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That Hideous Strength

About The Book

The final book in C.S. Lewis’s acclaimed science fiction Space Trilogy, which follows Out of the Silent Planet and Perelandra, concludes the adventures of the matchless Dr. Ransom.

Now, the dark forces that have been repulsed in Out of the Silent Planet and Perelandra are massed for an assault on planet Earth. Word is that the mighty wizard Merlin has come back to the land of the living after many centuries, holding the key to ultimate power for the force that can find him and bend him to its will. A sinister technocratic organization is gaining power throughout Europe, with a plan to “recondition” society, and it is up to Ransom and his friends to stop this threat by applying age-old wisdom to a new universe dominated by science. The two groups struggle to a climactic resolution that brings the Space Trilogy to a magnificent, crashing conclusion.

Written during the dark hours immediately before and during World War II, C.S. Lewis’s Space Trilogy stands alongside such works as Albert Camus’s The Plague and George Orwell’s 1984 as a timeless classic, beloved by succeeding generations as much for the sheer wonder of its storytelling as for the significance of its moral concerns.

About The Author

C.S. Lewis was a professor of medieval and Renaissance literature at Oxford and Cambridge universities who wrote more than thirty books in his lifetime, including The Screwtape Letters, The Chronicles of Narnia, The Visionary Christian, and The Space Trilogy (comprised of Out of the Silent Planet, Perelandra, and That Hideous Strength). He died in 1963.  

Product Details

  • Publisher: Scribner (May 13, 2003)
  • Length: 384 pages
  • ISBN13: 9780743234924

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Raves and Reviews

The New Yorker In his usual polished prose, the author creates an elaborate satiric picture of a war between morality and devilry.

The New Yorker If wit and wisdom, style and scholarship are requisites to passage through the pearly gates, Mr. Lewis will be among the angels.

Los Angeles Times Lewis, perhaps more than any other twentieth-century writer, forced those who listened to him and read his works to come to terms with their own philosophical presuppositions.

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