

"This is an excellent choice for collections seeking diversity in their biographies, especially those with intent on the curation of women in history and black American artists."

– School Library Connection, May/June 2017

Awards and Honors

  • Bank Street Best Children's Book of the Year Selection Title

Resources and Downloads

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More books from this author: Jeannine Atkins