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    Setting the scene

    "This is quite evidently an Angolan novel,"Agualusa says in the preceding interview. How important do you think the setting is to this story? Does it have a particularly African flavor, or is the setting just incidental?
    Narrative voice
    One of the more unusual and daring aspects of The Book of Chameleons is that its narrative voice is the voice of a gecko - so does it work? Is the effect troubling? Sympathetic?
    "This is clearly a book about memory and its traps, and about the construction of identities,"Agualusa says; but what do you feel he has to say about them? Is he just exploring, or is he trying to make a particular point?
    The narrative is interspersed with dreams, and with memories of past lives. Does all this work? What does it add? In the interview Agualusa explains where the details of the gecko's past life have come from. Does knowing this help you?
    There has long been a difference between two schools of translation - one believing that a translation should be invisible, another that it should be conspicuous (that is, you should always be aware you're reading a translation). What do you make of the translation of The Book of Chameleons?
    Agualusa has outlined his influences as the Latin American writers García Márquez,Vargas Llosa, Borges, Fonseca and Amado. Does this book remind you of anything else you've read?
    The book is a murder mystery, and also a love story; it is fantasy and also political realism; one review described it as "part thriller, part mystical," another simply as "genre-dissolving." Do you see this difficulty in pinning it down as a strength or a weakness? Does that make it harder to engage with properly, or all the more interesting for it?

About the Author

Jose Eduardo Agualusa
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Jose Eduardo Agualusa

José Eduardo Agualusa was born in Huambo, Angola, in 1960. He has published seven novels, including Creole, which was awarded the Portuguese Grand Prize for Literature and is a bestseller in seven countries. The Book of Chameleons won The Independent Foreign Fiction Prize in 2007.