This critically acclaimed, explosive thriller is a book only prosecutor Linda Fairstein could write. Patricia Cornwall knows the morgue; John Grisham knows the courtroom; but no one knows the inner workings of the D.A.'s office like Linda Fairstein, renowned for two decades as head of Manhattan Sex Crimes Unit. Now that world comes vividly to life in a brilliant debut novel of shocking realism, powerful insight, and searing suspense.
Alexandra Cooper, Manhattan's top sex crimes prosecutor, awakens one morning to shocking news: a tabloid headline announcing her own brutal murder. But the actual victim was Isabella Lascar, the Hollywood film star who sought refuge at Alex's Martha's Vineyard retreat. Was Isabella targeted by a stalker or -- mistaken for Alex -- was she in the wrong place at the wrong time? In an investigation that twists from the back alleys of lower Manhattan to the chic salons of the Upper East Side. Alex knows she's in final jeopardy...and time is running out. She has to get into the killer's head before the killer gets to her.
1. What unique perspective does Linda Fairstein’s background—head of the Sex Crimes Unit of the Manhattan District Attorney’s Office—allow her to bring to her novel? How much of the author do you think there is in Alexandra Cooper?
2. How would you describe Alex? What are her strengths and weaknesses? Is her professional persona at all different from her private one?
3. This novel blends a classic whodunit with multiple other story lines. While involved with Isabella Lascar’s murder, for instance, Alex is also trying to bring a serial rapist to justice and is helping her staff try a number of other cases. Did you like the way that the various stories were woven together?
4. What roles do Mike Chapman and Mercer Wallace play in Alex’s life? What do they have in common with each other, and what makes each unique?
5. Did Isabella Lascar remind you of anyone in particular? Had you mentally cast a particular movie star in the role?
6. FINAL JEOPARDY feels strikingly realistic. The scene in which men are selected for a line-up, for instance, offers a memorably authentic view of the day-to-day workings of police department. Did other, similar details stand out for you? Did you learn anything new in this novel?
7. Why is Martha’s Vineyard such an important place for Alex? Why is it a significant setting for Isabella’s murder—both for Alex and for the story as a whole?
8. Alex admits that her mother doesn’t understand how she is able to do her job and sleep at night. How do you think this constant backdrop of sexual violence affects her? What kind of tone does it give this story?
9. Despite the fact that Isabella was killed in front of Alex’s home and that they were physically similar, Alex refuses to believe that she is in danger. And when she starts receiving strange phone calls at home, she does nothing. Why do you think that she doesn’t take these personal threats that seriously?
10. On page 53, Alex explains why her job is so important and satisfying to her, despite the disturbing cases she’s surrounded by every day. What kind of person does it take to do that job? Do you think that you would be able to do it?
11. Alex is single and doesn’t live close to her family, but she has an impressive support system of friends and colleagues. Who are the key people in her life and how are each of them important to her?
12. Years earlier, Alex’s fiancé, Adam, was killed in an accident just before their wedding. How do you think Adam’s death continues to affect her?
13. This novel—and Alex’s life—is largely dominated by accounts of men’s violence against women. How did learning the killer’s identity, then, stack up with your expectations?
Linda Fairstein was chief of the Sex Crimes Unit of the district attorney’s office in Manhattan for more than two decades and is America’s foremost legal expert on sexual assault and domestic violence. Her Alexandra Cooper novels are international bestsellers and have been translated into more than a dozen languages. She lives in Manhattan and on Martha’s Vineyard.